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Timothy Greenfield‐Sanders - Portrait of Ed Ruscha, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Portrait of Ed Ruscha
Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
IMPACT ON THE IMAGE
On View
Joseph Beuys - Joseph Beuys and Nam June Paik, In Memoriam George Maciunas, 1984-84, Portfolio of felt sculpture (Filzwinkel [Felt Wedge]) (front), wood sculpture, two phonograph records, and screenprint in wood box
Joseph Beuys - Laßt Blumen sprechen, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974
Laßt Blumen sprechen
Jean‐Michel Basquiat - Obnoxious Liberals, 1982, acrylic, oilstick, and spray paint on canvas
Jean‐Michel Basquiat, 1982
Obnoxious Liberals
On View
John Baldessari - Noses & Ears, Etc.: The Gemini Series: One Face (Three Versions) with Nose, Ear and Glasses, 2006, three-layer, 26-color screenprint; mounted to Sintra and framed
Cindy Sherman - Untitled #146, 1985, chromogenic color print
Cindy Sherman, 1985
Untitled #146
Joseph Beuys - Zwei Fräulein mit leuchtendem Brot (Two Fräuleins with Shining Bread), 1966, cardboard, paper, chocolate painted over in oil paint (Browncross)
Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989
Untitled
Terry Winters - Set Diagram 52, 2000, oil on linen
Terry Winters, 2000
Set Diagram 52
Ellsworth Kelly - Green Relief with Blue, 2011, oil on canvas, two joined panels
Ellsworth Kelly, 2011
Green Relief with Blue
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Richard Artschwager - Triptych V, 1972, Liquitex on Celotex with metal frames
Richard Artschwager, 1972
Triptych V
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974
Dillinger
Joseph Beuys - in interfunktionen 7, 1971, offset with handwritten text, stamped in blue (Bluecross) on page 29 of the publication; magazine
Joseph Beuys, 1971
in interfunktionen 7
Jean‐Michel Basquiat - Eyes and Eggs, 1983, acrylic, oilstick and paper collage on cotton drop cloth with metal hinges
Jean‐Michel Basquiat, 1983
Eyes and Eggs
On View
John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988
Green Kiss/Red Embrace (Disjunctive)
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010
Psycho Spaghetti Western #5
On View
Joseph Beuys - Wirtschaftswert Schleuderhonig (Economic Value Strained Honey), 1979, tin can containing honey, with handwritten addition; stamped in blue (Bluecross)
Malcolm Morley - Kristen and Erin, 1985, watercolor on paper
Malcolm Morley, 1985
Kristen and Erin
Susan Rothenberg - Double Masked Heads, 1974, acrylic and tempera on canvas
Susan Rothenberg, 1974
Double Masked Heads
Thomas Ruff - jpeg bd01, 2007, C-print with Diasec
Thomas Ruff, 2007
jpeg bd01
Cindy Sherman - Untitled #243, 1991, chromogenic color print
Cindy Sherman, 1991
Untitled #243
Cindy Sherman - Untitled #70, 1980, chromogenic color print
Cindy Sherman, 1980
Untitled #70
Ed Ruscha - Darlene Phipps, 2002, acrylic on canvas
Ed Ruscha, 2002
Darlene Phipps
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987
vivit
George Condo - Double Heads on Red, 2014, acrylic, charcoal, pastel on linen
George Condo, 2014
Double Heads on Red
Oscar Murillo - trade today, 2014-2015, oil and graphite on canvas and linen with steel
Oscar Murillo, 2014-2015
trade today
Lari Pittman - Untitled #2, 2008, acrylic, Cel-vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2008
Untitled #2