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Charles Ray - Table, 1990, Plexiglas and steel
Charles Ray, 1990
Table
Joseph Beuys - Klanggebilde (Tune Formation), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Klanggebilde (Tune Formation)
Joseph Beuys - Konzert Mönchengladbach (Mönchengladbach Concert), 1970, cassette recorder, stamped with oil paint (Browncross)
Philip‐Lorca diCorcia - New York, 1996, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1996
New York
Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984
Untitled #136
Leon Golub - Mercenaries V, 1984, acrylic on linen
Leon Golub, 1984
Mercenaries V
Joseph Beuys - Diebstahl (Theft), 1974, information sheet, printed on both sides
Joseph Beuys, 1974
Diebstahl (Theft)
Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
SHAM DEATH
On View
Jean‐Michel Basquiat - Obnoxious Liberals, 1982, acrylic, oilstick, and spray paint on canvas
Jean‐Michel Basquiat, 1982
Obnoxious Liberals
On View
Tauba Auerbach - Shadow Weave - Chiral Fret Wave, 2015, woven canvas on wooden stretcher
Tauba Auerbach, 2015
Shadow Weave - Chiral Fret Wave
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Joseph Beuys - Holzpostkarte (Wood Postcard), 1974, silkscreen on pine
Joseph Beuys, 1974
Holzpostkarte (Wood Postcard)
Joseph Beuys - Suite Schwurhand: Vogel (Suite Oath Hand: Bird), 1980, aquatint and lithograph on paper laid down on white Arches wove
Mark Bradford - Deep Blue, 2018, mixed media on canvas
Mark Bradford, 2018
Deep Blue
On View
William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012
The Refusal of Time
Cindy Sherman - Untitled Film Still #47, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #47
Joseph Beuys - Steinhase (Stone Hare), 1982, color photograph
Joseph Beuys, 1982
Steinhase (Stone Hare)
Cindy Sherman - Untitled #264, 1992, chromogenic color print
Cindy Sherman, 1992
Untitled #264
Terry Winters - Set Diagram 33, 2000, oil on linen
Terry Winters, 2000
Set Diagram 33
Joseph Beuys - Amerikanischer Hasenzucker (American Hare Sugar), 1974, color offset on cardstock, stamped; sugar cubes, stamped, in cardboard box with cotton wool
Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007
F1 Boxenstopp II
Imi Knoebel - vivitis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987
vivitis
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard
Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995
Kink Instability
Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Tauba Auerbach - Grain: Slice/Maille I, 2015, acrylic on masonite with Baltic Birch cradle
Tauba Auerbach, 2015
Grain: Slice/Maille I
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Kara Walker - Danse de la Nubienne Nouveaux, 1998, cut paper on wall
Kara Walker, 1998
Danse de la Nubienne Nouveaux
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019
Pure Insecurity