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Mark Innerst - View of the River, 1988, oil on acrylic on board
Mark Innerst, 1988

View of the River

Günther Förg - Ika, 1987, black and white photograph
Günther Förg, 1987

Ika

On View
Joseph Beuys - Hirschkopf aus der Suite Tränen (Stag's Head from Suite Tears), 1985, etching on thin paper laid down on white wove
Robert Irwin - Untitled, 1967-68, acrylic lacquer on plastic
Robert Irwin, 1967-68

Untitled

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988

Weekend

William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Donald Judd - Untitled, 1970, copper
Donald Judd, 1970

Untitled

Joseph Beuys - Seiltänzerin aus der Suite Tränen (Tightrope Dancer from Suite Tears), 1985, color etching on thin paper laid down on gray wove
Richard Artschwager - Triptych V, 1972, Liquitex on Celotex with metal frames
Richard Artschwager, 1972

Triptych V

Robert Therrien - No title (black keystone), 1982, enamel and wax on wood
Robert Therrien, 1982

No title (black keystone)

Mark Grotjahn - Untitled (Pink Cosco VI Mask M40.g), 2016, painted bronze
Scott Burton - Semi-Circle Table, 1993, hot rolled steel
Scott Burton, 1993

Semi-Circle Table

Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Robert Rauschenberg - Untitled, 1963, oil and silkscreen inks on canvas
Robert Rauschenberg, 1963

Untitled

On View
Robert Therrien - No title (bent cone relief), 1983, lacquer and wax on wood
Robert Therrien, 1983

No title (bent cone relief)

Joseph Beuys - Nur noch 2425 Tage .... (Only 2425 Days More....), 1980, offset on cardstock
John Baldessari - Blueberry Soup, 2012, multi-color screenprint
John Baldessari, 2012

Blueberry Soup

Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Jordan Wolfson - (Female figure), 2014, mixed media
Jordan Wolfson, 2014

(Female figure)

Sean Scully - Red Way, 1992, oil on linen
Sean Scully, 1992

Red Way

Damien Hirst - Beautiful, cataclysmic pink minty shifting horizon exploding star with ghostly presence, wide, broad painting, 2004, household gloss on canvas and electric motor
Anselm Kiefer - Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1968-91

Am Rhein

On View
Sue Coe - The Children are Going Insane, 1983, graphite and collage on paper mounted on canvas
Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Mark Grotjahn - Untitled (Free Capri 50.40), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.40)

Ed Ruscha - THE GIRL ALWAYS DID HAVE GOOD TASTE, 1976, pastel on paper
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Robert Mapplethorpe - Portrait of Eli Broad, 1987, black and white photograph
Robert Mapplethorpe, 1987

Portrait of Eli Broad