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Joseph Beuys - Suite Zirkulationszeit: Hirsch und Hut (Suite Circulation Time: Stag and Hat), 1982, etching and drypoint on white wove
Joseph Beuys - Zeichnungen II 1946-1971, 1973, paperbound catalogue with 153 full-page reproductions, offset on newsprint
Joseph Beuys, 1973

Zeichnungen II 1946-1971

Jasper Johns - The Seasons, 1987, four intaglio prints
Jasper Johns, 1987

The Seasons

Kara Walker - African't, 1996, cut paper on wall
Kara Walker, 1996

African't

On View
Roy Lichtenstein - Things on the Wall, 1973, oil and magna on canvas
Roy Lichtenstein, 1973

Things on the Wall

On View
John Baldessari - Black Bean Soup, 2012, multi-color screenprint
John Baldessari, 2012

Black Bean Soup

Joseph Beuys - Chi dice...? (Who Says...? ), 1978, offset on cardstock, stamps reproduced
Joseph Beuys, 1978

Chi dice...? (Who Says...? )

Tom Friedman - Care Package (Manipulated), 2008, ink jet photos
Tom Friedman, 2008

Care Package (Manipulated)

Susan Rothenberg - Bone Heads, 1989-90, oil on canvas
Susan Rothenberg, 1989-90

Bone Heads

Damien Hirst - The Unbearable Lightness of Being, 2003, butterfly wings on household gloss on canvas
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 2, 1980, lithograph on paper laid down on gray Rives wove
Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
Robert Rauschenberg - On Hold (Arcadian Retreat), 1996, fresco
Robert Rauschenberg, 1996

On Hold (Arcadian Retreat)

Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

Joseph Beuys - A Political Party for Animals!, 1974, proof sheet for sugar envelopes, with handwritten addition, stamped
Joseph Beuys, 1974

A Political Party for Animals!

Cindy Sherman - Untitled #371, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #371

Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View
Roy Lichtenstein - Still Life with Green Vase, 1972, oil and Magna on canvas
Roy Lichtenstein, 1972

Still Life with Green Vase

Sayre Gomez - The Whole Wide World is a Haunted House, 2022, acrylic on canvas
Christopher Wool - Untitled, 1990, enamel and acrylic on nine aluminum panels
Christopher Wool, 1990

Untitled

Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1980, page of Frankfurter Rundschau newspaper, stamped; bronze object; and branch with beeswax, in cardboard box
Mark Bradford - Deep Blue, 2018, mixed media on canvas
Mark Bradford, 2018

Deep Blue

On View
Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Takashi Murakami - Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Moon Pine, Ueno, 2024-25, acrylic and glitter on canvas mounted on aluminum frame
On View
John Ahearn and Rigoberto Torres - Raymond and Toby, 1989, oil on fiberglass
John Ahearn and Rigoberto Torres, 1989

Raymond and Toby

On View
Tony Oursler - Go Boom, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2003

Go Boom

Cindy Sherman - Untitled #355, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #355

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982

Beef Ribs Longhorn

On View
Joseph Beuys - Grünkreuz (Green Cross), 1984, offset on cardstock, stamps reproduced
Joseph Beuys, 1984

Grünkreuz (Green Cross)