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Joseph Beuys - hier Ende der Implosion (Here Implosion Ends), 1974, wooden wedge with pencil drawing
Alex Israel - Sky Backdrop, 2014-2015, acrylic on canvas
Alex Israel, 2014-2015

Sky Backdrop

Robert Moskowitz - Flatiron (For Lily), 1979, oil on canvas
Robert Moskowitz, 1979

Flatiron (For Lily)

Joan Miró - Painting, March 13, 1933, 1933, oil on canvas
Joan Miró, 1933

Painting, March 13, 1933

Eric Fischl - The Call of the Ball, 1993, oil on linen
Eric Fischl, 1993

The Call of the Ball

Roy Lichtenstein - Wallpaper with Blue Floor Interior, 1992, 36-color screenprint on five panels
Roy Lichtenstein, 1992

Wallpaper with Blue Floor Interior

Joseph Beuys - Bonnefanten, 1975, offset on cardstock, stamps reproduced
Joseph Beuys, 1975

Bonnefanten

Joseph Beuys - Joyce mit Schlitten, 1985, offset and silkscreen on cardstock
Joseph Beuys, 1985

Joyce mit Schlitten

Anselm Kiefer - Alarichs Grab [translation: Alaric's Grave], 1969-89, mixed media on treated lead mounted on original photograph in glazed steel frame
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Cy Twombly - Nini's Painting [Rome], 1971, oil based house paint, wax crayon, and lead pencil on canvas
Cy Twombly, 1971

Nini's Painting [Rome]

Andy Warhol - Dead Stop, 1958, ink on paper
Andy Warhol, 1958

Dead Stop

Joseph Beuys - History, 1985, offset on paper, with handwritten additions
Joseph Beuys, 1985

History

Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Joseph Beuys - A.E.I.U.O., 1983, color offset on two sheets
Joseph Beuys, 1983

A.E.I.U.O.

Jasper Johns - The Critic Smiles, 1969, lead relief with tin relief and cast gold
Jasper Johns, 1969

The Critic Smiles

Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994

Untitled (Hate like us)

Jean‐Michel Basquiat - Obnoxious Liberals, 1982, acrylic, oilstick, and spray paint on canvas
Jean‐Michel Basquiat, 1982

Obnoxious Liberals

Henry Moore - Heads No. 2 (Interior and Exterior Forms), 1950, colored crayons, watercolor and wash on paper
Joseph Beuys - Hasenzucker (Hare Sugar), 1972, silkscreen on cardstock; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys, 1972

Hasenzucker (Hare Sugar)

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - Düsseldorf, Drakeplatz 4, 1978, color photograph with silkscreen, mounted on cardboard
Joseph Beuys, 1978

Düsseldorf, Drakeplatz 4

Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Joseph Beuys - Joseph Beuys and Nam June Paik, In Memoriam George Maciunas, 1984-84, Portfolio of felt sculpture (Filzwinkel [Felt Wedge]) (front), wood sculpture, two phonograph records, and screenprint in wood box
Leon Golub - Pinochet Saluting, 1977, acrylic on burlap
Leon Golub, 1977

Pinochet Saluting

Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Charles Ray - Plank Piece I-II, 1973, two black and white photographs mounted on rag board
Charles Ray, 1973

Plank Piece I-II

Anselm Kiefer - Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1968-91

Am Rhein

On View
Roy Lichtenstein - Reflections: VIP! VIP!, 1989, oil and Magna on canvas
Roy Lichtenstein, 1989

Reflections: VIP! VIP!

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set