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Andreas Gursky - Chicago Board of Trade I, 1997, chromogenic print behind glass in artist's frame
Andreas Gursky, 1997

Chicago Board of Trade I

Joseph Beuys - Beuys in Gewitter, 1983, color photocopy reworked by hand
Joseph Beuys, 1983

Beuys in Gewitter

Leon Golub - White Squad V, 1984, acrylic on linen
Leon Golub, 1984

White Squad V

Sherrie Levine - Lead Checks and Chevron: 9, 1988, casein on lead
Sherrie Levine, 1988

Lead Checks and Chevron: 9

Bruce Nauman - Untitled (Hand Circle), 1996, phosphorus-patinated bronze with wire
Bruce Nauman, 1996

Untitled (Hand Circle)

Takashi Murakami - Tan Tan Bo a.k.a Gerotan: Scorched by the Blaze in the Purgatory of Knowledge, 2018, acrylic on canvas mounted on board
On View
Joseph Beuys - mit Schwefel überzogene Zinkkiste [tamponierte Ecke] (Sulphur-Covered Zinc Box (Plugged Corner)), 1970, sheet zinc, sulphur, gauze; stamped
Cindy Sherman - Untitled #377, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #377

Joseph Beuys - Suite Schwurhand: Wandernde Kiste 3, 1980, lithograph on paper laid down on gray Rives wove
Joseph Beuys - das Fett dafür, 1985, pages worked over with fat and pencil; exhibition catalogue, Kunst in der Bundesrepublik Deutschland 1945-1985, pages 241-245; in cloth box
Joseph Beuys, 1985

das Fett dafür

Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994

Untitled

Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Leon Golub - Castro 3 (1964), 1977, acrylic on linen
Leon Golub, 1977

Castro 3 (1964)

Barbara Kruger - Untitled (You are a very special person), 1995, photographic silkscreen on vinyl
On View
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011

THEY COULDN'T DO NO BETTER

Julian Schnabel - Trachea of the Alder Fly, 1983, fiberglass and oil on tarpaulin
Julian Schnabel, 1983

Trachea of the Alder Fly

Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Goldskulptur

Joseph Beuys - SoHo News, 1980, SoHo News magazine
Joseph Beuys, 1980

SoHo News

Thomas Struth - Audience 7 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity

Cy Twombly - Untitled, 2006, bronze
Cy Twombly, 2006

Untitled

On View
Ed Ruscha - Desire, 1969, oil on canvas
Ed Ruscha, 1969

Desire

Joseph Beuys - Ruined by State, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974

Ruined by State

William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Jeff Koons - Girl with Dolphin and Monkey Triple Popeye (Seascape), 2010, oil on canvas
Joseph Beuys - in Ilverich roch es damals noch nach Gras, 1981, offset on cardstock
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Robbie Conal - Contradiction, 1988, offset lithographic poster
Robbie Conal, 1988

Contradiction

Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988

Für René Char