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Sharon Lockhart - Pine Flat Portrait Studio, Mikey, Sierra, 2005, two framed chromogenic prints
Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981
Untitled #152
Jenny Saville - Strategy, 1994, oil on canvas
Jenny Saville, 1994
Strategy
Thomas Houseago - Untitled (Black Painting 6), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 6)
Ashley Bickerton - Interior (Wicked Tahiti), 1988, mixed media construction
Ashley Bickerton, 1988
Interior (Wicked Tahiti)
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
John Currin - Maenads, 2015, oil on canvas
John Currin, 2015
Maenads
George Condo - Nuntio, 1985, oil on canvas
George Condo, 1985
Nuntio
Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, offset on cardstock, stamps reproduced
Mark Bradford - Corner of Desire and Piety, 2008, 72 collages: mixed media on board
Mark Bradford, 2008
Corner of Desire and Piety
Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984
Jungle Juice
Jean‐Michel Basquiat - Deaf, 1984, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1984
Deaf
On View
Cindy Sherman - Untitled #571, 2016, dye sublimation metal print
Cindy Sherman, 2016
Untitled #571
Joseph Beuys - Wirtschaftswert Signiertusche (Economic Value Signature Ink), 1983, block of signature ink in wrapper, with handwritten addition, and glass pen; in wooden box
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973
Fettzeitung (Fat Magazine)
Ellen Gallagher - DeLuxe, 2004-2005, a portfolio of 60 printed objects with aquatint, dry-point, photogravure, spitbite, lithography, silkscreen, embossing, tattoo machine engraving, laser-cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, Plasticine
Ellen Gallagher, 2004-2005
DeLuxe
Philip Taaffe - Stele, 1994 - 1995, mixed media on canvas
Philip Taaffe, 1994 - 1995
Stele
Tom Otterness - Double Foot, 1991, bronze
Tom Otterness, 1991
Double Foot
Roy Lichtenstein - Stretcher Frame, 1968, oil and Magna on canvas
Roy Lichtenstein, 1968
Stretcher Frame
Susan Rothenberg - Bone Heads, 1989-90, oil on canvas
Susan Rothenberg, 1989-90
Bone Heads
Joseph Beuys - Grüne Geige (Green Violin), 1974, violin painted green, stamped
Joseph Beuys, 1974
Grüne Geige (Green Violin)
Cindy Sherman - Untitled #366, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #366
Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Richard Artschwager - Night Watch, 1999, charcoal, acrylic on fiber panel, and wood
Richard Artschwager, 1999
Night Watch
Cindy Sherman - Untitled #119, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #119
Joseph Beuys - Elch in der Strömung (Elk in the Current), 1985, silkscreen on cardstock
Jean‐Michel Basquiat - Pink Devil, 1984, acrylic, oilstick, and xerox collage on canvas
Jean‐Michel Basquiat, 1984
Pink Devil
On View
Jeff Koons - Three Ball 50/50 Tank (Two Spalding Dr. J Silver Series, Wilson Supershot), 1985, glass, steel, distilled water and three basketballs
Bruce Nauman - Ten Heads Circle/Up and Down, 1990, wax, wire
Bruce Nauman, 1990
Ten Heads Circle/Up and Down