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Joseph Beuys - Bonnefanten, 1977, proof sheets and misprintings of postcards. Color offset wth silkscreen and red ink
Joseph Beuys, 1977
Bonnefanten
Robert Rauschenberg - Gossip (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000
Gossip (Marrakitch)
Jean‐Michel Basquiat - Santo 2, 1982, acrylic, oilstick, and paper on canvas with exposed wood supports
Jean‐Michel Basquiat, 1982
Santo 2
On View
Julie Mehretu - Six Bardos: Transmigration, 2018, 32 color, 2 panel aquatint
Julie Mehretu, 2018
Six Bardos: Transmigration
Damien Hirst - No Arts; No Letters; No Society., 2006, glass, Formica, MDF aluminum, steel, metal supports, surgical equipement, broken mirror, rosary beads, anatomical skulls, duct tape and pharmaceutical packaging
Neil Jenney - Tools and Task, 1969-70, acrylic and pencil on canvas
Neil Jenney, 1969-70
Tools and Task
Jeff Koons - Antiquity (Ariadne Titian Bacchus Popcorn), 2012-2014, oil on canvas
Joseph Beuys - Suite Schwurhand: Vogel (Suite Oath Hand: Bird), 1980, aquatint and lithograph on paper laid down on white Arches wove
Charles Garabedian - Ruin VII, 1981-82, acrylic on canvas
Charles Garabedian, 1981-82
Ruin VII
Joseph Beuys - Signatur 1956 (Signature 1956), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973
Signatur 1956 (Signature 1956)
Albert Oehlen - Fn 23, 1990, oil on canvas
Albert Oehlen, 1990
Fn 23
Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Joseph Beuys - Grassello Ca(OH)2 +H2O, 1979, brochure, stamped
Joseph Beuys, 1979
Grassello Ca(OH)2 +H2O
Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99
Three Moments (with Pool Table)
Paul Pfeiffer - Desiderata, 2004, digital video loop, portable DVD player
Paul Pfeiffer, 2004
Desiderata
Joseph Beuys - Wirtschaftswert Mineralwasser (Economic Value Mineral Water), 1982, bottle of soda water, stamped, with handwritten addition; in wooden box
Joseph Beuys - Grassello Ca(OH)2 +H2O, 1979, brochure, stamped
Joseph Beuys, 1979
Grassello Ca(OH)2 +H2O
Timothy Greenfield‐Sanders - Portrait of Eric Fischl, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986
Portrait of Eric Fischl
Joseph Beuys - Greta Garbo und der Filzlappen, 1979, color offset on cardstock, with handwritten additions
Joseph Beuys, 1979
Greta Garbo und der Filzlappen
Joseph Beuys - wer nicht denken will (Whoever Won't Think), 1977, yellow index card, wth handwritten text, stamped
Susan Rothenberg - Double Masked Heads, 1974, acrylic and tempera on canvas
Susan Rothenberg, 1974
Double Masked Heads
Joseph Beuys - POUR, 1974, special annual issue of the journal POUR, stamped
Joseph Beuys, 1974
POUR
Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Joseph Beuys - Holzschnitte: Gletscher (Woodcuts: Glacier), 1950/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1950/1973-74
Holzschnitte: Gletscher (Woodcuts: Glacier)
Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
Cindy Sherman - Untitled Film Still #54, 1980, gelatin silver print
Cindy Sherman, 1980
Untitled Film Still #54
Neil Jenney - Aggression and Reinforcement, 1969, oil on canvas
Neil Jenney, 1969
Aggression and Reinforcement
Goshka Macuga - Suit for Tichy 4, 2013, digital print on lycra
Goshka Macuga, 2013
Suit for Tichy 4
Terry Winters - The Psychological Corporation, 1990, oil on linen
Terry Winters, 1990
The Psychological Corporation