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Richard Artschwager - Rocker, 1965-75, Formica on plywood and steel counterweight
Richard Artschwager, 1965-75

Rocker

Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014

The Disturbance

Joseph Beuys - Speisekuchen, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Speisekuchen

Frank Stella - Playskool Screen, 1983, patinated cast bronze, fabricated aluminum, steel, etched honeycomb, sccreenprint, hand colored
Frank Stella, 1983

Playskool Screen

Christopher Wool - Untitled, 2015, silkscreen ink on linen
Christopher Wool, 2015

Untitled

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Robert Longo - Untitled (Ferguson Police, August 13, 2014), 2014, Charcoal on mounted paper
Jasper Johns - Corpse and Mirror, 1976, silkscreen, 36 screens
Jasper Johns, 1976

Corpse and Mirror

Barbara Kruger - Roy Toy, 1986, black and white photograph with silkscreen
Barbara Kruger, 1986

Roy Toy

Ed Ruscha - SHE AIN'T OLD ENOUGH, 2011, acrylic on vellum
Ed Ruscha, 2011

SHE AIN'T OLD ENOUGH

Chuck Close - Robert Rauschenberg, 1996, four color digital ink jet prints mounted to aluminum panel
Chuck Close, 1996

Robert Rauschenberg

Andy Warhol - Dead Stop, 1958, ink on paper
Andy Warhol, 1958

Dead Stop

On View
Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1980, page of Frankfurter Rundschau newspaper, stamped; bronze object; and branch with beeswax, in cardboard box
Lari Pittman - Untitled #3, 2010, acrylic, Cel-Vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2010

Untitled #3

Jeff Wall - Hotels, Carrall St., Vancouver, summer 2005, 2005, transparency in lightbox
Joseph Beuys - was birgt die Wolke?, 1981, color offset on wove
Joseph Beuys, 1981

was birgt die Wolke?

Ed Ruscha - The Old Tech-Chem Building, 2003, acrylic on canvas
Ed Ruscha, 2003

The Old Tech-Chem Building

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Jonathan Borofsky - Chattering Man Looking at Flying Figure, 1983-84 /1994, mixed media
Jonathan Borofsky, 1983-84 /1994

Chattering Man Looking at Flying Figure

Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Saint Clair Cemin - Teddy Bear, 1990, aluminum, mirrors, wood, steel
Saint Clair Cemin, 1990

Teddy Bear

Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
John Baldessari - Corn Soup, 2012, multi-color screenprint
John Baldessari, 2012

Corn Soup

Joseph Beuys - Robbe (Seal), 1981, color lithograph on white wove
Joseph Beuys, 1981

Robbe (Seal)

Terry Winters - Set Diagram 9, 2000, oil on linen
Terry Winters, 2000

Set Diagram 9

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Cindy Sherman - Untitled Film Still #16, 1978, gelatin silver print
Cindy Sherman, 1978

Untitled Film Still #16

Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red