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Joseph Beuys - Filzpostkarte (Felt Postcard), 1985, silkscreen on felt
Joseph Beuys, 1985

Filzpostkarte (Felt Postcard)

Cindy Sherman - Untitled #216, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #216

Jeff Koons - Rabbit, 1986, stainless steel
Jeff Koons, 1986

Rabbit

On View
Andreas Gursky - Fussballspieler, Liege, 1984, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1984

Fussballspieler, Liege

Joseph Beuys - Bitterfelder Telegramm (Bitterfeld Telegram), 1979, telegraph form, stamped
Timothy Greenfield‐Sanders - Portrait of Christopher Wool, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Christopher Wool

Lari Pittman - The Veneer of Order, 1985, oil and acrylic on panel
Lari Pittman, 1985

The Veneer of Order

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Robbie Conal - Gag Me with a Coat Hanger, 1992, offset lithographic poster
Robbie Conal, 1992

Gag Me with a Coat Hanger

Joseph Beuys - Kunst = Kapital (Art = Capital), 1984, Cibachrome on aluminum, glass jar with paint
Joseph Beuys, 1984

Kunst = Kapital (Art = Capital)

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Robert Rauschenberg - Golden Grebe (Scale), 1978, solvent transfer on fabric collaged to wooden panels with acrylic paint, colored and clear mirrors, and paintbrush
Robert Rauschenberg, 1978

Golden Grebe (Scale)

Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99

Three Moments (with Pool Table)

James Rosenquist - F-111, 1974, four lithographs with screenprint in colors on Arches
James Rosenquist, 1974

F-111

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Joseph Beuys - aus Hommage à Arthur Köpcke (from Hommage à Arthur Köpcke), 1980, color offset on art paper, stamped
Mark Grotjahn - Untitled (Free Capri 50.40), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.40)

Alexander Calder - The S-Shaped Vine, 1946, painted sheet metal and wire
Alexander Calder, 1946

The S-Shaped Vine

Damien Hirst - Autopsy with Sliced Human Brain, 2004, oil on canvas
Damien Hirst, 2004

Autopsy with Sliced Human Brain

Joseph Beuys - Magnetischer Abfall (Magnetic Rubbish), 1975, magnetic steel casting
Brice Marden - The Virgins 8, 1991-93, ink and gouache on paper
Brice Marden, 1991-93

The Virgins 8

Jasper Johns - Untitled (Study for Cicada), 1978, watercolor, graphite and ink on paper
Jasper Johns, 1978

Untitled (Study for Cicada)

Ed Ruscha - CITY(#1), 1967, graphite on paper
Ed Ruscha, 1967

CITY(#1)

Joel Shapiro - Untitled, 1974, cast iron
Joel Shapiro, 1974

Untitled

Damien Hirst - Chlorpropamide, 1996, household gloss on canvas
Damien Hirst, 1996

Chlorpropamide

Joseph Beuys - 3-Tonnen-Edition, 1973-85, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-85

3-Tonnen-Edition

John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988

Seashells/Tridents/Frames

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper