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Andy Warhol - 40 Gold Marilyns, 1980, silkscreen ink and synthetic polymer paint on canvas
Andy Warhol, 1980

40 Gold Marilyns

Joseph Beuys - Gespräch (Conversation), 1974, drawing in watercolor, ink and stamps on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974

Gespräch (Conversation)

Mark Bradford - Scorched Earth, 2006, mixed media on canvas
Mark Bradford, 2006

Scorched Earth

Eric Fischl - Joan and John, 2001-2002, oil on linen
Eric Fischl, 2001-2002

Joan and John

Joan Miró - Painting, March 13, 1933, 1933, oil on canvas
Joan Miró, 1933

Painting, March 13, 1933

Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
Thomas Houseago - Face Panel II (Landscape), 2012, bronze
Thomas Houseago, 2012

Face Panel II (Landscape)

Andy Warhol - One-Dollar Bill, 1962, pencil, crayon and gouache on paper
Andy Warhol, 1962

One-Dollar Bill

John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99

Three Moments (with Pool Table)

Elliott Hundley - Changeling, 2020, oil, encaustic, photographs and collage on linen
Elliott Hundley, 2020

Changeling

Anselm Kiefer - Das Balder-Lied, 1977-88, original photograph and mistletoe on treated lead in a glazed steel frame
Anselm Kiefer, 1977-88

Das Balder-Lied

Kara Walker - Danse de la Nubienne Nouveaux, 1998, cut paper on wall
Kara Walker, 1998

Danse de la Nubienne Nouveaux

Terry Winters - Schema (17), 1985-86, gouache and graphite on paper
Terry Winters, 1985-86

Schema (17)

John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968

The Spectator Is Compelled...

Joseph Beuys - Sekretärstasche, 1981, mailing envelope, stamped, prints on plastic sheet mounted in book
Joseph Beuys, 1981

Sekretärstasche

Joseph Beuys - Suite Zirkulationszeit: Raumecke Filz und Fett (Suite Circulation Time: Room Corner Felt and Fat), 1982, etching à la poupée on gray wove
Joan Miró - Oiseau Solaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966

Oiseau Solaire

Jasper Johns - 0 - 9, 2008, aluminum (two sided) with aluminum base
Jasper Johns, 2008

0 - 9

Joseph Beuys - Auguren (Augurs), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Auguren (Augurs)

Ed Ruscha - WENT TO SLEEP..., 2011, acrylic on vellum
Ed Ruscha, 2011

WENT TO SLEEP...

Robert Longo - Untitled (White Riot), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982

Untitled (White Riot)

On View
Ed Ruscha - Turn Around, 1979, gunpowder on paper
Ed Ruscha, 1979

Turn Around

Joseph Beuys - Stempelplastik (Stamp Sculpture), 1982, vinyl postcards and Hauptstrom stamp
Annette Lemieux - Formal Wear, 1987, bronze cast
Annette Lemieux, 1987

Formal Wear

Jasper Johns - White Flag, 1960, oil and newspaper collage over lithograph
Jasper Johns, 1960

White Flag

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Cindy Sherman - Untitled #120, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #120

Jean‐Michel Basquiat - Eyes and Eggs, 1983, acrylic, oilstick and paper collage on cotton drop cloth with metal hinges
Jean‐Michel Basquiat, 1983

Eyes and Eggs

On View
Jasper Johns - Ventriloquist, 1985, lithograph, eight aluminum plates
Jasper Johns, 1985

Ventriloquist

Robert Rauschenberg - Untitled, ca. 1954, combine: oil, fabric, newspaper, and charcoal collage with light bulb and two Crookes radiometers on wood structure
Robert Rauschenberg, ca. 1954

Untitled