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Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Thomas Struth - Semi Submersible Rig, DSME Shipyard, Geoje Island, 2007, chromogenic print
On View
Terry Winters - Aggregation, 1985, oil on linen
Terry Winters, 1985
Aggregation
Joseph Beuys - Das Orwell-Bein - Hose für das 21. Jahrhundert (The Orwell Leg - Trousers for the 21st Century), 1984, blue jeans with circular holes
Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973
doppelt doppelt
Roy Lichtenstein - Female Figure, 1979, oil and Magna on canvas
Roy Lichtenstein, 1979
Female Figure
On View
George Segal - Girl in White Wicker Chair, 1980, plaster and wicker
George Segal, 1980
Girl in White Wicker Chair
Joseph Beuys - Paß für Eintritt in die Zukunft (Passport for Entry into the Future), 1974, pencil on writing paper
Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009
Blinded
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets with metal clamp
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Sharon Lockhart - Pine Flat Portrait Studio, Dakota, 2005, framed chromogenic print
Sharon Lockhart, 2005
Pine Flat Portrait Studio, Dakota
John Baldessari - Tomato Soup, 2012, multi-color screenprint
John Baldessari, 2012
Tomato Soup
Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977
sich selbst (Oneself)
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
John Currin - Maenads, 2015, oil on canvas
John Currin, 2015
Maenads
Cindy Sherman - Untitled #361, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #361
Joseph Beuys - Der Morgen III (The Morning III), 1982, offset on cardstock, stamps reproduced
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Ed Ruscha - Boss, 1961, oil on canvas
Ed Ruscha, 1961
Boss
Tony Oursler - Dust, 2006, fiberglass sculpture, Haron Kardon HS100 5.1 sound system, Sony XGA VPL-PX41 projector, 2 Sanyo PLC-XU48 projectors, 3 dvd players, 6 dvds, 3 master tapes
Tony Oursler, 2006
Dust
Christopher Wool - Untitled, 1985, enamel on metal
Christopher Wool, 1985
Untitled
Peter Halley - Red Cell, 1988, acrylic, fluorescent acrylic and Roll-a-Tex on canvas
Peter Halley, 1988
Red Cell
Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984
Jungle Juice
Kenny Scharf - Sexadansa, 1983, oil and spray paint on canvas
Kenny Scharf, 1983
Sexadansa
Frank Stella - Illustrations after El Lissitzky's Had Gadya, 1982-84, 12 hand-colored and collaged with lithographic, linoleum block, silkscreen
Mark Grotjahn - Untitled (Free Capri 50.29), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018
Untitled (Free Capri 50.29)
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987
vivit
Robert Rauschenberg - Quattro Mani Marrakech II, 2000, screenprint on paper
Robert Rauschenberg, 2000
Quattro Mani Marrakech II