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Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000
Quattro Mani Marrakech III
Frank Stella - Gobba Zoppa and Collotorto (3.75x), 1986, mixed media on etched magnesium, aluminum and fiberglass
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Capri-Batterie (Capri Battery), 1985, light bulb with plug socket, in wooden box; lemon
Joseph Beuys, 1985
Capri-Batterie (Capri Battery)
David Salle - Demonic Roland, 1987, acrylic and oil on canvas
David Salle, 1987
Demonic Roland
Joseph Beuys - hier Ende der Implosion (Here Implosion Ends), 1974, wooden wedge with pencil drawing
Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
Joseph Beuys - Suite Schwurhand: Hirsch (Suite Oath Hand: Stag), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000
Hillary
Robert Therrien - No title (keyhole), 1987, dye on wood
Robert Therrien, 1987
No title (keyhole)
Robert Mapplethorpe - Portrait of Eli Broad, 1987, black and white photograph
Robert Mapplethorpe, 1987
Portrait of Eli Broad
Sue Coe - The Children are Going Insane, 1983, graphite and collage on paper mounted on canvas
William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011
Drawing for 'Other Faces'
Joseph Beuys - Rose für Direkte Demokratie (Rose for Direct Democracy), 1973, graduated glass cylinder, with inscription; certificate on printed letter paper
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988
Für René Char
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets
Alexander Calder - Iguana, 1967, painted metal
Alexander Calder, 1967
Iguana
Joseph Beuys - Wirtschaftswert Mineralwasser (Economic Value Mineral Water), 1982, bottle of soda water, stamped, with handwritten addition; in wooden box
Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
On View
Joseph Beuys - POUR, 1974, special annual issue of the journal POUR, stamped
Joseph Beuys, 1974
POUR
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Joseph Beuys - 9 Postkarten: Einsicht (9 Postcards: Insight), 1972, offset on cardstock, stamps reproduced
John Baldessari - Horizontal Women, 1987, photographs mounted on board
John Baldessari, 1987
Horizontal Women
Mike Kelley - Emerald Eyehole (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Jean‐Michel Basquiat - Pink Devil, 1984, acrylic, oilstick, and xerox collage on canvas
Jean‐Michel Basquiat, 1984
Pink Devil
On View
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Joseph Beuys - Suite Schwurhand: Eiszeittiere, 1980, lithograph on white Arches wove
Joseph Beuys, 1980
Suite Schwurhand: Eiszeittiere
Tom Otterness - Mass Workers, 1983, painted cast polyadam
Tom Otterness, 1983
Mass Workers
Sherrie Levine - Untitled (after Walker Evans: negative) #8, 1989, photograph and wood frame