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Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp II

Robbie Conal - Men With No Lips, 1986, offset lithographic poster
Robbie Conal, 1986

Men With No Lips

Sharon Lockhart - Ola, “TODAY IN POLITICS,” Our Review no. 167 (8863), June 16, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017, framed chromogenic print
Joseph Beuys - Cosmos und Damian (Cosmos and Damian), 1974, offset on cardstock, stamps reproduced
Lari Pittman - Where the Soul Intact Will Shed Its Scabs (8624 A.D.), 1987-88, acrylic on wood panel
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Cindy Sherman - Untitled Film Still #54, 1980, gelatin silver print
Cindy Sherman, 1980

Untitled Film Still #54

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Mike Kelley - Infinite Expansion, 1983, six parts superimposed; acrylic on paper
Mike Kelley, 1983

Infinite Expansion

Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984

Jungle Juice

Susan Rothenberg - Blue Body, 1980-81, acrylic and flashe on canvas
Susan Rothenberg, 1980-81

Blue Body

Thomas Ruff - jpeg bd01, 2007, C-print with Diasec
Thomas Ruff, 2007

jpeg bd01

Joseph Beuys - Das Orwell-Bein - Hose für das 21. Jahrhundert (The Orwell Leg - Trousers for the 21st Century), 1984, blue jeans with circular holes
Andy Warhol - Twenty Jackies, 1964, silkscreen ink on linen
Andy Warhol, 1964

Twenty Jackies

Leon Golub - Threnody I, 1986, acrylic on canvas
Leon Golub, 1986

Threnody I

Joseph Beuys - zeige deine Wunde (Show Your Wound), 1977, six photographic negatives, brown paint, glass, white glass and iron frame
Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #200

Mark Bradford - Across 110th Street, 2008, mixed media on canvas
Mark Bradford, 2008

Across 110th Street

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Frank Stella - Playskool Chair, 1983, patinated cast bronze, fabricated aluminum, copper, wood dowels, etched magnesium, and honeycomb aluminum, hand colored
Frank Stella, 1983

Playskool Chair

Mike Kelley - Country Cousin (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Jeff Koons - Couple, 2001, oil on canvas
Jeff Koons, 2001

Couple

On View
Christopher Wool - I Smell a Rat, 1989-94, enamel and acrylic on aluminum
Christopher Wool, 1989-94

I Smell a Rat

Joseph Beuys - Wirtschaftswert Signiertusche (Economic Value Signature Ink), 1983, block of signature ink in wrapper, with handwritten addition, and glass pen; in wooden box
Cindy Sherman - Untitled #353, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #353

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose (B&W); One with Ear (B&W), 2006, two-layer, seven-color screenprint; mounted to Sintra and framed
Joseph Beuys - Schwelle (Threshold), 1984, blind etching with plate tone varying from impression to impression on wove
Joseph Beuys, 1984

Schwelle (Threshold)

Joseph Beuys - Klanggebilde (Tune Formation), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Klanggebilde (Tune Formation)

Jeff Koons - Italian Woman, 1986, stainless steel
Jeff Koons, 1986

Italian Woman

Joseph Beuys - aus: Intelligenz der Schwäne aus der Suite Tränen (from: Intelligence of Swans from Suite Tears), 1985, etching on thin paper laid down on gray wove