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Donald Judd - Untitled, 1970, copper
Donald Judd, 1970

Untitled

Anselm Kiefer - Das Salz der Erde (german) Salt of the Earth (english), 2011, 27 unique photographs on lead on steel frame
David Salle - Demonic Roland, 1987, acrylic and oil on canvas
David Salle, 1987

Demonic Roland

Cindy Sherman - Untitled #143, 1985, chromogenic color print
Cindy Sherman, 1985

Untitled #143

Terry Winters - Global Icon, 1995, oil on linen
Terry Winters, 1995

Global Icon

Robert Longo - Untitled (White Riot), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982

Untitled (White Riot)

On View
Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Sherrie Levine - Untitled (Double Lead Checks: 2), 1988, casein on lead
Sherrie Levine, 1988

Untitled (Double Lead Checks: 2)

Cindy Sherman - Untitled #71, 1980, chromogenic color print
Cindy Sherman, 1980

Untitled #71

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Cindy Sherman - Untitled #355, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #355

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - In memoriam George Maciunas, 1978, photosensitive canvas
Joseph Beuys, 1978

In memoriam George Maciunas

Charline von Heyl - Story of a Panic, 2013, acrylic, ink, wax on paper
Charline von Heyl, 2013

Story of a Panic

Alex Israel - Self Portrait (Selfie and Studio Floor), 2014, acrylic and bondo on fiberglass
Anselm Kiefer - Maginot, 1977-93, acrylic, emulsion and shellac on woodcut mounted on canvas
Anselm Kiefer, 1977-93

Maginot

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Leon Golub - Mercenaries I, 1976, acrylic on linen
Leon Golub, 1976

Mercenaries I

Joseph Beuys - Hasenzucker (Hare Sugar), 1972, silkscreen on cardstock; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys, 1972

Hasenzucker (Hare Sugar)

Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

John Ahearn and Rigoberto Torres - Maggie and Connie, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Maggie and Connie

Katharina Fritsch - Hollow Mouse, 2009, plastic, paint
Katharina Fritsch, 2009

Hollow Mouse

Joseph Beuys - Holzschnitte: Esse (Woodcuts: Forge), 1951/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1951/1973-74

Holzschnitte: Esse (Woodcuts: Forge)

Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped
Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View
Joseph Beuys - Beuys in Gewitter, 1983, color photocopy reworked by hand
Joseph Beuys, 1983

Beuys in Gewitter

Christopher Wool - Untitled, 2005, silkscreen ink on linen
Christopher Wool, 2005

Untitled

Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990

Why?