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George Condo - Self Portraits Facing Cancer 1, 2015, acrylic, oil, and pigment stick on canvas, in two parts
George Condo, 2015

Self Portraits Facing Cancer 1

Roy Lichtenstein - River Valley, 1985, oil and Magna on canvas
Roy Lichtenstein, 1985

River Valley

On View
Jasper Johns - Untitled, 1986, charcoal on paper
Jasper Johns, 1986

Untitled

Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
Georges Braque - Quatre Oiseaux, 1959, lithograph
Georges Braque, 1959

Quatre Oiseaux

Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992

Untitled: Four Etchings

Takashi Murakami - End of Line, 2011, acrylic on canvas mounted on board
Takashi Murakami, 2011

End of Line

Robert Longo - Untitled (White Riot), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982

Untitled (White Riot)

On View
Joseph Beuys - Cosmos und Damian gebohnert (Cosmos and Damian Polished), 1975, proof sheet of postcard, mounted on gray cardboard; shoe polish
Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
Cy Twombly - Untitled, 1989, bronze, painted with white oil-based paint
Cy Twombly, 1989

Untitled

Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
John Baldessari - All Z's (Picabia/Mondrian): Zealot, 2017, varnished inkjet print on canvas with acrylic paint
John Baldessari, 2017

All Z's (Picabia/Mondrian): Zealot

Jasper Johns - Ventriloquist, 1986, lithograph, eleven aluminum plates
Jasper Johns, 1986

Ventriloquist

Joseph Beuys - Vorwärts, 1977, packing paper with silkscreen, stamped
Joseph Beuys, 1977

Vorwärts

Ed Ruscha - WENT TO SLEEP..., 2011, acrylic on vellum
Ed Ruscha, 2011

WENT TO SLEEP...

William Kentridge - Monument, 1990, 16mm animated film
William Kentridge, 1990

Monument

Joseph Beuys - Laßt Blumen sprechen, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974

Laßt Blumen sprechen

Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Sharon Lockhart - Pine Flat Portrait Studio, Dakota, 2005, framed chromogenic print
Sharon Lockhart, 2005

Pine Flat Portrait Studio, Dakota

Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974

Noiseless Blackboard Eraser

Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988

Weekend

Joseph Beuys - Auf dem Flug nach Amerika (On the Flight to America), 1974, two postcards; color variations; offset on cardstock, stamps reproduced
Joseph Beuys - Raum 3 (Room 3), 1981, invitation card with handwritten correction
Joseph Beuys, 1981

Raum 3 (Room 3)

Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Leon Golub - Castro 3 (1964), 1977, acrylic on linen
Leon Golub, 1977

Castro 3 (1964)

Mike Kelley - Peat Spade (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Timothy Greenfield‐Sanders - Portrait of David Wojnarowicz, 1984, black and white photograph
Timothy Greenfield‐Sanders, 1984

Portrait of David Wojnarowicz

Jenny Saville - Strategy, 1994, oil on canvas
Jenny Saville, 1994

Strategy

Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase