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Malcolm Morley - Vermeer, Portrait of the Artist in his Studio, 1968, acrylic on canvas
Jeff Koons - Party Hat, 1995-97, oil on canvas
Jeff Koons, 1995-97
Party Hat
On View
Joseph Beuys - Buttocklifting, 1974, sign, baked enamel on convex metal sheet
Joseph Beuys, 1974
Buttocklifting
Leon Golub - Nelson Rockefeller (1976), 1976, acrylic on linen
Leon Golub, 1976
Nelson Rockefeller (1976)
Cecily Brown - Figures in a Landscape 2, 2002, oil on linen
Cecily Brown, 2002
Figures in a Landscape 2
Joseph Beuys - Speisekuchen, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Speisekuchen
Joseph Beuys - Joseph Beuys and Nam June Paik, In Memoriam George Maciunas, 1984-84, Portfolio of felt sculpture (Filzwinkel [Felt Wedge]) (front), wood sculpture, two phonograph records, and screenprint in wood box
Joseph Beuys - Beuys boxt für direkte Demokratie (Beuys Boxes for Direct Democracy), 1972, poster, offset, stamped
Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Joseph Beuys - Suite Schwurhand: Eiszeittiere, 1980, lithograph on white Arches wove
Joseph Beuys, 1980
Suite Schwurhand: Eiszeittiere
Joseph Beuys - Löwe (Lion), 1975, silkscreen on gray cardboard
Joseph Beuys, 1975
Löwe (Lion)
Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982
Goldkuchen (Gold Cake)
Joseph Beuys - Raum 3 (Room 3), 1981, invitation card with handwritten correction
Joseph Beuys, 1981
Raum 3 (Room 3)
Joseph Beuys - ehemalige Klasse Beuys (“former” Beuys Class), 1975, folded handout, stamped
Alexander Calder - The Brass Gong, 1948, painted sheet metal and rod with brass disc
Alexander Calder, 1948
The Brass Gong
Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Joseph Beuys - Schiefertafel (Blackboard), 1972, blackboard, printed in silkscreen on both sides, stamped; with certificate
Joseph Beuys, 1972
Schiefertafel (Blackboard)
Joseph Beuys - Honigpumpe am Arbeitsplatz (Honeypump in the Workplace), 1977, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #304, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #304
Gregory Crewdson - Untitled, 1999, digital chromogenic print
Gregory Crewdson, 1999
Untitled
Tony Oursler - Phobic, 1993, mixed media with video
Tony Oursler, 1993
Phobic
Thomas Houseago - Untitled (Black Painting 12), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 12)
Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967
Femme assise et enfant
Glenn Ligon - White #5, 1993, oil stick and gesso on linen
Glenn Ligon, 1993
White #5
Jasper Johns - Untitled, 1975, oil and encaustic on canvas (four panels)
Jasper Johns, 1975
Untitled
On View
Cy Twombly - Anabasis, Bassano in Teverina, 1980, cast in 2011, bronze
Cy Twombly, 1980, cast in 2011
Anabasis, Bassano in Teverina
Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980
Kunst = Kapital (Art = Capital)
Mike Kelley - Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990
Why?
Chuck Close - Self-Portrait, 1999, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1999
Self-Portrait