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Julian Schnabel - The Walk Home, 1985, oil, plates, copper, bronze, fiberglass and Bondo on six wood panels
Julian Schnabel, 1985
The Walk Home
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Joseph Beuys - Grünkreuz (Green Cross), 1984, offset on cardstock, stamps reproduced
Joseph Beuys, 1984
Grünkreuz (Green Cross)
Joseph Beuys - Hasenzucker (Hare Sugar), 1972, silkscreen on cardstock; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys, 1972
Hasenzucker (Hare Sugar)
Robert Longo - Untitled (Marching Soldiers; (Party Foundation Day) Pyongyang, North Korea; October 10, 2015), 2019, charcoal on mounted paper
Joseph Beuys - Beuys boxt für direkte Demokratie (Beuys Boxes for Direct Democracy), 1972, poster, offset on newsprint
Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988
Für René Char
Thomas Struth - Audience 7 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - History, 1985, offset on paper, with handwritten additions
Joseph Beuys, 1985
History
Joseph Beuys - Zwei weibliche Torsi (Two Female Torsos), 1975, color lithograph on wove
Charles Ray - Firetruck, 1993, painted aluminum, fiberglass, and Plexiglas
Charles Ray, 1993
Firetruck
Cindy Sherman - Untitled #375, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #375
Ericka Beckman - You The Better, 1983/2015, digitized 16 mm film with sound, props
Ericka Beckman, 1983/2015
You The Better
Sherrie Levine - Untitled (Mr. Austridge: 1), 1989, casein on wood
Sherrie Levine, 1989
Untitled (Mr. Austridge: 1)
Terry Winters - Viewing Transformations 1, 1993, acrylic on paper
Terry Winters, 1993
Viewing Transformations 1
Sam Francis - White #4, 1950-51, oil on canvas
Sam Francis, 1950-51
White #4
Joseph Beuys - Signatur 1956 (Signature 1956), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973
Signatur 1956 (Signature 1956)
Cindy Sherman - Untitled #403, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #403
Joseph Beuys - Filzanzug (Felt Suit), 1970, felt, sewn; stamped
Joseph Beuys, 1970
Filzanzug (Felt Suit)
Jasper Johns - Savarin, 1982, monotype over lithograph
Jasper Johns, 1982
Savarin
Cindy Sherman - Untitled #190, 1989, chromogenic color prints (two panels)
Cindy Sherman, 1989
Untitled #190
Alberto Giacometti - Annette VI, 1962, bronze
Alberto Giacometti, 1962
Annette VI
Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, offset on cardstock, stamps reproduced
Roy Lichtenstein - Woman with Mirror, 1996, patinated bronze and mirror
Roy Lichtenstein, 1996
Woman with Mirror
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on grayish-brown packing paper
Philip Taaffe - Polis, 1996, mixed media on canvas
Philip Taaffe, 1996
Polis
Charles Ray - Table, 1990, Plexiglas and steel
Charles Ray, 1990
Table
Andreas Gursky - Madonna I, 2001, chromogenic print
Andreas Gursky, 2001
Madonna I
Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
Jasper Johns - Between the Clock and the Bed, 1989, lithograph, ten aluminum plates
Jasper Johns, 1989
Between the Clock and the Bed