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Joseph Beuys - Suite Schwurhand: Hirsch (Suite Oath Hand: Stag), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988
Green Kiss/Red Embrace (Disjunctive)
Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990
The Chapel (C-30, 1X)
David Salle - Cataluna Ground, 1987, acrylic and oil on two canvas panels
David Salle, 1987
Cataluna Ground
Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74
Holzschnitte: Hirschkuh (Woodcuts:Hind)
Joseph Beuys - sich selbst (Oneself), 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
sich selbst (Oneself)
Joseph Beuys - Zeichnungen 1949-1969, 1972, paperbound catalogue with 57 full-page reproductions, offset on newsprint
Joseph Beuys, 1972
Zeichnungen 1949-1969
Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Jeff Koons - Balloon Dog (Blue), 1994-2000, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2000
Balloon Dog (Blue)
On View
Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000
Quattro Mani Marrakech III
Joseph Beuys - Gespräch, 1974, pencil drawing on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974
Gespräch
Joseph Beuys - von Gloeden Postkarten: Peppino, 1978, offset on cardstock with pencil
Joseph Beuys, 1978
von Gloeden Postkarten: Peppino
Joseph Beuys - besser heute aktiv (Better Active Today), 1972, flyer, with handwritten text, stamped
Joseph Beuys - Katalog Museum Mönchengladbach (Mönchengladbach Museum Catalogue), 1967, Catalogue-box, felt piece stamped with oil paint (Browncross), two accordion folded sheets, booklet
Mark Tansey - Achilles and the Tortoise, 1986, oil on canvas
Mark Tansey, 1986
Achilles and the Tortoise
Cy Twombly - La-La, 1953, oil-based house paint and graphite on paper
Cy Twombly, 1953
La-La
Joseph Beuys - Schmerzraum (Chamber of Pain), 1984, silkscreen on paper
Joseph Beuys, 1984
Schmerzraum (Chamber of Pain)
Andy Warhol - Campbell's Soup Can (Clam Chowder - Manhattan Style) [Ferus Type], 1962, casein and pencil on linen
On View
Andy Warhol - Small Torn Campbell's Soup Can (Pepper Pot), 1962, casein, gold paint, and graphite on linen
On View
John McLaughlin - #10 - 1965, 1965, oil on canvas
John McLaughlin, 1965
#10 - 1965
Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967
Femme assise et enfant
Joel Shapiro - Untitled, 1974, bronze
Joel Shapiro, 1974
Untitled
Ross Bleckner - Unknown Quantities of Light (Part IV), 1988, oil on canvas
Joseph Beuys - Kunst=CAPITAL (Art=Capital), 1979, banknote with handwritten addition
Joseph Beuys, 1979
Kunst=CAPITAL (Art=Capital)
Kara Walker - Paternity Test, 2009, cut paper on wall
Kara Walker, 2009
Paternity Test
Joseph Beuys - La zappa (The Hoe), 1978, wrought iron, olive wood with brand
Joseph Beuys, 1978
La zappa (The Hoe)
Jean‐Michel Basquiat - Eyes and Eggs, 1983, acrylic, oilstick and paper collage on cotton drop cloth with metal hinges
Jean‐Michel Basquiat, 1983
Eyes and Eggs
On View
Andrew Lord - Jug, Modeling Copper, 1990, low fired clay with copper and lead glaze, epoxy and gold leaf
Andrew Lord, 1990
Jug, Modeling Copper
Timothy Greenfield‐Sanders - Portrait of Gerhard Richter, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991
Portrait of Gerhard Richter