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Joseph Beuys - Belfast, 1975, offset on cardstock
Joseph Beuys, 1975

Belfast

Joseph Beuys - Intuition, 1968, wooden box with pencil drawing
Joseph Beuys, 1968

Intuition

Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

Peter Halley - Collision Circuit, 1989-90, Day-glo acrylic, acrylic and Roll-a-Tex on canvas
Peter Halley, 1989-90

Collision Circuit

Joseph Beuys - ARTnews Cover, 1979, cover of ARTnews magazine
Joseph Beuys, 1979

ARTnews Cover

Joseph Beuys - Suite Schwurhand: Hirsch (Suite Oath Hand: Stag), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Jonas Wood - Red Interior Pot, 2015, oil and acrylic on canvas
Jonas Wood, 2015

Red Interior Pot

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Richard Artschwager - Northwest Passage, 1994, acrylic and Formica, Celotex and wood in artist's frame
Richard Artschwager, 1994

Northwest Passage

Joseph Beuys - Cosmos und Damian (Cosmos and Damian), 1974, offset on cardstock, stamps reproduced
Roy Lichtenstein - Coup de Chapeau II, 1996, painted and patinated bronze
Roy Lichtenstein, 1996

Coup de Chapeau II

Joseph Beuys - Wirtschaftswert Schleuderhonig (Economic Value Strained Honey), 1979, tin can containing honey, with handwritten addition; stamped in blue (Bluecross)
Cindy Sherman - Untitled #404, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #404

Shirin Neshat - Soliloquy Series, 2000, Cibachrome print
Shirin Neshat, 2000

Soliloquy Series

Robert Therrien - No title (black keystone), 1982, enamel and wax on wood
Robert Therrien, 1982

No title (black keystone)

Joseph Beuys - Hasenzucker (Hare Sugar), 1972, silkscreen on cardstock; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys, 1972

Hasenzucker (Hare Sugar)

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Joseph Beuys - Name ist gleich Adresse (Name Equals Address), 1974, offset on cardstock, stamps reproduced
Joseph Beuys - Cuprum 0.3% unguentum metallicum praeparatum, 1978-86, cast beeswax with finely distributed copper
Joseph Beuys - Suite Schwurhand: Kalb mit Kinder, 1980, aquatint and lithograph on paper laid down on gray Rives wove
John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988

Green Kiss/Red Embrace (Disjunctive)

On View
Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988

Untitled

Frank Stella - Decanter (S-9, 3x - 2d version), 1987, mixed media on etched magnesium and aluminum
Frank Stella, 1987

Decanter (S-9, 3x - 2d version)

Joseph Beuys - Honigpumpe am Arbeitsplatz (Honeypump in the Workplace), 1977, offset on cardstock, stamps reproduced
Julian Schnabel - Self-Portrait in Andy's Shadow, 1987, oil, plates and Bondo on two wood panels
Julian Schnabel, 1987

Self-Portrait in Andy's Shadow

Andreas Gursky - Untitled II (Sunset), 1993, chromogenic print behind glass in artist's frame
Andreas Gursky, 1993

Untitled II (Sunset)

Yayoi Kusama - Longing for Eternity, 2017, mirrored box and LED lights
Yayoi Kusama, 2017

Longing for Eternity

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Joseph Beuys - Blumenzucker (Flower Sugar), 1974, postcard mounted on gray cardboard with attached sugar envelope
Joseph Beuys, 1974

Blumenzucker (Flower Sugar)

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper