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Philip Taaffe - The Sorcerer's Apron, 1998 - 1999, mixed media on canvas
Philip Taaffe, 1998 - 1999
The Sorcerer's Apron
Joseph Beuys - Food for Thought, 1977, offset on gray machine-made wove, stamped, with grease spot
Joseph Beuys, 1977
Food for Thought
John Baldessari - Overlap Series: Palms (with Cityscape) and Climbers, 2000, three lambda prints with acrylic on Sintra
Robert Longo - Untitled (Sindelfingen, July 23 2009, For Kurt, Et in Aracadia Ego), 2009, charcoal on mounted paper
Imi Knoebel - o.T., 1987, fiberglass, aluminum, plastic, cardboard and wood
Imi Knoebel, 1987
o.T.
Anselm Kiefer - Maginot, 1977-93, acrylic, emulsion and shellac on woodcut mounted on canvas
Anselm Kiefer, 1977-93
Maginot
Sherrie Levine - Untitled (after Walker Evans: negative) #8, 1989, photograph and wood frame
Charline von Heyl - Story of a Panic, 2013, acrylic, ink, wax on paper
Charline von Heyl, 2013
Story of a Panic
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Profile with Ear and Nose (Color), 2006, two-layer, seven-color screenprint; mounted on Sintra and framed
Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983
Wiedergeborene Höhlenmenschen
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - 9 Postkarten: die Axt von meiner Mutter (My Mother's Axe), 1985, offset on cardstock, stamps reproduced
Joseph Beuys - Kunst = Kapital (Art = Capital), 1984, Cibachrome on aluminum, glass jar with paint
Joseph Beuys, 1984
Kunst = Kapital (Art = Capital)
Joseph Beuys - Pala (Shovel), 1983, spade; blade wrought iron, handle ash wood, with burned inscription
Joseph Beuys, 1983
Pala (Shovel)
Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974
Dillinger
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Roy Lichtenstein - Live Ammo (Blang), 1962, oil and Magna on canvas
Roy Lichtenstein, 1962
Live Ammo (Blang)
Sharon Lockhart - Pine Flat Portrait Studio, Sierra, 2005, framed chromogenic print
Sharon Lockhart, 2005
Pine Flat Portrait Studio, Sierra
Joseph Beuys - von Gloeden Postkarten: Mohammed, 1978, offset on cardstock with pencil
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
Louise Lawler - Nipple, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008
Nipple
John Ahearn and Rigoberto Torres - Samson, 1990, oil on fiberglass
John Ahearn and Rigoberto Torres, 1990
Samson
Tom Otterness - Drinking Rich, 1994, bronze
Tom Otterness, 1994
Drinking Rich
Hans Haacke - The Saatchi Collection (Simulations), 1987, mixed media installation
Charles Garabedian - Prehistoric Figure, 1978-80, acrylic on panel
Charles Garabedian, 1978-80
Prehistoric Figure
Sharon Lockhart - Pine Flat Portrait Studio, Meleah, Travis, 2005, two framed chromogenic prints
Andreas Gursky - SH III, 2014, inkjet print
Andreas Gursky, 2014
SH III
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996
Untitled
Jasper Johns - Savarin 6 (Blue), 1979, lithograph on Richard de Bas paper
Jasper Johns, 1979
Savarin 6 (Blue)