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Glenn Ligon - Double America 2, 2014, neon and paint
Glenn Ligon, 2014
Double America 2
Joseph Beuys - Rettet den Wald (Save the Woods), 1972, offset on paper
Hank Willis Thomas - America, 2021, mixed media including U.S. flags
Hank Willis Thomas, 2021
America
On View
Chuck Close - John, 1971-72, acrylic on gessoed canvas
Chuck Close, 1971-72
John
Roy Lichtenstein - Red Lamp, 1992, lithograph on Rives BFK paper
Roy Lichtenstein, 1992
Red Lamp
Sharon Lockhart - Pine Flat Portrait Studio, Becky, Damien, Katie, 2005, three framed chromogenic prints
Luc Tuymans - Speech, 2010, oil on canvas
Luc Tuymans, 2010
Speech
Sam Francis - Grey, 1954-55, oil on canvas
Sam Francis, 1954-55
Grey
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
Glenn Ligon - White #3, 1993, oil stick and gesso on linen
Glenn Ligon, 1993
White #3
Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967
La Caresse d'un Oiseau
Mark Tansey - Forward Retreat, 1986, oil on canvas
Mark Tansey, 1986
Forward Retreat
Cindy Sherman - Untitled #376, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #376
Charles Ray - No, 1992, color photograph in artist's frame
Charles Ray, 1992
No
On View
Joseph Beuys - Hirsch-Fuß aus der Suite Tränen (Stag's Foot from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
Joseph Beuys - Suite Zirkulationszeit: Bär (Suite Circulation Time: Bear), 1982, lithograph on white wove
Ashley Bickerton - Wall Wall #8 (The Cool Damp Subterranean), 1988, mixed media construction
Cindy Sherman - Untitled #205, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #205
Robert Therrien - No title (five snails), 1990-2011, cast bronze
Robert Therrien, 1990-2011
No title (five snails)
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973
Sonnenscheibe
Robert Rauschenberg - Scripture II, 1974, acrylic, sand, graphite and collage on fabric laminated paper with grommets
Robert Rauschenberg, 1974
Scripture II
Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955
Untitled [New York City]
Jeff Koons - Cat on a Clothesline (Aqua), 1994-2001, rotationally molded polyethylene
Jeff Koons, 1994-2001
Cat on a Clothesline (Aqua)
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper