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Joseph Beuys - Robbe (Seal), 1981, color lithograph on white wove
Joseph Beuys, 1981
Robbe (Seal)
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Roy Lichtenstein - Black Flowers, 1961, oil on canvas
Roy Lichtenstein, 1961
Black Flowers
Gregory Crewdson - Untitled, Winter 2006, digital pigment print
Gregory Crewdson, Winter 2006
Untitled
John McLaughlin - #10 - 1965, 1965, oil on canvas
John McLaughlin, 1965
#10 - 1965
George Condo - Untitled, 1985, oil on canvas
George Condo, 1985
Untitled
Joseph Beuys - Rundbrief F.I.U (F.I.U. Mailing), 1982, printed letter, stamped, with gold paint
Joseph Beuys - James Joyce, 1984, offset on cardstock
Joseph Beuys, 1984
James Joyce
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99
Three Moments (with Pool Table)
Thomas Struth - Neutral Buoyancy Lab, JSC, Houston, 2017, chromogenic print
On View
Sherrie Levine - Untitled (after Walker Evans: negative) #8, 1989, photograph and wood frame
Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962
Heavy Industry
On View
Kara Walker - The Palmetto Libretto (part two of a multi part work. This one's a sketch for an American comic opera with shipwreck and cargo), 2012, pastel and graphite on paper
Tom Otterness - Mass Workers, 1983, painted cast polyadam
Tom Otterness, 1983
Mass Workers
Joseph Beuys - mit Schwefel überzogene Zinkkiste [tamponierte Ecke] (Sulphur-Covered Zinc Box (Plugged Corner)), 1970, sheet zinc, sulphur, gauze; stamped
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Timothy Greenfield‐Sanders - Portrait of Chuck Close, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Portrait of Chuck Close
Cindy Sherman - Untitled #353, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #353
Joseph Beuys - Triptychon: Young Elk above the Old Miller's House, 1981, lithograph on cardstock
Mark Grotjahn - Untitled (Orange and Lost Blue over Yellow, Italian Mask M30.h), 2014, painted bronze
Julian Schnabel - St. S, 1988, oil and velvet on tarpaulin with photograph
Julian Schnabel, 1988
St. S
Alexander Calder - Le Rouge de Saché, 1954, hanging mobile - painted sheet metal and wire
Alexander Calder, 1954
Le Rouge de Saché
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980
Suite Schwurhand: Goldskulptur
Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955
Untitled [New York City]
Joseph Beuys - Suite Zirkulationszeit: Kopf H.B. (Suite Circulation Time: Head H.B.), 1982, etching on white wove
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Neo Rauch - Warten auf die Barbaren, 2007, oil on canvas
Neo Rauch, 2007
Warten auf die Barbaren
Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced