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Timothy Greenfield‐Sanders - Portrait of Roy Lichtenstein, 1992, Polaroid
Timothy Greenfield‐Sanders, 1992

Portrait of Roy Lichtenstein

Christopher Wool - She Smiles for the Camera IV, 2005, enamel on linen
Christopher Wool, 2005

She Smiles for the Camera IV

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Joseph Beuys - 7000 Eichen (7000 Oaks), 1983, four color-offset prints on cardstock
Joseph Beuys, 1983

7000 Eichen (7000 Oaks)

Ed Ruscha - BLISS BUCKET, 2010, lithograph
Ed Ruscha, 2010

BLISS BUCKET

Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Gregory Crewdson - The Basement, 2014, digital pigment print
Gregory Crewdson, 2014

The Basement

Joseph Beuys - Wirtschaftswert Schultafel (Economic Value Blackboard), 1982, school blackboard, inscribed
Cy Twombly - Untitled [Rome], 1961, oil paint, wax crayon and lead pencil on canvas
Cy Twombly, 1961

Untitled [Rome]

David Salle - Tragedy, 1995, oil and acrylic on two canvas panels
David Salle, 1995

Tragedy

Cindy Sherman - Untitled #357, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #357

Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973

doppelt doppelt

Cindy Sherman - Untitled #460, 2007/2008, chromogenic color print
Cindy Sherman, 2007/2008

Untitled #460

Timothy Greenfield‐Sanders - Portrait of Jonathan Lasker, 1989, black and white photograph
Timothy Greenfield‐Sanders, 1989

Portrait of Jonathan Lasker

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Erdtelephon (Earth Telephone), 1973, silkscreen on felt board
Joseph Beuys, 1973

Erdtelephon (Earth Telephone)

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Sherrie Levine - Untitled (Mr. Austridge: 1), 1989, casein on wood
Sherrie Levine, 1989

Untitled (Mr. Austridge: 1)

Joseph Beuys - Demokratie ist lustig (Democracy Is Merry), 1973, silkscreen on cardstock, with handwritten text
Cindy Sherman - Untitled #209, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #209

Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Frank Stella - Illustrations after El Lissitzky's Had Gadya, 1982-84, 12 hand-colored and collaged with lithographic, linoleum block, silkscreen
Mark Tansey - Wake, 2003, oil on canvas
Mark Tansey, 2003

Wake

Elliott Hundley - Changeling, 2020, oil, encaustic, photographs and collage on linen
Elliott Hundley, 2020

Changeling

Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955

Untitled [New York City]

Mike Kelley - Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk