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Anselm Kiefer - Euphrat und Tigris, 1986-89, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1986-89

Euphrat und Tigris

George Condo - Nuntio, 1985, oil on canvas
George Condo, 1985

Nuntio

Jasper Johns - Cicada II, 1981, silkscreen, 18 screens
Jasper Johns, 1981

Cicada II

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Joseph Beuys - Suite Zirkulationszeit: Meerengel Sperm-Wal (Suite Circulation Time: Sea Angel Sperm Whale), 1982, etching and aquatint on white wove
Robert Rauschenberg - Golden Grebe (Scale), 1978, solvent transfer on fabric collaged to wooden panels with acrylic paint, colored and clear mirrors, and paintbrush
Robert Rauschenberg, 1978

Golden Grebe (Scale)

Louise Lawler - Nipple, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008

Nipple

George Condo - Untitled, 1985, oil on canvas
George Condo, 1985

Untitled

Anselm Kiefer - Athanor, 2011, mixed media in inscribed glass and steel vitrine
Anselm Kiefer, 2011

Athanor

Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Joseph Beuys - Amerikanischer Hasenzucker (American Hare Sugar), 1974, color offset on cardstock, stamped; sugar cubes, stamped, in cardboard box with cotton wool
Chuck Close - Cindy, 2006, Jacquard tapestry
Chuck Close, 2006

Cindy

Bruce Nauman - Untitled (Hand Circle), 1996, phosphorus-patinated bronze with wire
Bruce Nauman, 1996

Untitled (Hand Circle)

Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #131

Joseph Beuys - Kettenglied, 1975, letterpress on paper
Joseph Beuys, 1975

Kettenglied

Ed Ruscha - Atlas, 2002, acrylic on raw linen
Ed Ruscha, 2002

Atlas

Cindy Sherman - Untitled Film Still #27, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #27

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

William Kentridge - Other Faces, 2011, 35 mm film transferred to DVD and hard drive; 9 min 54 sec looped, with sound
William Kentridge, 2011

Other Faces

Cindy Sherman - Untitled #311, 1994, Cibachrome
Cindy Sherman, 1994

Untitled #311

Thomas Struth - Aquarium, Atlanta, Georgia, 2013, chromogenic print
Thomas Struth, 2013

Aquarium, Atlanta, Georgia

Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Scott Burton - Semi-Circle Table, 1993, hot rolled steel
Scott Burton, 1993

Semi-Circle Table

David Salle - Lemons and Stars, 1997, acrylic, oil and photo-sensitized linen on two canvas panels
David Salle, 1997

Lemons and Stars

Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982

Untitled

Cindy Sherman - Untitled #135, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #135

Joseph Beuys - Elch in der Strömung (Elk in the Current), 1985, silkscreen on cardstock
Jack Goldstein - Untitled (#61 Burning City), 1981, acrylic on canvas
Jack Goldstein, 1981

Untitled (#61 Burning City)