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Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #131

Ellsworth Kelly - Curve XXVIII, 1982, aluminum
Ellsworth Kelly, 1982

Curve XXVIII

Joseph Beuys - Das halbe Filzkreuz über Köln (The Half Felt Cross over Cologne), 1974, offset on cardstock, stamps reproduced
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Terry Winters - Viewing Transformations 1, 1993, acrylic on paper
Terry Winters, 1993

Viewing Transformations 1

Ray Smith - El Pollo, 1987, oil and wax on three oak plywood panels
Ray Smith, 1987

El Pollo

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Joseph Beuys - 7000-Eichen-Tüte (7000 Oaks Bag), 1982, paper shopping bag, with several stamps
Robbie Conal - False Profit, 1988, two offset lithographic posters
Robbie Conal, 1988

False Profit

Joseph Beuys - Il pensiero della F.I.U. (The Thinking of the F.I.U.), 1978, silkscreen on cardstock
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Sayre Gomez - The Whole Wide World is a Haunted House, 2022, acrylic on canvas
Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85

No title (green hat on pedestal)

Charles Ray - No, 1992, color photograph in artist's frame
Charles Ray, 1992

No

On View
Joseph Beuys - besser heute aktiv (Better Active Today), 1972, flyer, with handwritten text, stamped
Cindy Sherman - Untitled Film Still #47, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #47

Joseph Beuys - Pala (Shovel), 1983, spade; blade wrought iron, handle ash wood, with burned inscription
Joseph Beuys, 1983

Pala (Shovel)

Andy Warhol - Folding Screen (Piglet), 1955-57, ink, watercolor, and gold leaf on three wooden panels
Andy Warhol, 1955-57

Folding Screen (Piglet)

On View
Tom Otterness - Dodo, 1989-90, bronze
Tom Otterness, 1989-90

Dodo

Andrew Lord - Jug, Vase, and Dish/Round to Angles/Grey, 1984-85, glazed earthenware, three pieces
Joseph Beuys - Nylon-Geld (Nylon Money), 1979, 40 black and white photographs by Werner Krüger, in box
Joseph Beuys, 1979

Nylon-Geld (Nylon Money)

Jasper Johns - Savarin 4 (Oval), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 4 (Oval)

Ed Ruscha - HOLLYWOOD IS A VERB, 1979, pastel on paper
Ed Ruscha, 1979

HOLLYWOOD IS A VERB

Joseph Beuys - Ostmensch, 1977, offset on yellow paper, stamped
Joseph Beuys, 1977

Ostmensch

Joseph Beuys - Plakat-Kreuz Friedensfeier (Poster-Cross Peace Celebration), 1972, photocopies mounted on cardboard with handwritten text by Jonas Hafner, stamped; in plastic sheet with colored yarn
Joseph Beuys - Telephon S-----------------E (Telephone T-----------------Я), 1974, two tin cans, one with brown paint (Browncross); string, label
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011

THEY COULDN'T DO NO BETTER

Richard Diebenkorn - Ocean Park #90, 1976, oil on canvas
Richard Diebenkorn, 1976

Ocean Park #90

Mike Kelley - Unlucky Clover (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Frank Stella - Playskool Yard, 1983, patinated cast bronze, wood dowels hand-colored
Frank Stella, 1983

Playskool Yard