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William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Cindy Sherman - Untitled #357, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #357

Joseph Beuys - Schamanentopf, 1984, silkscreen on paper
Joseph Beuys, 1984

Schamanentopf

Mark Grotjahn - Untitled (Circus No. 2 Face 44.19), 2013, oil on cardboard mounted on linen
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Shio Kusaka - (dinosaur 37), 2017, stoneware
Shio Kusaka, 2017

(dinosaur 37)

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Lari Pittman - Pathos, Ethos, Logos, Kairos #1, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017

Pathos, Ethos, Logos, Kairos #1

On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Sayre Gomez - The Whole Wide World is a Haunted House, 2022, acrylic on canvas
Andreas Gursky - Greeley, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Greeley

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Joseph Beuys - Suite Schwurhand: Wandernde Kiste 2, 1980, lithograph on paper laid down on gray Rives wove
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Robert Therrien - No title (red chapel relief), 1991, enamel on paper and wood
Robert Therrien, 1991

No title (red chapel relief)

Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85

No title (green hat on pedestal)

Terry Winters - Global Icon, 1995, oil on linen
Terry Winters, 1995

Global Icon

Joseph Beuys - Suite Zirkulationszeit: Topfspiel (Suite Circulation Time: Pot Game), 1982, etching on white wove
Joseph Beuys - ich ernähre mich durch Kraftvergeudung (I Nourish Myself through Waste of Energy), 1978, paper tray, inscribed, cardboard box
Chuck Close - Robert Rauschenberg, 1996, four color digital ink jet prints mounted to aluminum panel
Chuck Close, 1996

Robert Rauschenberg

Joseph Beuys - A.E.I.U.O., 1983, color offset on two sheets
Joseph Beuys, 1983

A.E.I.U.O.

Timothy Greenfield‐Sanders - Portrait of Ross Bleckner, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ross Bleckner

Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994

Untitled

Timothy Greenfield‐Sanders - Portrait of Malcolm Morley, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Malcolm Morley

Robert Rauschenberg - Hillary Rodham Clinton Campaign Print, 2000, pigmented inkjet print
Robert Rauschenberg, 2000

Hillary Rodham Clinton Campaign Print

Joseph Beuys - aus Rheinische Bienenzeitung, 1975, offset on cardstock, folded
Joseph Beuys, 1975

aus Rheinische Bienenzeitung

Cindy Sherman - Untitled #396, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #396

Luc Tuymans - Conference Room, 2010, oil on canvas
Luc Tuymans, 2010

Conference Room

Joseph Beuys - eine Partei für Tiere (A Party for Animals), 1969, offset and handwritten text on paper, stamped with oil paint (Browncross) and round stamp
Takashi Murakami - Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Moon Pine, Ueno, 2024-25, acrylic and glitter on canvas mounted on aluminum frame
On View