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Ross Bleckner - More Wreath, 1986, oil on linen
Ross Bleckner, 1986

More Wreath

Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967

La Caresse d'un Oiseau

Joseph Beuys - :Quanten, 1982, two-part color silkscreen on wove paper
Joseph Beuys, 1982

:Quanten

Jeff Koons - Gazing Ball (da Vinci Mona Lisa), 2015, oil on canvas, glass, aluminum
John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988

Seashells/Tridents/Frames

Robert Longo - Untitled (Men in the Cities: Ellen), 1981, charcoal and graphite on paper
On View
Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Ed Ruscha - THOSE OTHER PEOPLE, 2011, acrylic on linen
Ed Ruscha, 2011

THOSE OTHER PEOPLE

On View
Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Joseph Beuys - Orwell-Blatt (Orwell Print), 1984, offset on wove
Joseph Beuys, 1984

Orwell-Blatt (Orwell Print)

Joseph Beuys - APOLLO mit Beuys (APOLLO with Beuys), 1977, handout with handwritten additions
John Ahearn and Rigoberto Torres - Raymond and Toby, 1989, oil on fiberglass
John Ahearn and Rigoberto Torres, 1989

Raymond and Toby

On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Chuck Close - Roy II, 1996, four digital inkjet prints on Somerset paper mounted on aluminum
Chuck Close, 1996

Roy II

Jasper Johns - The Critic Smiles, 1969, lead relief with tin relief and cast gold
Jasper Johns, 1969

The Critic Smiles

Ed Ruscha - The Right People, 2011, acrylic on linen
Ed Ruscha, 2011

The Right People

On View
Andrew Lord - Jug, Modeling Copper, 1990, low fired clay with copper and lead glaze, epoxy and gold leaf
Andrew Lord, 1990

Jug, Modeling Copper

Jonas Wood - Jungle Kitchen, 2017, oil and acrylic on canvas
Jonas Wood, 2017

Jungle Kitchen

Roy Lichtenstein - Stretcher Frame, 1968, oil and Magna on canvas
Roy Lichtenstein, 1968

Stretcher Frame

Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984

Ölflasche (Oil Bottle)

Doug Aitken - plateau, 2002, Aluminum lightbox, fluorescent lights, chromogenic transparency, acrylic
Doug Aitken, 2002

plateau

Joseph Beuys - Luftpost (Airmail), 1971, airmail envelope with page from a chemistry textbook; with several stamps
Joseph Beuys, 1971

Luftpost (Airmail)

Joseph Beuys - Suite Zirkulationszeit: o.T. [Mädchen] (Suite Circulation Time: Untitled (Girl)), 1982, etching on white wove
Tony Oursler - Phobic, 1993, mixed media with video
Tony Oursler, 1993

Phobic

Philip Taaffe - Processional Totem, 1995, mixed media on canvas
Philip Taaffe, 1995

Processional Totem

Jean‐Michel Basquiat - Pink Devil, 1984, acrylic, oilstick, and xerox collage on canvas
Jean‐Michel Basquiat, 1984

Pink Devil

On View
Joseph Beuys - Suite Schwurhand: Schwurhand (Suite Oath Hand: Oath Hand), 1980, aquatint and lithograph on paper laid down on gray Arches wove
Cy Twombly - Untitled, 2006, bronze
Cy Twombly, 2006

Untitled

On View
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Mike Kelley - Platonic Guts, 1988, acrylic on paper
Mike Kelley, 1988

Platonic Guts