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Tauba Auerbach - Shadow Weave - Chiral Fret Wave, 2015, woven canvas on wooden stretcher
Tauba Auerbach, 2015
Shadow Weave - Chiral Fret Wave
Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009
Blinded
Joseph Beuys - Apri bene la bocca! (Open Your Mouth Wide), 1978, Flyer by Jörg Frank; printed in red on paper
Ed Ruscha - I HADN'T DONE NO LAUNDRY, 2011, acrylic on vellum
Ed Ruscha, 2011
I HADN'T DONE NO LAUNDRY
Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85
No title (green hat on pedestal)
On View
Joseph Beuys - James Joyce, 1984, offset on cardstock
Joseph Beuys, 1984
James Joyce
Gregory Crewdson - Untitled (09), 2009, digital pigment print
Gregory Crewdson, 2009
Untitled (09)
Cindy Sherman - Untitled #126, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #126
Sherrie Levine - Untitled (Double Lead Checks: 2), 1988, casein on lead
Sherrie Levine, 1988
Untitled (Double Lead Checks: 2)
Robert Graham - Untitled, 1992, bronze
Robert Graham, 1992
Untitled
Keith Haring - Untitled, 1985, ink and acrylic on terracotta
Keith Haring, 1985
Untitled
Ed Ruscha - Azteca / Azteca in Decline, 2007, acrylic on canvas, diptych
Ed Ruscha, 2007
Azteca / Azteca in Decline
Joseph Beuys - Löschblatt (Olivestone) (Blotting Paper (from Olivestone)), 1984, blotting paper, typography, olive oil
Robert Therrien - No title (hat / bowl panel), 1985, oil on canvas mounted on wood
Robert Therrien, 1985
No title (hat / bowl panel)
On View
Joan Miró - Oiseau Solaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966
Oiseau Solaire
Jack Goldstein - Untitled, 1988, acrylic on canvas
Jack Goldstein, 1988
Untitled
Henry Moore - Helmet Head No. 3, 1960, bronze
Henry Moore, 1960
Helmet Head No. 3
Sherrie Levine - Untitled (after Walker Evans: negative) #9, 1989, photograph and wood frame
Mark Tansey - The Raw and the Framed, 1992, toner on paper
Mark Tansey, 1992
The Raw and the Framed
Joseph Beuys - Collezione di grafica: Capital, 1982/83, photoetching, etching and pencil on wove
Joseph Beuys, 1982/83
Collezione di grafica: Capital
Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981
Das Wirtschaftswert-PRINZIP
Cindy Sherman - Untitled #119, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #119
Cindy Sherman - Untitled Film Still #16, 1978, gelatin silver print
Cindy Sherman, 1978
Untitled Film Still #16
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011
THEY COULDN'T DO NO BETTER
Joseph Beuys - 3-Tonnen-Edition, 1973-82, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-82
3-Tonnen-Edition
Cindy Sherman - Untitled #304, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #304
Robert Therrien - No title (purple arch relief), 1977, enamel and wax on wood
Robert Therrien, 1977
No title (purple arch relief)
On View
Cindy Sherman - Untitled #191, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #191
David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986
Late Afternoon in the Forest
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980
Suite Schwurhand: Goldskulptur