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Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Joseph Beuys - Jungfrau aus der Suite Tränen (Virgin from Suite Tears), 1985, etching on thin paper laid down on gray wove
George Condo - Dancing to Miles, 1985-86, oil on canvas
George Condo, 1985-86

Dancing to Miles

Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Joseph Beuys - Ich hab' ein Kraftwerk im Rucksack (I Have a Power Station in my Rucksack), 1981, newspaper page, stamped
Joseph Beuys - Buttocklifting, 1974, sign, baked enamel on convex metal sheet
Joseph Beuys, 1974

Buttocklifting

Kerry James Marshall - Untitled (Orange Pants), 2014, acrylic on PVC panel
Kerry James Marshall, 2014

Untitled (Orange Pants)

Charline von Heyl - Story of a Panic, 2013, acrylic, ink, wax on paper
Charline von Heyl, 2013

Story of a Panic

Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
On View
Joseph Beuys - Schwelle (Threshold), 1984, blind etching with plate tone varying from impression to impression on wove
Joseph Beuys, 1984

Schwelle (Threshold)

Chuck Close - Self Portrait / Scribble / Etching Portfolio, 2000, 25 soft-ground etchings
Cecily Brown - Tender is the Night, 1999, oil on linen
Cecily Brown, 1999

Tender is the Night

Roy Lichtenstein - Green and Yellow Apple, 1981, Magna on canvas
Roy Lichtenstein, 1981

Green and Yellow Apple

Timothy Greenfield‐Sanders - Portrait of Jeff Koons, 1990, Polaroid
Timothy Greenfield‐Sanders, 1990

Portrait of Jeff Koons

Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994

Untitled (Hate like us)

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Catherine Opie - Memorial Day, Three Rivers, California, 2012, archival pigment print on Inkpress Warmtone paper 300gsm
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Ross Bleckner - Unknown Quantities of Light (Part IV), 1988, oil on canvas
Glenn Ligon - Screen, 1996, silkscreen on canvas
Glenn Ligon, 1996

Screen

Joseph Beuys - Suite Zirkulationszeit: Meerengel die Seegurke (Suite Circulation Time: Sea Angel Sea Cucumber), 1982, etching and aquatint on white wove
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Terry Winters - Factors of Increase, 1988, oil on linen
Terry Winters, 1988

Factors of Increase

Susan Rothenberg - Blue Body, 1980-81, acrylic and flashe on canvas
Susan Rothenberg, 1980-81

Blue Body

John Baldessari - Noses & Ears, Etc.:The Gemini Series: Two Faces, One with Nose and Military Ribbons; One with (Blue) Nose and Tie, 2006, three-layer, 14-color screenprint; mounted to Sintra and framed
Roy Lichtenstein - Still Life with Green Vase, 1972, oil and Magna on canvas
Roy Lichtenstein, 1972

Still Life with Green Vase

John Baldessari - Tomato Soup, 2012, multi-color screenprint
John Baldessari, 2012

Tomato Soup

Joseph Beuys - Holzschnitte: Gletscher (Woodcuts: Glacier), 1950/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1950/1973-74

Holzschnitte: Gletscher (Woodcuts: Glacier)

Joseph Beuys - Capri-Batterie (Capri Battery), 1985, light bulb with plug socket, in wooden box; lemon
Joseph Beuys, 1985

Capri-Batterie (Capri Battery)