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Jasper Johns - Savarin 2 (Wash and Line), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 2 (Wash and Line)

George Condo - The Bum, 1985, oil on canvas
George Condo, 1985

The Bum

Timothy Greenfield‐Sanders - Portrait of Eric Fischl, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Eric Fischl

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Cindy Sherman - Untitled #215, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #215

Glenn Ligon - Double America 2, 2014, neon and paint
Glenn Ligon, 2014

Double America 2

Eric Fischl - Eli, 2004, oil on linen
Eric Fischl, 2004

Eli

Roy Lichtenstein - I...I'm Sorry!, 1965-66, oil and Magna on canvas
Roy Lichtenstein, 1965-66

I...I'm Sorry!

On View
Jasper Johns - Savarin 1 (Cookie), 1978, lithograph on Richard de Bas paper
Jasper Johns, 1978

Savarin 1 (Cookie)

Joseph Beuys - Schiefertafel (Blackboard), 1972, blackboard, printed in silkscreen on both sides, stamped; with certificate
Joseph Beuys, 1972

Schiefertafel (Blackboard)

Sterling Ruby - SP272 (1), SP272 (2), 2014, spray paint on synthetic canvas
Sterling Ruby, 2014

SP272 (1), SP272 (2)

David Salle - The Loneliness of Clothes, 1986, acrylic on canvas with two blue light bulbs
David Salle, 1986

The Loneliness of Clothes

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Joseph Beuys - aus: Intelligenz der Schwäne aus der Suite Tränen (from: Intelligence of Swans from Suite Tears), 1985, etching on thin paper laid down on gray wove
James Rosenquist - F-111, 1974, four lithographs with screenprint in colors on Arches
James Rosenquist, 1974

F-111

Joseph Beuys - in interfunktionen 4, 1970, offset, stamped; paper strip with typewritten text, stamped; plaster; on page 54 of publciation; magazine
Joseph Beuys, 1970

in interfunktionen 4

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Cindy Sherman - Untitled #92, 1981, chromogenic color print
Cindy Sherman, 1981

Untitled #92

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987

The Goddess of Reason

Joseph Beuys - Holzschnitte: Bein (Woodcuts: Leg), 1961/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1961/1973-74

Holzschnitte: Bein (Woodcuts: Leg)

Roy Lichtenstein - River Valley, 1985, oil and Magna on canvas
Roy Lichtenstein, 1985

River Valley

On View
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - A Concert at the ICA, 1975, long-playing record by Albrecht D. and Joseph Beuys; silkscreen sleeve and supplementary booklet
Joseph Beuys, 1975

A Concert at the ICA

Cindy Sherman - Untitled #137, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #137

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Jasper Johns - Savarin, 1982, monotype over lithograph
Jasper Johns, 1982

Savarin