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Jean‐Michel Basquiat - Wicker, 1984, acrylic, oilstick and xerox collage on canvas
Jean‐Michel Basquiat, 1984
Wicker
On View
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 1, 1980, lithograph on paper laid down on gray Rives wove
Keith Haring - Untitled, 1984, acrylic on four muslin panels
Keith Haring, 1984
Untitled
Richard Serra - The United States Government Destroys Art, 1989, paintstick on paper
Cindy Sherman - Untitled #297, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #297
Joseph Beuys - DDR-Filz (GDR Felt), 1979, felt typewriter pad with handwritten addition, stamped
Joseph Beuys, 1979
DDR-Filz (GDR Felt)
Mark Bradford - (Untitled) a.k.a. Gwen, 2005 - 2006, mixed media on canvas
Mark Bradford, 2005 - 2006
(Untitled) a.k.a. Gwen
Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985
Doppelpferd (Double Horse)
Lari Pittman - Birthplace, 1984, oil, acrylic, and objects on paper mounted on wood panel
Lari Pittman, 1984
Birthplace
Catherine Opie - monument/monumental, 2020, pigment prints
Catherine Opie, 2020
monument/monumental
Goshka Macuga - Suit for Tichy 5, 2013, digital print on lycra
Goshka Macuga, 2013
Suit for Tichy 5
Thomas Struth - Aquarium, Atlanta, Georgia, 2013, chromogenic print
Thomas Struth, 2013
Aquarium, Atlanta, Georgia
Joseph Beuys - Jungfrau aus der Suite Tränen (Virgin from Suite Tears), 1985, etching on thin paper laid down on gray wove
Mike Kelley - Infinite Expansion, 1983, six parts superimposed; acrylic on paper
Mike Kelley, 1983
Infinite Expansion
Joseph Beuys - Suite Zirkulationszeit: Bär (Suite Circulation Time: Bear), 1982, lithograph on white wove
Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984
Tongue to the Heart
Andy Warhol - Race Riot, circa 1963, screenprint on Strathmore drawing paper
Andy Warhol, circa 1963
Race Riot
On View
Thomas Struth - Audience 7 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Anselm Kiefer - Euphrat und Tigris, 1986-89, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1986-89
Euphrat und Tigris
Joseph Beuys - Sonne statt Reagan (Sun instead of Reagan), 1982, phonograph record, in sleeve with red oil paint
Robert Therrien - No title (bowl / hat), 1985, oil on canvas mounted on wood
Robert Therrien, 1985
No title (bowl / hat)
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Hasengrab II (Hare's Grave II)
Kara Walker - African't, 1996, cut paper on wall
Kara Walker, 1996
African't
Cindy Sherman - Untitled #70, 1980, chromogenic color print
Cindy Sherman, 1980
Untitled #70
Sam Francis - Big Orange, 1954-55, oil on canvas
Sam Francis, 1954-55
Big Orange
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - La zappa (The Hoe), 1978, wrought iron, olive wood with brand
Joseph Beuys, 1978
La zappa (The Hoe)
Jeff Koons - Peg Leg Liberty Bell, 2008, oil on canvas
Jeff Koons, 2008
Peg Leg Liberty Bell
Barbara Kruger - Untitled (If you're so successful, why do you feel like a fake?), 1987, photographic silkscreen on mirrored glass
Sean Scully - Red Way, 1992, oil on linen
Sean Scully, 1992
Red Way