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Paul Pfeiffer - Four Horsemen of the Apocalypse #10, 2004, Fuji Digital chromogenic print
Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped
William Kentridge - Johannesburg - Second Greatest City after Paris, 1989, 16mm animated film
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Patrick Martinez - Psychic Friends (Malcolm X), 2022, neon
Patrick Martinez, 2022
Psychic Friends (Malcolm X)
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Eric Fischl - Fort Worth, 1985, oil on four canvas panels
Eric Fischl, 1985
Fort Worth
Julie Mehretu - Congress, 2003, ink and acrylic on canvas
Julie Mehretu, 2003
Congress
Imi Knoebel - vivitis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987
vivitis
Cindy Sherman - Untitled #125, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #125
Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Jasper Johns - Decoy, 1971, lithograph with die cut
Jasper Johns, 1971
Decoy
Cy Twombly - Untitled [Munich/Rome], 1972, oil paint, wax crayon and lead pencil on canvas
Cy Twombly, 1972
Untitled [Munich/Rome]
Mark Grotjahn - Untitled (Circus No. 2 Face 44.19), 2013, oil on cardboard mounted on linen
Jeff Wall - Hotels, Carrall St., Vancouver, summer 2005, 2005, transparency in lightbox
Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009
Blinded
Catherine Opie - Memorial Day, Three Rivers, California, 2012, archival pigment print on Inkpress Warmtone paper 300gsm
Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982
Goldkuchen (Gold Cake)
Nathaniel Mary Quinn - C'mo' and Walk With Me, 2019, black charcoal, gouache, soft pastel, oil pastel on Coventry vellum paper
Nathaniel Mary Quinn, 2019
C'mo' and Walk With Me
Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
Joseph Beuys - Suite Zirkulationszeit: tote Hirsche (Suite Circulation Time: Dead Stags), 1982, etching on white wove
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Jeff Wall - Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox
Joseph Beuys - Magnetischer Abfall (Magnetic Rubbish), 1975, magnetic steel casting
Jonas Wood - Children's Garden, 2015, oil and acrylic on canvas
Jonas Wood, 2015
Children's Garden
Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
Imi Knoebel - o.T. (Hartfaserbild 85-23), 1985, acrylic / masonite
Imi Knoebel, 1985
o.T. (Hartfaserbild 85-23)
Timothy Greenfield‐Sanders - Portrait of Cindy Sherman, 1992, iris print
Timothy Greenfield‐Sanders, 1992
Portrait of Cindy Sherman
John Baldessari - Black and White Decision, 1984, four black and white photographs; mounted on board
John Baldessari, 1984
Black and White Decision
Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 2 (Suite Circulation Time: Sea Angel Seal 2), 1982, etching and aquatint on white wove