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Robert Rauschenberg - Quattro Mani Marrakech II, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech II

Joseph Beuys - Der Morgen III (The Morning III), 1982, offset on cardstock, stamps reproduced
Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992

Untitled: Four Etchings

Joseph Beuys - Filzpostkarte (Felt Postcard), 1985, silkscreen on felt
Joseph Beuys, 1985

Filzpostkarte (Felt Postcard)

Mike Kelley - Peat Spade (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Terry Winters - Set Diagram 38, 2000, oil on linen
Terry Winters, 2000

Set Diagram 38

Mark Grotjahn - Untitled (Dark Indigo Blue Rub Mask M11.h), 2011, painted bronze
Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.41)

Cindy Sherman - Untitled Film Still #52, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #52

Frank Stella - Playskool Screen, 1983, patinated cast bronze, fabricated aluminum, steel, etched honeycomb, sccreenprint, hand colored
Frank Stella, 1983

Playskool Screen

Ed Ruscha - WALL ROCKET, 2013, lithograph
Ed Ruscha, 2013

WALL ROCKET

Cindy Sherman - Untitled #146, 1985, chromogenic color print
Cindy Sherman, 1985

Untitled #146

Joseph Beuys - sich selbst (Oneself), 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

sich selbst (Oneself)

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Jean‐Michel Basquiat - With Strings Two, 1983, acrylic, and oilstick on canvas
Jean‐Michel Basquiat, 1983

With Strings Two

Sue Coe - Welcome to R.A.F. Greenham Common, 1984, mixed media and collage on paper
Joan Miró - Oiseau Lunaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966

Oiseau Lunaire

Sharon Lockhart - Manioc Production: Elenilde Correa, Eliane Correa, Neide Correa, Mariana Correa, Denize Correa & Maria Correa, Santa Rita Community, River Aripuana, Brazil, 1999, six framed chromogenic prints
Julie Mehretu - Six Bardos: Luminous Appearance, 2018, 19 color, 2 panel aquatint
Julie Mehretu, 2018

Six Bardos: Luminous Appearance

Tom Otterness - Big Frog on Lily Pad, 1994, bronze
Tom Otterness, 1994

Big Frog on Lily Pad

Joseph Beuys - Holzschnitte: Bein (Woodcuts: Leg), 1961/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1961/1973-74

Holzschnitte: Bein (Woodcuts: Leg)

Jeff Wall - Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox
Joseph Beuys - Bitterfelder Telegramm (Bitterfeld Telegram), 1979, telegraph form, stamped
Andreas Gursky - Madonna I, 2001, chromogenic print
Andreas Gursky, 2001

Madonna I

Tauba Auerbach - Grain: Slice/Maille I, 2015, acrylic on masonite with Baltic Birch cradle
Tauba Auerbach, 2015

Grain: Slice/Maille I

Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Cindy Sherman - Untitled #332, 1999, gelatin silver print
Cindy Sherman, 1999

Untitled #332

Keith Haring - Untitled, 1984, acrylic on four muslin panels
Keith Haring, 1984

Untitled

Chuck Close - Cindy, 2006, Jacquard tapestry
Chuck Close, 2006

Cindy