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Gregory Crewdson - Untitled (32), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (32)

Joseph Beuys - Der Unbesiegbare (The Invincible), 1979, poster, silkscreen on paper
Barbara Kruger - Untitled (I shop therefore I am), 1987-2019, Single-channel video on LED panel, sound
Barbara Kruger, 1987-2019

Untitled (I shop therefore I am)

Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017

Pathos, Ethos, Logos, Kairos #4

On View
Joseph Beuys - Suite Zirkulationszeit: Urschlitten 1 (Suite Circulation Time: Primeval Sleds 1), 1982, etching and drypoint on white wove
Imi Knoebel - vivimus, 1987, acrylic on plywood and wood stretchers
Imi Knoebel, 1987

vivimus

Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955

Untitled [New York City]

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Ron Mueck - Crouching Boy in Mirror, 1999-2002, mixed media
Ron Mueck, 1999-2002

Crouching Boy in Mirror

Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987

Initial Sequence

Mickalene Thomas - The Charnel House (Resist #5), 2021, Rhinestones, acrylic, and oil paint on canvas mounted on wood panel
Mickalene Thomas, 2021

The Charnel House (Resist #5)

Kiki Smith - Untitled (Red Man), 1991, ink on Gampi paper in four parts
Kiki Smith, 1991

Untitled (Red Man)

Ed Ruscha - THE GIRL ALWAYS DID HAVE GOOD TASTE, 1976, pastel on paper
Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009

Blinded

Timothy Greenfield‐Sanders - Portrait of Ashley Bickerton, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ashley Bickerton

Cindy Sherman - Untitled Film Still #52, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #52

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Andreas Gursky - Kuwait Stock Exchange II, 2008, chromogenic print
Andreas Gursky, 2008

Kuwait Stock Exchange II

On View
Joseph Beuys - Auguren (Augurs), 1982, color offset on cardstock
Joseph Beuys, 1982

Auguren (Augurs)

Joseph Beuys - Bonnefanten, 1977, proof sheets and misprintings of postcards. Color offset wth silkscreen and red ink
Joseph Beuys, 1977

Bonnefanten

Christopher Wool - Untitled, 2005, silkscreen ink on linen
Christopher Wool, 2005

Untitled

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Damien Hirst - Beautiful, cataclysmic pink minty shifting horizon exploding star with ghostly presence, wide, broad painting, 2004, household gloss on canvas and electric motor
Jeff Koons - Antiquity (Ariadne Titian Bacchus Popcorn), 2012-2014, oil on canvas
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Zeichnungen 1949-1969, 1972, paperbound catalogue with 57 full-page reproductions, offset on newsprint
Joseph Beuys, 1972

Zeichnungen 1949-1969

John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
John Baldessari - Corn Soup, 2012, multi-color screenprint
John Baldessari, 2012

Corn Soup

Jeff Koons - Hulk (Organ), 2004 - 2014, polychromed bronze and mixed media
Jeff Koons, 2004 - 2014

Hulk (Organ)