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Joseph Beuys - Nylon-Geld (Nylon Money), 1979, 40 black and white photographs by Werner Krüger, in box
Joseph Beuys, 1979
Nylon-Geld (Nylon Money)
Joseph Beuys - in interfunktionen 4, 1970, offset, stamped; paper strip with typewritten text, stamped; plaster; on page 54 of publciation; magazine
Joseph Beuys, 1970
in interfunktionen 4
Joseph Beuys - Collezione di grafica: Untitled, 1982, color photoetching and etching on wove
Joseph Beuys, 1982
Collezione di grafica: Untitled
Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard
Jeff Wall - Band and crowd, 2011, color photograph
Jeff Wall, 2011
Band and crowd
Mark Bradford - Journal Entry#1-4, 2013, mixed media on canvas
Mark Bradford, 2013
Journal Entry#1-4
Joseph Beuys - in interfunktionen 3, 1969, offset; on page 83 of publication; magazine
Joseph Beuys, 1969
in interfunktionen 3
Mike Kelley - Blood and Soil (Potato Print) (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Barbara Kruger - Twelve, 2004, four screen video projection
Barbara Kruger, 2004
Twelve
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Hasengrab II (Hare's Grave II)
Cindy Sherman - Untitled Film Still #52, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #52
Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982
Untitled
Leon Golub - Horsing Around III, 1983, acrylic on linen
Leon Golub, 1983
Horsing Around III
Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981
Untitled
On View
Barbara Kruger - Untitled (If you're so successful, why do you feel like a fake?), 1987, photographic silkscreen on mirrored glass
Robbie Conal - Holy Homophobia, 1990, offset lithographic poster
Robbie Conal, 1990
Holy Homophobia
Cy Twombly - Ilium (One Morning Ten Years Later) [Part I], 1964, oil paint, lead pencil and wax crayon on canvas
Anselm Kiefer - Grenze (Border), 2024, Emulsion, oil, acrylic, shellac, gold leaf, and sediment of electrolysis on canvas
Anselm Kiefer, 2024
Grenze (Border)
On View
Jasper Johns - Savarin 5 (Corpse and Mirror), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79
Savarin 5 (Corpse and Mirror)
Joseph Beuys - Löschblatt (Olivestone) (Blotting Paper (from Olivestone)), 1984, blotting paper, typography, olive oil
Joseph Beuys - Initiation Gauloise, 1976, color lithograph on cardstock, stamped
Joseph Beuys, 1976
Initiation Gauloise
Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985
Doppelpferd (Double Horse)
Joseph Beuys - Eurasienstab über den Alpen (Eurasia Staff over the Alps), 1972, proof sheet, offset on coated cardstock, stamped
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987
vivit
Sam Francis - Untitled (Composition), 1954, watercolor and gouache on paper
Sam Francis, 1954
Untitled (Composition)
Jonas Wood - Blackwelder Self Portrait, 2017, oil and acrylic on canvas
Jonas Wood, 2017
Blackwelder Self Portrait
Andreas Gursky - SH III, 2014, inkjet print
Andreas Gursky, 2014
SH III
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Cy Twombly - Untitled (The Mathematical Dream of Ashurbanipal), 2000 - 2009, bronze