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Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
Timothy Greenfield‐Sanders - Portrait of Keith Haring, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985

Portrait of Keith Haring

Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980

Kunst = Kapital (Art = Capital)

Andy Warhol - Mao, 1973, acrylic, clear acrylic medium, and silkscreen ink on linen
Andy Warhol, 1973

Mao

On View
Jasper Johns - Decoy, 1971, lithograph with die cut
Jasper Johns, 1971

Decoy

Jeff Koons - Italian Woman, 1986, stainless steel
Jeff Koons, 1986

Italian Woman

Robert Irwin - Untitled, 1967-68, acrylic lacquer on plastic
Robert Irwin, 1967-68

Untitled

Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
Timothy Greenfield‐Sanders - Portrait of Roy Lichtenstein, 1992, Polaroid
Timothy Greenfield‐Sanders, 1992

Portrait of Roy Lichtenstein

Roy Lichtenstein - Cubist Still Life with Pipe, 1974, oil, Magna and sand on canvas
Roy Lichtenstein, 1974

Cubist Still Life with Pipe

Joseph Beuys - Holzschnitte: Gletscher (Woodcuts: Glacier), 1950/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1950/1973-74

Holzschnitte: Gletscher (Woodcuts: Glacier)

Damien Hirst - Fear, 2002, flies and resin on canvas
Damien Hirst, 2002

Fear

Henry Taylor - Untitled, 2020, acrylic on canvas, 2 parts
Henry Taylor, 2020

Untitled

On View
Ed Ruscha - THE GIRL ALWAYS DID HAVE GOOD TASTE, 1976, pastel on paper
Joseph Beuys - Schmerzraum (Chamber of Pain), 1984, silkscreen on paper
Joseph Beuys, 1984

Schmerzraum (Chamber of Pain)

Eric Fischl - Eli, 2004, oil on linen
Eric Fischl, 2004

Eli

Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987

Initial Sequence

Timothy Greenfield‐Sanders - Portrait of Philip Taaffe, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985

Portrait of Philip Taaffe

Joseph Beuys - 7000 Querce (7000 Oaks), 1984, color offset printed on both sides of cardstock, in two parts
Joseph Beuys, 1984

7000 Querce (7000 Oaks)

David Salle - Demonic Roland, 1987, acrylic and oil on canvas
David Salle, 1987

Demonic Roland

Robert Therrien - No title (plaster snowman), 1982-98, plaster
Robert Therrien, 1982-98

No title (plaster snowman)

Richard Artschwager - Bookends, 1990, Formica on wood
Richard Artschwager, 1990

Bookends

Timothy Greenfield‐Sanders - Portrait of Robert Rauschenberg, 1986, iris print
Timothy Greenfield‐Sanders, 1986

Portrait of Robert Rauschenberg

Joseph Beuys - Guten Einkauf (Good Shopping), 1984, two peridodicals (ZEIT-magazin, Neues Deutschland), paper bag, and package of cleanser, stamped; in box
Joseph Beuys, 1984

Guten Einkauf (Good Shopping)

Joseph Beuys - Das Orwell-Bein - Hose für das 21. Jahrhundert (The Orwell Leg - Trousers for the 21st Century), 1984, blue jeans with circular holes
Joseph Beuys - Wirtschaftswert Speisekuchen (Economic Value Speisekuchen), 1977, packaged instant gravy in cake form with handwritten addition, stamped in cardboard box
Sharon Lockhart - Ola, “TODAY IN POLITICS,” Our Review no. 167 (8863), June 16, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017, framed chromogenic print
Joseph Beuys - Grassello Ca(OH)2 +H2O, 1979, brochure, stamped
Joseph Beuys, 1979

Grassello Ca(OH)2 +H2O

John Baldessari - The Intersection Series: Children Eating Watermelon/High Rise Building, 2001, digital photographic prints with acrylic on Sintra board
Saint Clair Cemin - Untitled (Form with Reversed Jar), 1987, bronze
Saint Clair Cemin, 1987

Untitled (Form with Reversed Jar)