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Richard Serra - No Problem, 1995, four conical shaped weatherproof steel plates
Richard Serra, 1995

No Problem

Joseph Beuys - Abonnez-vous POUR, 1974, order form, stamped
Joseph Beuys, 1974

Abonnez-vous POUR

Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983

Wiedergeborene Höhlenmenschen

George Condo - His Green Ear, 1985, oil on canvas
George Condo, 1985

His Green Ear

Roy Lichtenstein - Mirror #1, 1969, oil and Magna on canvas
Roy Lichtenstein, 1969

Mirror #1

On View
Joseph Beuys - Grüne Geige (Green Violin), 1974, violin painted green, stamped
Joseph Beuys, 1974

Grüne Geige (Green Violin)

Joseph Beuys - Ich hab' ein Kraftwerk im Rucksack (I Have a Power Station in my Rucksack), 1981, newspaper page, stamped
Joseph Beuys - Sekretärstasche, 1981, mailing envelope, stamped, prints on plastic sheet mounted in book
Joseph Beuys, 1981

Sekretärstasche

Joseph Beuys - 3-Tonnen-Edition, 1973-82, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-82

3-Tonnen-Edition

Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988

Untitled

Cy Twombly - La-La, 1953, oil-based house paint and graphite on paper
Cy Twombly, 1953

La-La

Joseph Beuys - Edition 12. Mai 1981 (Edition May 12,1981), 1981, book, similia similibus, stamped, and tape cassette; in cardboard box, stamped
Roy Lichtenstein - Untitled Head, 1995, lithograph
Roy Lichtenstein, 1995

Untitled Head

Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984

Ölflasche (Oil Bottle)

Eric Fischl - The Travel of Romance: Scene IV, 1994, oil on linen
Joseph Beuys - Ufo, 1984, silkscreen on paper
Joseph Beuys, 1984

Ufo

Thomas Struth - Aquarium, Atlanta, Georgia, 2013, chromogenic print
Thomas Struth, 2013

Aquarium, Atlanta, Georgia

Joseph Beuys - Genova, 1976, postcard, silkscreen overprint in brown with pencil
Joseph Beuys, 1976

Genova

Barbara Kruger - Have Me Feed Me Hug Me Love Me Need Me, 1988, lenticular photograph
Joseph Beuys - Paß für Eintritt in die Zukunft (Passport for Entry into the Future), 1974, pencil on writing paper
Andreas Gursky - 99 Cent, 1999, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1999

99 Cent

Joseph Beuys - Luftpost (Airmail), 1971, airmail envelope with page from a chemistry textbook; with several stamps
Joseph Beuys, 1971

Luftpost (Airmail)

Meyer Vaisman - The Labor Painting, 1987, process inks on four canvas panels
Meyer Vaisman, 1987

The Labor Painting

Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
Joseph Beuys - 9 Postkarten: Einsicht (9 Postcards: Insight), 1972, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #413, 2003, chromogenic color print
Cindy Sherman, 2003

Untitled #413

Joseph Beuys - Informationsgraphik (Information Graphic), 1973, offset printed on both sides of paper
William Kentridge - Mine, 1991, 16mm animated film
William Kentridge, 1991

Mine

Julie Mehretu - Conjured Parts (eye), Ferguson, 2016, ink and acrylic on canvas
Julie Mehretu, 2016

Conjured Parts (eye), Ferguson

Ed Ruscha - Bloated Empire, 1996 - 1997, acrylic on canvas
Ed Ruscha, 1996 - 1997

Bloated Empire

On View