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Günther Förg - Villa Malaparte, Capri, 1987, black and white photograph
Günther Förg, 1987

Villa Malaparte, Capri

On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Cindy Sherman - Untitled #97, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #97

On View
Joseph Beuys - Sciora, 1982, book by Dirk Rochtus and Joseph Beuys
Joseph Beuys, 1982

Sciora

Andy Warhol - Liz [Early Colored Liz], 1963, synthetic polymer and silkscreen ink on canvas
Andy Warhol, 1963

Liz [Early Colored Liz]

John Baldessari - Corn Soup, 2012, multi-color screenprint
John Baldessari, 2012

Corn Soup

Albert Oehlen - Abstand, 2006, acrylic and oil on canvas
Albert Oehlen, 2006

Abstand

Robert Rauschenberg - On Hold (Arcadian Retreat), 1996, fresco
Robert Rauschenberg, 1996

On Hold (Arcadian Retreat)

Jeff Koons - Couple, 2001, oil on canvas
Jeff Koons, 2001

Couple

On View
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Mike Kelley - Flower of Architecture, 1986, acrylic on paper mounted on canvas
Mike Kelley, 1986

Flower of Architecture

John Baldessari - That's Not Bad..., 2015, varnished inkjet print on canvas with acrylic paint
John Baldessari, 2015

That's Not Bad...

On View
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Anselm Kiefer - Das Salz der Erde (german) Salt of the Earth (english), 2011, 27 unique photographs on lead on steel frame
Ellsworth Kelly - Green Relief with Blue, 2011, oil on canvas, two joined panels
Ellsworth Kelly, 2011

Green Relief with Blue

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Christopher Wool - Untitled, 1985, enamel on metal
Christopher Wool, 1985

Untitled

Joseph Beuys - Suite Zirkulationszeit: Topfspiel (Suite Circulation Time: Pot Game), 1982, etching on white wove
Barbara Kruger - Untitled (Roy Toy), 1986, black and white photograph with silkscreen
Barbara Kruger, 1986

Untitled (Roy Toy)

Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981

Das Wirtschaftswert-PRINZIP

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Toba Khedoori - Untitled (Black fireplace), 2006, encaustic, wax, oil paint on paper
Toba Khedoori, 2006

Untitled (Black fireplace)

Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

John Baldessari - White Truffle Soup, 2012, multi-color screenprint
John Baldessari, 2012

White Truffle Soup

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986

Conversation