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Joseph Beuys - Der Spiegel, 1979, Der Spiegel newsmagazine
Joseph Beuys, 1979

Der Spiegel

Imi Knoebel - vivitis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987

vivitis

Eric Fischl - The Travel of Romance: Scene I, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene I

Joseph Beuys - Fettbriefe (Fat Letters), 1973, five sheets of letter paper treated with fat; with certificate
Joseph Beuys, 1973

Fettbriefe (Fat Letters)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
John McLaughlin - #10 - 1965, 1965, oil on canvas
John McLaughlin, 1965

#10 - 1965

Damien Hirst - The Last Supper, 1999, 13 color screenprints on Somerset paper
Damien Hirst, 1999

The Last Supper

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Ed Ruscha - DIDN'T DO NOTHING..., 2011, acrylic on vellum
Ed Ruscha, 2011

DIDN'T DO NOTHING...

Jeff Koons - Rabbit, 1986, stainless steel
Jeff Koons, 1986

Rabbit

On View
Richard Bosman - The Harvest, 1981, oil on two canvas panels
Richard Bosman, 1981

The Harvest

Jasper Johns - The Seasons, 1987, four Intaglio prints
Jasper Johns, 1987

The Seasons

Jasper Johns - Savarin, 1982, monotype over lithograph
Jasper Johns, 1982

Savarin

Joseph Beuys - Hauptstrom (Main Stream), 1973, invitation card, stamped
Joseph Beuys, 1973

Hauptstrom (Main Stream)

Jasper Johns - Usuyuki, 1981, silkscreen, 12 screens
Jasper Johns, 1981

Usuyuki

David Salle - Before No Walk, 1982, acrylic and oil on two canvas panels
David Salle, 1982

Before No Walk

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Cindy Sherman - Untitled #375, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #375

Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973

Fettzeitung (Fat Magazine)

Cindy Sherman - Untitled #205, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #205

Susan Rothenberg - Blue Body, 1980-81, acrylic and flashe on canvas
Susan Rothenberg, 1980-81

Blue Body

Joseph Beuys - Suite Zirkulationszeit: die Mütter (Suite Circulation Time: The Mothers), 1982, etching on white wove
Joseph Beuys - 7000 Querce (7000 Oaks), 1984, color offset printed on both sides of cardstock, in two parts
Joseph Beuys, 1984

7000 Querce (7000 Oaks)

Joseph Beuys - Vorwärts, 1977, packing paper with silkscreen, stamped
Joseph Beuys, 1977

Vorwärts

Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
Sherrie Levine - Untitled (Mr. Austridge: 1), 1989, casein on wood
Sherrie Levine, 1989

Untitled (Mr. Austridge: 1)

John Baldessari - White Truffle Soup, 2012, multi-color screenprint
John Baldessari, 2012

White Truffle Soup

John Baldessari - Corn Soup, 2012, multi-color screenprint
John Baldessari, 2012

Corn Soup

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red