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Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #129, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #129

Joseph Beuys - Joseph Beuys and Nam June Paik, In Memoriam George Maciunas, 1984-84, Portfolio of felt sculpture (Filzwinkel [Felt Wedge]) (front), wood sculpture, two phonograph records, and screenprint in wood box
Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Cindy Sherman - Untitled #461, 2007/2008, chromogenic color print
Cindy Sherman, 2007/2008

Untitled #461

Joseph Beuys - Tafel I (Blackboard I), 1980, silkscreen on cardstock
Joseph Beuys, 1980

Tafel I (Blackboard I)

Ray Smith - Guernimex, 1990, oil and wax on nine wood panels
Ray Smith, 1990

Guernimex

Jasper Johns - Untitled, 2010, spit-bite aquatint, soft-ground, drypoint, and photogravure
Jasper Johns, 2010

Untitled

Richard Serra - No Problem, 1995, four conical shaped weatherproof steel plates
Richard Serra, 1995

No Problem

Joseph Beuys - Zwei weibliche Torsi (Two Female Torsos), 1975, color lithograph on wove
Sherrie Levine - Untitled (after Walker Evans: negative) #9, 1989, photograph and wood frame
Jeff Koons - Girl with Dolphin and Monkey Triple Popeye (Seascape), 2010, oil on canvas
Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Schwefelpostkarte (Sulphur Postcard), 1984, galvanized iron plate, one side covered with sulphur, the other printed
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Joseph Beuys - Testament (Will), 1974, will form with mounted postcard; envelope; both inscribed
Joseph Beuys, 1974

Testament (Will)

Cindy Sherman - Untitled #613, 2019, dye sublimation print
Cindy Sherman, 2019

Untitled #613

Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
Leon Golub - White Squad V, 1984, acrylic on linen
Leon Golub, 1984

White Squad V

Ed Ruscha - WENT TO SLEEP..., 2011, acrylic on vellum
Ed Ruscha, 2011

WENT TO SLEEP...

Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Joseph Beuys - Tafel II (Blackboard II), 1980, silkscreen on cardstock
Joseph Beuys, 1980

Tafel II (Blackboard II)

Jeff Koons - Gazing Ball (Mailboxes), 2013, plaster and glass
Jeff Koons, 2013

Gazing Ball (Mailboxes)

Ed Ruscha - Norm's, La Cienega, on Fire, 1964, oil and pencil on canvas
Ed Ruscha, 1964

Norm's, La Cienega, on Fire

On View
Richard Artschwager - Triptych (With Nude) (Diptych IV), 1966, acrylic on Celotex and Formica on wood
Richard Artschwager, 1966

Triptych (With Nude) (Diptych IV)

Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996

Untitled

Eric Fischl - The Travel of Romance: Scene V, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene V

Gregory Crewdson - Untitled (32), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (32)