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Terry Winters - Pitch Lake, 1985, oil on linen
Terry Winters, 1985

Pitch Lake

Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973

doppelt doppelt

Toba Khedoori - Untitled (park benches), 1997, oil and wax on paper
Toba Khedoori, 1997

Untitled (park benches)

Joseph Beuys - Gletscher Schwamm Totenbett, 1979, photoetching on wove with pencil
Joseph Beuys, 1979

Gletscher Schwamm Totenbett

Jasper Johns - Savarin 2 (Wash and Line), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 2 (Wash and Line)

Susan Rothenberg - Bone Heads, 1989-90, oil on canvas
Susan Rothenberg, 1989-90

Bone Heads

Chuck Close - Self-Portrait, 1999, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1999

Self-Portrait

Ed Ruscha - Sunset-Gardner Cross, 1998-99, acrylic on canvas
Ed Ruscha, 1998-99

Sunset-Gardner Cross

Julian Lethbridge - Untitled, 2012, oil and pigment stick on linen
Julian Lethbridge, 2012

Untitled

Robert Therrien - No title (purple arch relief), 1977, enamel and wax on wood
Robert Therrien, 1977

No title (purple arch relief)

Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983

Wiedergeborene Höhlenmenschen

Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Joseph Beuys - Output, 1978, 40 black and white photographs by Werner Krüger, in box
Joseph Beuys, 1978

Output

Richard Artschwager - Instrument, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990

Instrument

Cindy Sherman - Untitled #364, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #364

Susan Rothenberg - Double Masked Heads, 1974, acrylic and tempera on canvas
Susan Rothenberg, 1974

Double Masked Heads

Alex Israel - Self Portrait (Selfie and Studio Floor), 2014, acrylic and bondo on fiberglass
On View
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Glenn Ligon - White #5, 1993, oil stick and gesso on linen
Glenn Ligon, 1993

White #5

Robert Longo - Untitled (White Riot), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982

Untitled (White Riot)

On View
Joseph Beuys - Abonnez-vous POUR, 1974, order form, stamped
Joseph Beuys, 1974

Abonnez-vous POUR

Cindy Sherman - Untitled #180, 1987, chromogenic color print (two panels)
Cindy Sherman, 1987

Untitled #180

Joseph Beuys - Suite Schwurhand: Foetus, 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Foetus

Philip‐Lorca diCorcia - New York, 1996, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1996

New York

Joseph Beuys - Goldhase, 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Goldhase

Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988

Für René Char

Annette Lemieux - Gone Home, 1987, black and white photograph
Annette Lemieux, 1987

Gone Home

Brice Marden - The Virgins 8, 1991-93, ink and gouache on paper
Brice Marden, 1991-93

The Virgins 8

Andreas Gursky - Hong Kong Stock Exchange II, 1995, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1995

Hong Kong Stock Exchange II

Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard