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Albert Oehlen - Fn 26, 1990, oil on canvas
Albert Oehlen, 1990

Fn 26

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, test tube containing coral sand, in cardboard box, stamped
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Jasper Johns - The Critic Smiles, 1969, lead relief with tin relief and cast gold
Jasper Johns, 1969

The Critic Smiles

Joseph Beuys - Demokratie ist lustig (Democracy Is Merry), 1973, silkscreen on cardstock, with handwritten text
Joseph Beuys - Suite Zirkulationszeit: die Mütter (Suite Circulation Time: The Mothers), 1982, etching on white wove
Richard Diebenkorn - Ocean Park #90, 1976, oil on canvas
Richard Diebenkorn, 1976

Ocean Park #90

Ellsworth Kelly - Curve XXVIII, 1982, aluminum
Ellsworth Kelly, 1982

Curve XXVIII

Richard Artschwager - Triptych (With Nude) (Diptych IV), 1966, acrylic on Celotex and Formica on wood
Richard Artschwager, 1966

Triptych (With Nude) (Diptych IV)

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Suite Schwurhand: Schwurhand (Suite Oath Hand: Oath Hand), 1980, aquatint and lithograph on paper laid down on gray Arches wove
Robert Therrien - No title (black keystone), 1982, enamel and wax on wood
Robert Therrien, 1982

No title (black keystone)

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Jeff Koons - Inflatable Flower and Bunny (Tall White and Pink Bunny), 1979, vinyl, mirrors
Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982

Hasenstein (Hare Stone)

Joseph Beuys - Hasengrab I (Hare's Grave I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab I (Hare's Grave I)

Andreas Gursky - Nha Trang, 2004, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2004

Nha Trang

Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980

Kunst = Kapital (Art = Capital)

Ed Ruscha - BLISS BUCKET, 2010, lithograph
Ed Ruscha, 2010

BLISS BUCKET

Leon Golub - 1985 - S. Africa, 1985, lithograph
Leon Golub, 1985

1985 - S. Africa

Joseph Beuys - in interfunktionen 4, 1970, offset, stamped; paper strip with typewritten text, stamped; plaster; on page 54 of publciation; magazine
Joseph Beuys, 1970

in interfunktionen 4

Cindy Sherman - Untitled Film Still #54, 1980, gelatin silver print
Cindy Sherman, 1980

Untitled Film Still #54

William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, offset on cardstock, stamps reproduced
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973

Sonnenscheibe

Philip Taaffe - The Sorcerer's Apron, 1998 - 1999, mixed media on canvas
Philip Taaffe, 1998 - 1999

The Sorcerer's Apron

Andy Warhol - Two Marilyns, 1962, acrylic, silkscreen ink, and pencil on linen
Andy Warhol, 1962

Two Marilyns

Cindy Sherman - Untitled #304, 1994, chromogenic color print
Cindy Sherman, 1994

Untitled #304

Joseph Beuys - Wirtschaftswert Schleuderhonig (Economic Value Strained Honey), 1979, tin can containing honey, with handwritten addition; stamped in blue (Bluecross)
Tony Oursler - Go Boom, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2003

Go Boom