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Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998
Los Angeles
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Shio Kusaka - (dinosaur 37), 2017, stoneware
Shio Kusaka, 2017
(dinosaur 37)
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Damien Hirst - Happy Birthday Eli Spin, 2013, household gloss on canvas
Damien Hirst, 2013
Happy Birthday Eli Spin
Joseph Beuys - Triptychon: Young Elk above the Old Miller's House, 1981, lithograph on cardstock
Joseph Beuys - Coniglio (Rabbit ), 1978, color offset on cardstock
Joseph Beuys, 1978
Coniglio (Rabbit )
Tom Otterness - Drinking Rich, 1994, bronze
Tom Otterness, 1994
Drinking Rich
Joseph Beuys - Riesenziegen aus der Suite Tränen (Giant Goats from Suite Tears), 1985, etching on thin paper laid down on gray wove
Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993
A Perfect World
Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994
Untitled
Ellsworth Kelly - Blue Yellow Red IV, 1972, oil on canvas, three joined panels
Ellsworth Kelly, 1972
Blue Yellow Red IV
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019
Pure Insecurity
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002
Untitled
Joseph Beuys - Collezione di grafica: Accumulator, 1982/85, photoetching, etching and oil paint (Browncross)
Joseph Beuys, 1982/85
Collezione di grafica: Accumulator
Chuck Close - John, 1971-72, acrylic on gessoed canvas
Chuck Close, 1971-72
John
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996
Untitled
Mark Innerst - The Marketplace, 1990, acrylic on masonite
Mark Innerst, 1990
The Marketplace
Cindy Sherman - Untitled #363, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #363
Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
John Baldessari - The Intersection Series: Children Eating Watermelon/High Rise Building, 2001, digital photographic prints with acrylic on Sintra board
Oscar Murillo - tamawuj, 2017-2018, oil, oil stick, and graphite on canvas and linen
Oscar Murillo, 2017-2018
tamawuj
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018
Untitled (Free Capri 50.41)
Ed Ruscha - Darlene Phipps, 2002, acrylic on canvas
Ed Ruscha, 2002
Darlene Phipps
Cy Twombly - Untitled [New York City], 1953, oil based house paint and wax crayon on canvas
Cy Twombly, 1953
Untitled [New York City]
On View
Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981
Die beste Stadt für Blinde
Lari Pittman - Untitled #2, 2008, acrylic, Cel-vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2008
Untitled #2
Andreas Gursky - Review, 2015, inkjet print
Andreas Gursky, 2015
Review
On View
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Mike Kelley - The Orange and Green (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk