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Joseph Beuys - Katalog Museum Mönchengladbach (Mönchengladbach Museum Catalogue), 1967, Catalogue-box, felt piece stamped with oil paint (Browncross), two accordion folded sheets, booklet
Takashi Murakami - Flower Matango (b), 2001-2006, fiberglass, resin, oil paint, lacquer, acrylic plates, and iron
Takashi Murakami, 2001-2006

Flower Matango (b)

Christopher Wool - She Smiles for the Camera IV, 2005, enamel on linen
Christopher Wool, 2005

She Smiles for the Camera IV

Joseph Beuys - Fanphoto (Fan Photo), 1982, photograph
Joseph Beuys, 1982

Fanphoto (Fan Photo)

Christopher Williams - Seychelles, 1990, gelatin silver print
Christopher Williams, 1990

Seychelles

Joseph Beuys - Edition Staeck liefert (Edition Staeck Delivers), 1974, offset on cardstock, stamps reproduced
Jasper Johns - Flags, 1968, color lithograph with stamps
Jasper Johns, 1968

Flags

Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
Joseph Beuys - Heute ist jeder Mensch Sonnenkönig, 1970, publication
Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

On View
Jasper Johns - Untitled, 1986, charcoal on paper
Jasper Johns, 1986

Untitled

Cindy Sherman - Untitled #94, 1981, chromogenic color print
Cindy Sherman, 1981

Untitled #94

Robert Rauschenberg - On Hold (Arcadian Retreat), 1996, fresco
Robert Rauschenberg, 1996

On Hold (Arcadian Retreat)

Joseph Beuys - Robbe (Seal), 1981, color lithograph on white wove
Joseph Beuys, 1981

Robbe (Seal)

Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints
Joseph Beuys - Suite Zirkulationszeit: Topfspiel (Suite Circulation Time: Pot Game), 1982, etching on white wove
Joseph Beuys - Fondazione per la rinascita dell'agricoltura (Foundation for the Rebirth of Agriculture), 1978, silkscreen on heavy cardboard, stamped
Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
William Kentridge - Stereoscope, 1999, film with sound transferred to Betacam and DVD
William Kentridge, 1999

Stereoscope

Jeff Wall - Search of premises, 2009, color photograph
Jeff Wall, 2009

Search of premises

Cindy Sherman - Untitled #119, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #119

Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955

Untitled [New York City]

Joseph Beuys - Bonnefanten, 1977, proof sheets and misprintings of postcards. Color offset wth silkscreen and red ink
Joseph Beuys, 1977

Bonnefanten

Sharon Lockhart - PINE FLAT, 2005, 16mm film
Sharon Lockhart, 2005

PINE FLAT

Jeff Koons - Gazing Ball (Mailboxes), 2013, plaster and glass
Jeff Koons, 2013

Gazing Ball (Mailboxes)

Roy Lichtenstein - Reflections: Art, 1989, color screenprint poster
Roy Lichtenstein, 1989

Reflections: Art

Timothy Greenfield‐Sanders - Portrait of Peter Halley, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Peter Halley

Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper