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Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

William Kentridge - Drawing for 'Other Faces', 2011, charcoal, colored pencil and found ledger paper on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978

Mottenschaden (Moth Damage)

Roy Lichtenstein - Female Figure, 1979, oil and Magna on canvas
Roy Lichtenstein, 1979

Female Figure

Joseph Beuys - Filzpostkarte (Felt Postcard), 1985, silkscreen on felt
Joseph Beuys, 1985

Filzpostkarte (Felt Postcard)

Ed Ruscha - No End to the Things Made Out of Human Talk, 1977, oil on canvas
On View
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Keith Haring - Untitled, 1983, vinyl paint on vinyl tarpaulin
Keith Haring, 1983

Untitled

Joseph Beuys - Gesundheitshelfer (Health Helper), 1979, plastic sign with handwritten addition
Donald Baechler - Untitled [Camouflage Sandwich (Cross Examination)], 2000, silkscreen
George Condo - The Bum, 1985, oil on canvas
George Condo, 1985

The Bum

Joseph Beuys - Suite Zirkulationszeit: o.T. [Mädchen] (Suite Circulation Time: Untitled (Girl)), 1982, etching on white wove
Jenny Holzer - Laments: I do not want to be human..., 1987, Electronic LED sign: red & green diodes
Jasper Johns - The Seasons, 1987, four intaglio prints
Jasper Johns, 1987

The Seasons

Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Enterprise 18.11.72; 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours), 1973, zinc box with lid, photograph, camera, felt
Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - in Ilverich roch es damals noch nach Gras, 1981, offset on cardstock
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987

vivit

John Currin - Daughter and Mother, 1997, oil on canvas
John Currin, 1997

Daughter and Mother

Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
Joseph Beuys - Hirschkuh (Hind), 1979, color lithograph on wove
Joseph Beuys, 1979

Hirschkuh (Hind)

Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Robert Longo - Untitled (White Riot), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982

Untitled (White Riot)

Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
Cindy Sherman - Untitled #409, 2002, chromogenic silver print
Cindy Sherman, 2002

Untitled #409

Ross Bleckner - More Wreath, 1986, oil on linen
Ross Bleckner, 1986

More Wreath

Joseph Beuys - Ideas and Actions, 1980, tape casette, stamped
Joseph Beuys, 1980

Ideas and Actions

Joseph Beuys - Vorwärts, 1977, packing paper with silkscreen, stamped
Joseph Beuys, 1977

Vorwärts