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Louise Lawler - Egg and Gun, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008
Egg and Gun
Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977
sich selbst (Oneself)
Joseph Beuys - sich selbst (Oneself), 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
sich selbst (Oneself)
Timothy Greenfield‐Sanders - Portrait of Philip Taaffe, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985
Portrait of Philip Taaffe
Cindy Sherman - Untitled Film Still #34, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #34
Cindy Sherman - Untitled #199, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #199
William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012
The Refusal of Time
Robert Therrien - No title (hat / bowl panel), 1985, oil on canvas mounted on wood
Robert Therrien, 1985
No title (hat / bowl panel)
On View
Imi Knoebel - Figur 48, 1987, acrylic and lacquer on wood
Imi Knoebel, 1987
Figur 48
Sharon Lockhart - Pine Flat Portrait Studio, Matthew, Matthew, 2005, two framed chromogenic prints
Joseph Beuys - Kettenglied, 1975, letterpress on paper
Joseph Beuys, 1975
Kettenglied
Joseph Beuys - Hirschkopf aus der Suite Tränen (Stag's Head from Suite Tears), 1985, etching on thin paper laid down on white wove
Terry Winters - Aggregation, 1985, oil on linen
Terry Winters, 1985
Aggregation
Joseph Beuys - Sonnenschlitten (Sun Sled), 1984, silkscreen on cardstock
Joseph Beuys, 1984
Sonnenschlitten (Sun Sled)
Charline von Heyl - Story of a Panic, 2013, acrylic, ink, wax on paper
Charline von Heyl, 2013
Story of a Panic
Jean‐Michel Basquiat - Obnoxious Liberals, 1982, acrylic, oilstick, and spray paint on canvas
Jean‐Michel Basquiat, 1982
Obnoxious Liberals
On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Sherrie Levine - After Russell Lee: 1-60, 2016, giclee prints
Sherrie Levine, 2016
After Russell Lee: 1-60
Philip‐Lorca diCorcia - Tokyo, 1994, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1994
Tokyo
Doug Aitken - plateau, 2002, Aluminum lightbox, fluorescent lights, chromogenic transparency, acrylic
Doug Aitken, 2002
plateau
Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998
Los Angeles
Richard Diebenkorn - Untitled, 1987, acrylic, crayon, graphite and pasted paper on paper
Richard Diebenkorn, 1987
Untitled
Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981
Untitled #152
Timothy Greenfield‐Sanders - Portrait of David Wojnarowicz, 1984, black and white photograph
Timothy Greenfield‐Sanders, 1984
Portrait of David Wojnarowicz
Robert Therrien - No title (plaster snowman), 1982-98, plaster
Robert Therrien, 1982-98
No title (plaster snowman)
On View
Mark Bradford - Scorched Earth, 2006, mixed media on canvas
Mark Bradford, 2006
Scorched Earth
Joan Miró - Painting, March 13, 1933, 1933, oil on canvas
Joan Miró, 1933
Painting, March 13, 1933
Mickalene Thomas - Le Déjeuner sur l'herbe les Trois Femmes Noires d'aprés Picasso, 2022, rhinestones and acrylic paint on canvas mounted on wood panel
On View
Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984
Untitled #136