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Alex Israel - Self Portrait (Selfie and Studio Floor), 2014, acrylic and bondo on fiberglass
Joseph Beuys - Schwelle (Threshold), 1984, blind etching with plate tone varying from impression to impression on wove
Joseph Beuys, 1984
Schwelle (Threshold)
Robert Therrien - No title (snowman), 1986-87, zinc on bronze
Robert Therrien, 1986-87
No title (snowman)
Thomas Struth - Audience 11 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - Suite Zirkulationszeit: Meerengel zwei Robben (Suite Circulation Time: Sea Angel Two Seals), 1982, etching and aquatint on white wove
Joseph Beuys - das Fett dafür, 1985, pages worked over with fat and pencil; exhibition catalogue, Kunst in der Bundesrepublik Deutschland 1945-1985, pages 241-245; in cloth box
Joseph Beuys, 1985
das Fett dafür
Henry Moore - Heads No. 2 (Interior and Exterior Forms), 1950, colored crayons, watercolor and wash on paper
Leon Golub - Nelson Rockefeller (1941), 1976, acrylic on linen
Leon Golub, 1976
Nelson Rockefeller (1941)
Terry Winters - Branching Structures, 1996, oil, alkyd resin, mica, graphite on linen
Terry Winters, 1996
Branching Structures
Anselm Kiefer - Das Balder-Lied, 1977-88, original photograph and mistletoe on treated lead in a glazed steel frame
Anselm Kiefer, 1977-88
Das Balder-Lied
Joseph Beuys - Terremoto in palazzo (Earthquake in the Building), 1983, color offset on wove
Frank Stella - Wake Island Rail (3x), 1977, mixed media on aluminum
Frank Stella, 1977
Wake Island Rail (3x)
Cindy Sherman - Untitled Film Still #37, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #37
Joseph Beuys - in Ilverich roch es damals noch nach Gras, 1981, offset on cardstock
Eric Fischl - The Travel of Romance: Scene II, 1994, oil on linen
Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982
Hasenstein (Hare Stone)
Joseph Beuys - Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee (Yes Yes Yes Yes Yes, No No No No No ), 1969, felt, tape recording
Joseph Beuys - Sandzeichnungen in Diani (Sand Drawings in Diani), 1980, seventeen color photographs mounted on black cardstock
Joseph Beuys - Suite Zirkulationszeit: die Mütter (Suite Circulation Time: The Mothers), 1982, etching on white wove
Donald Baechler - Untitled [Cone (A Feat of Strength)], 2000, silkscreen
Donald Baechler, 2000
Untitled [Cone (A Feat of Strength)]
Anselm Kiefer - Laßt tausend Blumen blühen, 1998, mixed media on canvas
Anselm Kiefer, 1998
Laßt tausend Blumen blühen
Joel Shapiro - Untitled, 1985-86, oil on bronze
Joel Shapiro, 1985-86
Untitled
George Condo - Untitled, 1985, oil on canvas
George Condo, 1985
Untitled
George Segal - Girl in White Wicker Chair, 1980, plaster and wicker
George Segal, 1980
Girl in White Wicker Chair
Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984
Tongue to the Heart
Joseph Beuys - 7000 Eichen (7000 Oaks), 1983, four color-offset prints on cardstock
Joseph Beuys, 1983
7000 Eichen (7000 Oaks)
Thomas Houseago - Untitled (Black Painting 11), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 11)
Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Andreas Gursky - Kuwait Stock Exchange II, 2008, chromogenic print
Andreas Gursky, 2008
Kuwait Stock Exchange II
On View
Jasper Johns - Flags II, 1973, silkscreen, 30 screens
Jasper Johns, 1973
Flags II