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Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

On View
Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974

Noiseless Blackboard Eraser

Joseph Beuys - Telephon S-----------------E (Telephone T-----------------Я), 1974, two tin cans, one with brown paint (Browncross); string, label
William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Jeff Koons - Cracked Egg (Red), 1994-2006, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2006

Cracked Egg (Red)

John Baldessari - Horizontal Men (With One Luxuriating), 1984, six gelatin silver prints mounted on board in artist's frame
Cy Twombly - Untitled [New York City], 1953, oil based house paint and wax crayon on canvas
Cy Twombly, 1953

Untitled [New York City]

On View
Joseph Beuys - A Political Party for Animals!, 1974, proof sheet for sugar envelopes, with handwritten addition, stamped
Joseph Beuys, 1974

A Political Party for Animals!

David Salle - Pound Notes, 1986, acrylic, fabric, oil and silkscreen on three canvas panels
David Salle, 1986

Pound Notes

Tauba Auerbach - Shadow Weave - Chiral Fret Wave, 2015, woven canvas on wooden stretcher
Tauba Auerbach, 2015

Shadow Weave - Chiral Fret Wave

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985

Doppelpferd (Double Horse)

Roy Lichtenstein - Rouen Cathedral, Set 3, 1968-69, oil and Magna on five canvas panels
Roy Lichtenstein, 1968-69

Rouen Cathedral, Set 3

On View
John Baldessari - Noses & Ears, Etc.:The Gemini Series: Two Faces, One with Nose and Military Ribbons; One with (Blue) Nose and Tie, 2006, three-layer, 14-color screenprint; mounted to Sintra and framed
Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Thomas Struth - Audience 5 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Cy Twombly - Untitled (The Mathematical Dream of Ashurbanipal), 2000 - 2009, bronze
Jasper Johns - The Critic Smiles, 1969, lead relief with tin relief and cast gold
Jasper Johns, 1969

The Critic Smiles

Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

Joseph Beuys - Coniglio (Rabbit ), 1978, color offset on cardstock
Joseph Beuys, 1978

Coniglio (Rabbit )

Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
Cindy Sherman - Untitled #447, 2005, chromogenic color print
Cindy Sherman, 2005

Untitled #447

Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
Ed Ruscha - Turn Around, 1979, gunpowder on paper
Ed Ruscha, 1979

Turn Around

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Richard Artschwager - Bookends, 1990, Formica on wood
Richard Artschwager, 1990

Bookends

Andy Warhol - Dance Diagram [3] ["The Lindy Tuck-In Turn-Man"], 1962, casein on linen
On View
Joseph Beuys - Enterprise 18.11.72; 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours), 1973, zinc box with lid, photograph, camera, felt