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George Condo - The Bum, 1985, oil on canvas
George Condo, 1985
The Bum
Joseph Beuys - Mirror-Piece (Mirror Piece), 1975, Flask, exterior lacquered, interior mirror-plated, with iodine crystal
Joseph Beuys, 1975
Mirror-Piece (Mirror Piece)
Joseph Beuys - Filzbriefe (Felt Letters), 1974, five pieces of white felt with printed letterhead and inscription by Jürg Brodmann and Joseph Beuys
Joseph Beuys, 1974
Filzbriefe (Felt Letters)
Neil Jenney - Tools and Task, 1969-70, acrylic and pencil on canvas
Neil Jenney, 1969-70
Tools and Task
Damien Hirst - Chlorpropamide, 1996, household gloss on canvas
Damien Hirst, 1996
Chlorpropamide
Annette Lemieux - Gone Home, 1987, black and white photograph
Annette Lemieux, 1987
Gone Home
Malcolm Morley - Vermeer, Portrait of the Artist in his Studio, 1968, acrylic on canvas
John Baldessari - Violet Soup, 2012, multi-color screenprint
John Baldessari, 2012
Violet Soup
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Joseph Beuys - Holzschnitte: Bein (Woodcuts: Leg), 1961/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1961/1973-74
Holzschnitte: Bein (Woodcuts: Leg)
Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard
Cindy Sherman - Untitled #70, 1980, chromogenic color print
Cindy Sherman, 1980
Untitled #70
Joseph Beuys - Sprachlos (Speechless), 1982, exhibition catalogue, Sprachlos cigarillo package, and matches, all with handwritten addition; in printed transparent plastic envelope
Joseph Beuys, 1982
Sprachlos (Speechless)
Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981
Das Wirtschaftswert-PRINZIP
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019
Pure Insecurity
Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets with metal clamp
Eric Fischl - The Travel of Romance: Scene III, 1994, oil on linen
Joseph Beuys - Kitsch Postkarte Nr. 1 (Kitsch Postcard No. 1), 1980, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #311, 1994, Cibachrome
Cindy Sherman, 1994
Untitled #311
Robert Longo - Untitled (Sindelfingen, July 23 2009, For Kurt, Et in Aracadia Ego), 2009, charcoal on mounted paper
Richard Artschwager - Triptych (With Nude) (Diptych IV), 1966, acrylic on Celotex and Formica on wood
Richard Artschwager, 1966
Triptych (With Nude) (Diptych IV)
Cindy Sherman - Untitled #304, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #304
Goshka Macuga - Suit for Tichy 5, 2013, digital print on lycra
Goshka Macuga, 2013
Suit for Tichy 5
Thomas Houseago - Untitled (Black Painting 11), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 11)
Cy Twombly - Untitled, 2006, bronze
Cy Twombly, 2006
Untitled
On View
Roy Lichtenstein - Entablature, 1976, oil and Magna on canvas
Roy Lichtenstein, 1976
Entablature
On View
Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #131
Philip Taaffe - Polis, 1996, mixed media on canvas
Philip Taaffe, 1996
Polis