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Robert Therrien - No title (linear form), 1984, oil-based enamel and mixed media on wood
Robert Therrien, 1984
No title (linear form)
On View
Joseph Beuys - Wirtschaftswert Schleuderhonig (Economic Value Strained Honey), 1979, tin can containing honey, with handwritten addition; stamped in blue (Bluecross)
Mark Grotjahn - Untitled (Free Capri 50.40), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018
Untitled (Free Capri 50.40)
Pablo Picasso - Femme assise, 1939, oil on board
Pablo Picasso, 1939
Femme assise
Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63
Why Then Opened II
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996
Untitled
On View
Jeff Koons - Gazing Ball (Mailboxes), 2013, plaster and glass
Jeff Koons, 2013
Gazing Ball (Mailboxes)
Joseph Beuys - gib mir Honig (Give Me Honey), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973
gib mir Honig (Give Me Honey)
George Condo - Yellow Improvisation, 1985, pencil and oil on canvas
George Condo, 1985
Yellow Improvisation
Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984
Jungle Juice
Cindy Sherman - Untitled #94, 1981, chromogenic color print
Cindy Sherman, 1981
Untitled #94
Timothy Greenfield‐Sanders - Portrait of David Salle, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991
Portrait of David Salle
Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983
Wiedergeborene Höhlenmenschen
Eric Fischl - Joan and John, 2001-2002, oil on linen
Eric Fischl, 2001-2002
Joan and John
Robbie Conal - Women With Teeth, 1987, offset lithographic poster
Robbie Conal, 1987
Women With Teeth
Kenny Scharf - Inside Out, 1984, acrylic and spray paint on canvas
Kenny Scharf, 1984
Inside Out
Andy Warhol - Male Seated at Automat Counter, 1958, ink and watercolor on paper
Andy Warhol, 1958
Male Seated at Automat Counter
On View
Joseph Beuys - FLUXUS ZONE WEST, 1972, offset on cardstock, stamps reproduced
Joseph Beuys, 1972
FLUXUS ZONE WEST
Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
On View
Shirin Neshat - Soliloquy Series, 2000, Cibachrome print
Shirin Neshat, 2000
Soliloquy Series
Andreas Gursky - 99 Cent, 1999, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1999
99 Cent
Patrick Martinez - Weeping Warrior, 2022, Stucco, neon, mean streak, ceramic, acrylic paint, spray paint, latex house paint, banner tarp, rope, stucco patch, ceramic tile, tile adhesive, engraved mirror and led signs
Patrick Martinez, 2022
Weeping Warrior
Malcolm Morley - Age of Catastrophe, 1976, oil on canvas
Malcolm Morley, 1976
Age of Catastrophe
Joseph Beuys - Filzpostkarte (Felt Postcard), 1985, silkscreen on felt
Joseph Beuys, 1985
Filzpostkarte (Felt Postcard)
Andy Warhol - Campbell's Soup Can (Clam Chowder - Manhattan Style) [Ferus Type], 1962, casein and pencil on linen
On View
Joseph Beuys - Der Spiegel, 1979, Der Spiegel newsmagazine
Joseph Beuys, 1979
Der Spiegel
Thomas Struth - Aquarium, Atlanta, Georgia, 2013, chromogenic print
Thomas Struth, 2013
Aquarium, Atlanta, Georgia
Joseph Beuys - Triptychon: Young Elk above the Old Miller's House, 1981, lithograph on cardstock
Albert Oehlen - Abstand, 2006, acrylic and oil on canvas
Albert Oehlen, 2006
Abstand