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Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

Scott Burton - Settee, 1986-87, oak and ash
Scott Burton, 1986-87

Settee

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Terry Winters - Schema (66), 1985-86, oil and graphite on paper
Terry Winters, 1985-86

Schema (66)

Joseph Beuys - Das halbe Filzkreuz über Köln (The Half Felt Cross over Cologne), 1974, offset on cardstock, stamps reproduced
Joseph Beuys - Heidelberg (Tiber), 1970, proof sheet; offset on cardstock, with handwritten inscription, with several stamps
Joseph Beuys, 1970

Heidelberg (Tiber)

Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981

Untitled #152

Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993

A Perfect World

Cindy Sherman - Untitled #129, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #129

Joseph Beuys - Suite Zirkulationszeit: Hirsch und Hut (Suite Circulation Time: Stag and Hat), 1982, etching and drypoint on white wove
Cindy Sherman - Untitled #120, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #120

Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990

Why?

Andy Warhol - Two Marilyns, 1962, acrylic, silkscreen ink, and pencil on linen
Andy Warhol, 1962

Two Marilyns

Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
Bill Jensen - Voodoo, 1976, oil on linen
Bill Jensen, 1976

Voodoo

Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets with metal clamp
Damien Hirst - Judgement Day, 2009, glass, gold plated stainless steel, steel, aluminium, nickel and cubic zirconia
Damien Hirst, 2009

Judgement Day

Glenn Ligon - Screen, 1996, silkscreen on canvas
Glenn Ligon, 1996

Screen

Joseph Beuys - DDR-Hase (GDR Hare), 1979, color postcard with handwritten addition
Joseph Beuys, 1979

DDR-Hase (GDR Hare)

Tony Oursler - Phobic, 1993, mixed media with video
Tony Oursler, 1993

Phobic

George Condo - Double Heads on Red, 2014, acrylic, charcoal, pastel on linen
George Condo, 2014

Double Heads on Red

Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996

Untitled

Glenn Ligon - Runaways, 1993, suite of ten lithographs
Glenn Ligon, 1993

Runaways

Terry Winters - Untitled #2, 1984, charcoal, chalk and crayon on paper
Terry Winters, 1984

Untitled #2

Robert Therrien - No title (bent cone relief), 1983, lacquer and wax on wood
Robert Therrien, 1983

No title (bent cone relief)

Joseph Beuys - 9 Postkarten: die Axt von meiner Mutter (My Mother's Axe), 1985, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled Film Still #52, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #52

Joseph Beuys - in interfunktionen 4, 1970, offset, stamped; paper strip with typewritten text, stamped; plaster; on page 54 of publciation; magazine
Joseph Beuys, 1970

in interfunktionen 4

Joseph Beuys - ohne die Rose tun wir's nicht (We Won't Do It without the Rose), 1972, color offset on cardstock, with handwritten text
Joseph Beuys - 9 Postkarten: hiermit trete ich aus der Kunst aus (9 Postcards: I Hereby Resign from Art), 1985, offset on cardstock, stamps reproduced