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Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974

Dillinger

Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
Mike Kelley - Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Beuys in Norwegen (Beuys in Norway), 1982, envelope with franking
Mickalene Thomas - November 1971, 2024, Rhinestones and acrylic on canvas mounted on wood panel with ebony mahogany frame  
Mickalene Thomas, 2024

November 1971

On View
Terry Winters - Source Wave Reference, 1999, oil on linen
Terry Winters, 1999

Source Wave Reference

Cindy Sherman - Untitled #468, 2008, chromogenic color print
Cindy Sherman, 2008

Untitled #468

Joseph Beuys - Dollarnoten (Dollar Bills), 1978, two banknotes, one inscribed by Beuys, the other printed with text by Klaus Staeck
Joseph Beuys, 1978

Dollarnoten (Dollar Bills)

Kenneth Noland - Trans Light, 1968, acrylic on canvas
Kenneth Noland, 1968

Trans Light

Glenn Ligon - Warm Broad Glow II, 2011, neon, paint, and powder coated aluminum
Glenn Ligon, 2011

Warm Broad Glow II

Joseph Beuys - Suite Zirkulationszeit: Kopf H.B. (Suite Circulation Time: Head H.B.), 1982, etching on white wove
Terry Winters - Untitled #2, 1984, charcoal, chalk and crayon on paper
Terry Winters, 1984

Untitled #2

Mark Grotjahn - Untitled (Dancing Black Butterflies, Drawing in 9 Parts), 2005-2007, color pencil on paper in nine parts
Joseph Beuys - Kleve 1950-1961 (Cleve 1950-1961), 1981, thirty seven photographs and one original drawing in cloth-covered box, print with stamp in cloth-covered box
Leon Golub - Nelson Rockefeller (1970), 1976, acrylic on linen
Leon Golub, 1976

Nelson Rockefeller (1970)

Joseph Beuys - Incontro con Beuys, 1974, silkscreen on cardstock, stamped
Joseph Beuys, 1974

Incontro con Beuys

Ed Ruscha - Psycho Spaghetti Western #3, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #3

On View
Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red

Joseph Beuys - Filzbriefe (Felt Letters), 1974, five pieces of white felt with printed letterhead and inscription by Jürg Brodmann and Joseph Beuys
Joseph Beuys, 1974

Filzbriefe (Felt Letters)

Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985

Doppelpferd (Double Horse)

Joseph Beuys - Schautafeln für den Unterricht I und II, 1971, two photographs mounted on cardboard; Board I with zinc plate, sulphur, and handwritten text
Joseph Beuys - Collezione di grafica: Capital, 1982/83, photoetching, etching and pencil on wove
Joseph Beuys, 1982/83

Collezione di grafica: Capital

Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Charles Ray - Plank Piece I-II, 1973, two black and white photographs mounted on rag board
Charles Ray, 1973

Plank Piece I-II

Robbie Conal - Sex, Drugs, Rock and Roll, 1989, three offset lithographic posters
Robbie Conal, 1989

Sex, Drugs, Rock and Roll

Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1980, page of Frankfurter Rundschau newspaper, stamped; bronze object; and branch with beeswax, in cardboard box
Jasper Johns - Usuyuki, 1981, silkscreen, 12 screens
Jasper Johns, 1981

Usuyuki

Timothy Greenfield‐Sanders - Portrait of David Wojnarowicz, 1984, black and white photograph
Timothy Greenfield‐Sanders, 1984

Portrait of David Wojnarowicz

Ed Ruscha - HOLLYWOOD IS A VERB, 1979, pastel on paper
Ed Ruscha, 1979

HOLLYWOOD IS A VERB