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Cy Twombly - Camino Real (IV), 2010, acrylic on wood panel
Cy Twombly, 2010

Camino Real (IV)

Charles Garabedian - Prehistoric Figure, 1978-80, acrylic on panel
Charles Garabedian, 1978-80

Prehistoric Figure

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Ashley Bickerton - Interior (Wicked Tahiti), 1988, mixed media construction
Ashley Bickerton, 1988

Interior (Wicked Tahiti)

George Condo - Untitled, 1985, oil on canvas
George Condo, 1985

Untitled

Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View
John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968

The Spectator Is Compelled...

Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
Meyer Vaisman - The Labor Painting, 1987, process inks on four canvas panels
Meyer Vaisman, 1987

The Labor Painting

Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85

No title (green hat on pedestal)

Leon Golub - Threnody I, 1986, acrylic on canvas
Leon Golub, 1986

Threnody I

Anselm Kiefer - Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1968-91

Am Rhein

On View
Joseph Beuys - 9 Postkarten: Manifest (9 Postcards: Manifesto), 1985, offset on cardstock, stamps reproduced
Sharon Lockhart - PINE FLAT, 2005, 16mm film
Sharon Lockhart, 2005

PINE FLAT

Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009

Blinded

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983

Wiedergeborene Höhlenmenschen

Eric Fischl - The Evacuation of Saigon, 1987, oil on three linen panels
Eric Fischl, 1987

The Evacuation of Saigon

Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
Robbie Conal - Gag Me with a Long Dong Condom, 1992, offset lithographic poster
Robbie Conal, 1992

Gag Me with a Long Dong Condom

Cindy Sherman - Untitled #397, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #397

Terry Winters - Set Diagram 33, 2000, oil on linen
Terry Winters, 2000

Set Diagram 33

Joseph Beuys - hier Ende der Implosion (Here Implosion Ends), 1974, wooden wedge with pencil drawing
Cindy Sherman - Untitled #119, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #119

Jeff Wall - Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox
Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

SHAM DEATH

On View
Joseph Beuys - Bitterfelder Telegramm (Bitterfeld Telegram), 1979, telegraph form, stamped
Joseph Beuys - Fondazione per la rinascita dell'agricoltura (Foundation for the Rebirth of Agriculture), 1978, silkscreen on heavy cardboard, stamped