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Andreas Gursky - Chicago Board of Trade I, 1997, chromogenic print behind glass in artist's frame
Andreas Gursky, 1997

Chicago Board of Trade I

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Timothy Greenfield‐Sanders - Portrait of Julian Schnabel, 1979, black and white photograph
Timothy Greenfield‐Sanders, 1979

Portrait of Julian Schnabel

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Mark Innerst - View of the River, 1988, oil on acrylic on board
Mark Innerst, 1988

View of the River

Julian Schnabel - Anh in a Spanish Landscape, 1988, oil, plates and Bondo on three wood panels
Julian Schnabel, 1988

Anh in a Spanish Landscape

Eric Fischl - Eli, 2004, oil on linen
Eric Fischl, 2004

Eli

Tom Otterness - Double Foot, 1991, bronze
Tom Otterness, 1991

Double Foot

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Robbie Conal - Callame Con Un Gancho, 1992, offset lithographic poster
Robbie Conal, 1992

Callame Con Un Gancho

Jasper Johns - Decoy, 1971, lithograph with die cut
Jasper Johns, 1971

Decoy

Cindy Sherman - Untitled #120, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #120

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Terry Winters - Schema (18), 1985-86, gouache and graphite on paper
Terry Winters, 1985-86

Schema (18)

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 1 (Suite Circulation Time: Primeval Sleds 1), 1982, etching and drypoint on white wove
Joseph Beuys - Suite Zirkulationszeit: Kreuz des Saturn (Suite Circulation Time: Cross of Saturn), 1982, etching and drypoint on white wove
Roy Lichtenstein - La Nouvelle Chute De L'Amérique by Allen Ginsberg, Paris, Édition du Solstice, 1992, ten acquatints; one printed in black, nine printed in color
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011

THEY COULDN'T DO NO BETTER

Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Joseph Beuys - Incontro con Beuys, 1974, silkscreen on cardstock, stamped
Joseph Beuys, 1974

Incontro con Beuys

Anselm Kiefer - Arche (german) Ark (english), 2011, emulsion, shellac, pottery, salt, cardboard, lead boat
Anselm Kiefer, 2011

Arche (german) Ark (english)

Ed Ruscha - Rough Fireplace Study, 1977, pastel and graphite on paper
Ed Ruscha, 1977

Rough Fireplace Study

John Ahearn and Rigoberto Torres - Thomas, 1986, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1986

Thomas

On View
Cindy Sherman - Untitled #71, 1980, chromogenic color print
Cindy Sherman, 1980

Untitled #71

Joseph Beuys - eine Partei für Tiere (A Party for Animals), 1969, offset and handwritten text on paper, stamped with oil paint (Browncross) and round stamp
Annette Lemieux - Here Below, 1989, music sheets, resin and oil on canvas
Annette Lemieux, 1989

Here Below

Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #136