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Timothy Greenfield‐Sanders - Portrait of Gerhard Richter, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Gerhard Richter

Mark Bradford - Helter Skelter I, 2007, mixed media on canvas
Mark Bradford, 2007

Helter Skelter I

Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Cindy Sherman - Untitled #354, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #354

Damien Hirst - Judgement Day, 2009, glass, gold plated stainless steel, steel, aluminium, nickel and cubic zirconia
Damien Hirst, 2009

Judgement Day

John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99

Three Moments (with Pool Table)

Timothy Greenfield‐Sanders - Portrait of Cindy Sherman, 1992, iris print
Timothy Greenfield‐Sanders, 1992

Portrait of Cindy Sherman

Ed Ruscha - No End to the Things Made Out of Human Talk, 1977, oil on canvas
On View
Sherrie Levine - Double Checks #6, 1988, oil on lead
Sherrie Levine, 1988

Double Checks #6

Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard
David Salle - Dusting Powders, 1986, acrylic and oil on two canvas panels with wooden chair
David Salle, 1986

Dusting Powders

Jeff Koons - String of Puppies, 1988, polychromed wood
Jeff Koons, 1988

String of Puppies

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
Gregory Crewdson - Untitled, 1998, digital chromogenic print
Gregory Crewdson, 1998

Untitled

Joseph Beuys - Suite Schwurhand: Schwurhand (Suite Oath Hand: Oath Hand), 1980, aquatint and lithograph on paper laid down on gray Arches wove
George Condo - Dancing to Miles, 1985-86, oil on canvas
George Condo, 1985-86

Dancing to Miles

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Goshka Macuga - Death of Marxism, Women of All Lands Unite, 2013, wool tapestry
Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74

Holzschnitte: Hirschkuh (Woodcuts:Hind)

Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Meyer Vaisman - The Labor Painting, 1987, process inks on four canvas panels
Meyer Vaisman, 1987

The Labor Painting

Ron Mueck - Seated Woman, 1999-2000, mixed media
Ron Mueck, 1999-2000

Seated Woman

Takashi Murakami - End of Line, 2011, acrylic on canvas mounted on board
Takashi Murakami, 2011

End of Line

On View
Joseph Beuys - Suite Schwurhand: Schwan (Suite Oath Hand: Swan), 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Sharon Lockhart - Pine Flat Portrait Studio, Ryan, 2005, framed chromogenic print
Sharon Lockhart, 2005

Pine Flat Portrait Studio, Ryan

Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69

Köln (Cologne)

Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.41)

Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988

Weekend