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Carl Andre - Aluminum-Copper Alloy Square, 1969, 50 aluminum plates and 50 copper plates
Carl Andre, 1969

Aluminum-Copper Alloy Square

Joseph Beuys - Ruined by State, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974

Ruined by State

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Jeff Koons - Metallic Venus, 2010 - 2012, mirror-polished stainless steel with transparent color coating and live flowering plants
Jeff Koons, 2010 - 2012

Metallic Venus

Joseph Beuys - Schmerzraum (Chamber of Pain), 1984, silkscreen on paper
Joseph Beuys, 1984

Schmerzraum (Chamber of Pain)

John Ahearn and Rigoberto Torres - Titi in Window, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Titi in Window

On View
Cindy Sherman - Untitled #405, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #405

Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Schamanentrommel (Shaman's Drum), 1984, color etching with aquatint on wove, stamped
Jeff Koons - Lifeboat, 1985, bronze
Jeff Koons, 1985

Lifeboat

Joseph Beuys - ART-RITE, 1981, magazine
Joseph Beuys, 1981

ART-RITE

Cindy Sherman - Untitled #330, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #330

Julian Schnabel - Self-Portrait in Andy's Shadow, 1987, oil, plates and Bondo on two wood panels
Julian Schnabel, 1987

Self-Portrait in Andy's Shadow

Joseph Beuys - DDR-Riechstein (GDR Smell Stone), 1984, bird whetstone, with handwritten addition, in cardboard box
Joseph Beuys - Suite Zirkulationszeit: Raumecke Filz und Fett (Suite Circulation Time: Room Corner Felt and Fat), 1982, etching à la poupée on gray wove
Joseph Beuys - Rose für Direkte Demokratie (Rose for Direct Democracy), 1973, graduated glass cylinder, with inscription; certificate on printed letter paper
Barbara Kruger - Have Me Feed Me Hug Me Love Me Need Me, 1988, lenticular photograph
Philip‐Lorca diCorcia - New York, 1993, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1993

New York

Takashi Murakami - In the Land of the Dead, Stepping on the Tail of a Rainbow, 2014, acrylic on canvas
Robert Therrien - No title (purple arch relief), 1977, enamel and wax on wood
Robert Therrien, 1977

No title (purple arch relief)

Joseph Beuys - Wirtschaftswert Mineralwasser (Economic Value Mineral Water), 1982, bottle of soda water, stamped, with handwritten addition; in wooden box
Keith Haring - Untitled, 1982, baked enamel on metal
Keith Haring, 1982

Untitled

Joseph Beuys - Honigpumpe am Arbeitsplatz (Honeypump in the Workplace), 1977, offset on cardstock, stamps reproduced
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Hank Willis Thomas - We shall not be moved, 2022, screenprint on retroreflective vinyl, mounted on
Hank Willis Thomas, 2022

We shall not be moved

On View
Joseph Beuys - Gespräch, 1974, pencil drawing on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974

Gespräch

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982

Untitled

Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped