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Terry Winters - Set Diagram 38, 2000, oil on linen
Terry Winters, 2000

Set Diagram 38

Richard Prince - What's What, 1989, fiberglass, wood, oil and enamel
Richard Prince, 1989

What's What

Robert Longo - Untitled (Marching Soldiers; (Party Foundation Day) Pyongyang, North Korea; October 10, 2015), 2019, charcoal on mounted paper
Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971

Celtic + ~~~~

William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012

The Refusal of Time

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets
Andy Warhol - Single Elvis [Ferus Type], 1963, silkscreen ink and spray paint on linen
Andy Warhol, 1963

Single Elvis [Ferus Type]

On View
Joseph Beuys - Notice to Guests, 1974, offset with dollar bill, inscribed; in frame
Joseph Beuys, 1974

Notice to Guests

Richard Artschwager - Double Console, 1988, painted wood, rubberized hair and plated steel
Richard Artschwager, 1988

Double Console

Eric Fischl - The Travel of Romance: Scene I, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene I

Joseph Beuys - Tafel III (Blackboard III), 1980, silkscreen on cardstock
Joseph Beuys, 1980

Tafel III (Blackboard III)

Andy Warhol - Big Electric Chair, 1967-68, acrylic and silkscreen ink on linen
Andy Warhol, 1967-68

Big Electric Chair

On View
Joseph Beuys - Bruno Corà-Tee (Bruno Corà Tea), 1975, Coca-Cola bottle containing herb tea, with lead seal and label; in glass-fronted wooden box
Roy Lichtenstein - Brushstroke Chair and Ottoman, 1986-88, paint and varnish on laminated birch veneer
Roy Lichtenstein, 1986-88

Brushstroke Chair and Ottoman

Alex Israel - Sky Backdrop, 2014-2015, acrylic on canvas
Alex Israel, 2014-2015

Sky Backdrop

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Kenneth Noland - Trans Light, 1968, acrylic on canvas
Kenneth Noland, 1968

Trans Light

Jenny Holzer - Laments: I am a man..., 1987, Electronic LED sign: red & yellow diodes
Jenny Holzer, 1987

Laments: I am a man...

Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Damien Hirst - Something Solid Beneath the Surface of All Creatures Great and Small, 2001, glass, stainless steel, nickel, brass, rubber, painted and lacquered MDF and animal skeletons
Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Cindy Sherman - Untitled #356, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #356

Joseph Beuys - Der Kanzler und die Kunst (The Chancellor and Art), 1982, printed card, with handwritten addition
John Ahearn and Rigoberto Torres - Titi in Window, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Titi in Window

On View
Joseph Beuys - Schafskelett aus der Suite Tränen (Sheep's Skeleton from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - 7000 Querce (7000 Oaks), 1984, color offset printed on both sides of cardstock, in two parts
Joseph Beuys, 1984

7000 Querce (7000 Oaks)

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

On View