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Cindy Sherman - Cover Girl (Mademoiselle), 1975/2011, three gelatin silver prints
Cindy Sherman, 1975/2011

Cover Girl (Mademoiselle)

Donald Baechler - Untitled [Camouflage Sandwich (Cross Examination)], 2000, silkscreen
Robert Therrien - No title (bent cone relief), 1983, lacquer and wax on wood
Robert Therrien, 1983

No title (bent cone relief)

Ed Ruscha - Honk (Cracker Jack), 1962, oil, black ink, and pencil on paper mounted on board
Ed Ruscha, 1962

Honk (Cracker Jack)

Joseph Beuys - gib mir Honig (Give Me Honey), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973

gib mir Honig (Give Me Honey)

Joseph Beuys - in interfunktionen 7, 1971, offset with handwritten text, stamped in blue (Bluecross) on page 29 of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 7

Jasper Johns - Untitled, 2010, spit-bite aquatint, soft-ground, drypoint, and photogravure
Jasper Johns, 2010

Untitled

John Currin - Patch and Pearl, 2006, oil on canvas
John Currin, 2006

Patch and Pearl

Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
Jeff Wall - Hotels, Carrall St., Vancouver, summer 2005, 2005, transparency in lightbox
Gregory Crewdson - Untitled, 2004, digital chromogenic print
Gregory Crewdson, 2004

Untitled

Peter Halley - Collision Circuit, 1989-90, Day-glo acrylic, acrylic and Roll-a-Tex on canvas
Peter Halley, 1989-90

Collision Circuit

Timothy Greenfield‐Sanders - Portrait of Malcolm Morley, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Malcolm Morley

Joseph Beuys - Hauptstrom (Main Stream), 1973, invitation card, stamped
Joseph Beuys, 1973

Hauptstrom (Main Stream)

John Baldessari - Blueberry Soup, 2012, multi-color screenprint
John Baldessari, 2012

Blueberry Soup

Ellen Gallagher - Watery Ecstatic Series, 2004, 12 drawings: watercolor, ink, oil, pencil and cut paper
Ellen Gallagher, 2004

Watery Ecstatic Series

Joseph Beuys - Food for Thought, 1977, offset on gray machine-made wove, stamped, with grease spot
Joseph Beuys, 1977

Food for Thought

Julie Mehretu - Six Bardos: Luminous Appearance, 2018, 19 color, 2 panel aquatint
Julie Mehretu, 2018

Six Bardos: Luminous Appearance

Robbie Conal - Gag Me with a Long Dong Condom, 1992, offset lithographic poster
Robbie Conal, 1992

Gag Me with a Long Dong Condom

Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988

Untitled

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Jean‐Michel Basquiat - Eyes and Eggs, 1983, acrylic, oilstick and paper collage on cotton drop cloth with metal hinges
Jean‐Michel Basquiat, 1983

Eyes and Eggs

On View
Joseph Beuys - Suite Schwurhand: Eiszeittiere, 1980, lithograph on white Arches wove
Joseph Beuys, 1980

Suite Schwurhand: Eiszeittiere

Joseph Beuys - Elch in der Strömung (Elk in the Current), 1985, silkscreen on cardstock
Cindy Sherman - Untitled #297, 1994, chromogenic color print
Cindy Sherman, 1994

Untitled #297

Mark Bradford - Untitled, 2009, mixed media on board
Mark Bradford, 2009

Untitled

Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #131

Joseph Beuys - Greta Garbo und der Filzlappen, 1979, color offset on cardstock, with handwritten additions
Joseph Beuys, 1979

Greta Garbo und der Filzlappen

Frank Stella - Polar Coordinates for Ronnie Peterson, 1980, offset lithograph and screenprint on 320 gram Arches Cover paper
Joseph Beuys - Collezione di grafica: Untitled (Graphics Collection: Untitled), 1982, etching on wove, stamped