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Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Roy Lichtenstein - Femme d'Alger, 1963, oil on canvas
Roy Lichtenstein, 1963

Femme d'Alger

On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on grayish-brown packing paper
Bryan Hunt - Untitled, 1975, gold leaf on silk paper, balsa and spruce wood
Bryan Hunt, 1975

Untitled

Joseph Beuys - Beuys boxt für direkte Demokratie (Beuys Boxes for Direct Democracy), 1972, poster, offset, stamped
Paul Pfeiffer - Four Horsemen of the Apocalypse #10, 2004, Fuji Digital chromogenic print
Alexander Calder - The Brass Gong, 1948, painted sheet metal and rod with brass disc
Alexander Calder, 1948

The Brass Gong

Timothy Greenfield‐Sanders - Portrait of Richard Artschwager, 1992, black and white photograph
Timothy Greenfield‐Sanders, 1992

Portrait of Richard Artschwager

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Cindy Sherman - Untitled #129, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #129

Joseph Beuys - chinesischer Hasenzucker (Chinese Hare Sugar), 1979, color silkscreen on filing card, stamped
Joseph Beuys - Vino F.I.U. (Wine F.I.U.), 1981-83, carton with 12 bottles of rosé wine
Joseph Beuys, 1981-83

Vino F.I.U. (Wine F.I.U.)

John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988

Green Kiss/Red Embrace (Disjunctive)

Jasper Johns - Untitled, 1986, charcoal on paper
Jasper Johns, 1986

Untitled

Joseph Beuys - Countdown 2000, 1981, offset on machine-made wove
Joseph Beuys, 1981

Countdown 2000

Roy Lichtenstein - Brushstroke Chair and Ottoman, 1986-88, paint and varnish on laminated birch veneer
Roy Lichtenstein, 1986-88

Brushstroke Chair and Ottoman

Joseph Beuys - 3-Tonnen-Edition, 1973-82, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-82

3-Tonnen-Edition

John Currin - Anna, 2004, oil on canvas
John Currin, 2004

Anna

Takashi Murakami - DOB in the Strange Forest (Blue DOB), 1999, fiber-reinforced plastic, resin, fiberglass, acrylic and iron
Takashi Murakami, 1999

DOB in the Strange Forest (Blue DOB)

Jean‐Michel Basquiat - Obnoxious Liberals, 1982, acrylic, oilstick, and spray paint on canvas
Jean‐Michel Basquiat, 1982

Obnoxious Liberals

On View
Sam Francis - Tokyo Blue, 1961, acrylic on paper
Sam Francis, 1961

Tokyo Blue

Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996

Untitled

On View
John Currin - The Storm, 2013, oil on canvas
John Currin, 2013

The Storm

Joseph Beuys - Petticoat aus der Suite Tränen (Petticoat from Suite Tears), 1985, color etching on white wove
David Salle - Savagery and Misrepresentation, 1981, acrylic on canvas
David Salle, 1981

Savagery and Misrepresentation

Jeff Koons - Couple, 2001, oil on canvas
Jeff Koons, 2001

Couple

On View
George Condo - Indigo Improvisation, 1985, oil on canvas
George Condo, 1985

Indigo Improvisation

Cindy Sherman - Untitled #368, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #368