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Joseph Beuys - Freier Demokratischer Sozialismus (Free Democratic Socialism), 1971, writing paper with printed letterhead and handwritten text
Cindy Sherman - Untitled #420, 2004, chromogenic color prints
Cindy Sherman, 2004

Untitled #420

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Joseph Beuys - Nehmt was ihr kriegen könnt! (“Take What You Can Get!”), 1972, paper with printed letterhead and handwritten text, stamped
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Cy Twombly - Untitled, 1989, bronze, painted with white oil-based paint
Cy Twombly, 1989

Untitled

Frank Stella - First Night Watch (B-4, 2x), 1988, mixed media on aluminum
Frank Stella, 1988

First Night Watch (B-4, 2x)

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Joseph Beuys - Honigpumpe (Honeypump), 1985, cardboard box with publication, silkscreen print, tape cassette, and fifteen photographs
Joseph Beuys, 1985

Honigpumpe (Honeypump)

Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986

Conversation

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Cindy Sherman - Untitled #125, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #125

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Profile with Ear and Nose (Color), 2006, two-layer, seven-color screenprint; mounted on Sintra and framed
Cindy Sherman - Untitled #216, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #216

Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969

Schlitten (Sled)

Barbara Kruger - Twelve, 2004, four screen video projection
Barbara Kruger, 2004

Twelve

Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
John Baldessari - The Intersection Series: Children Eating Watermelon/High Rise Building, 2001, digital photographic prints with acrylic on Sintra board
Terry Winters - j, 1987, gouache on paper
Terry Winters, 1987

j

George Condo - Yellow Improvisation, 1985, pencil and oil on canvas
George Condo, 1985

Yellow Improvisation

David Hammons - African-American Flag, 1990, dyed cotton
David Hammons, 1990

African-American Flag

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - Collezione di grafica: Capital, 1982/83, photoetching, etching and pencil on wove
Joseph Beuys, 1982/83

Collezione di grafica: Capital

Jasper Johns - The Seasons, 1987, four intaglio prints
Jasper Johns, 1987

The Seasons

Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977

sich selbst (Oneself)

John Ahearn and Rigoberto Torres - Pedro with Tire, 1984, painted cast plaster
John Ahearn and Rigoberto Torres, 1984

Pedro with Tire

Joseph Beuys - in interfunktionen 6, 1971, seven sheets of printed, colored tissue paper, folded in various ways and inserted between various pages of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 6

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Face with Nose and (Green) Ear, 2006, three-layer, six-color screenprint; mounted to Sintra and framed
Frank Stella - Polar Coordinates for Ronnie Peterson, 1980, offset lithograph and screenprint on 320 gram Arches Cover paper
Joseph Beuys - Suite Zirkulationszeit: Honigtopf (Suite Circulation Time: Honey Pot), 1982, etching and aquatint on white wove