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Joseph Beuys - Holzpostkarte (Wood Postcard), 1974, silkscreen on pine
Joseph Beuys, 1974
Holzpostkarte (Wood Postcard)
Takashi Murakami - Nurse Ko2 (Original rendering by Nishi-E-Da, modeling by BOME and Genpachi Tokaimura, advised by Masahiko Asano, full scale sculpture by Lucky-Wide Co., Ltd.), 2011, carbon and urethane paint, transparent epoxy resin, eyeglasses, aluminum, book
Philip Taaffe - The Sorcerer's Apron, 1998 - 1999, mixed media on canvas
Philip Taaffe, 1998 - 1999
The Sorcerer's Apron
Christopher Wool - Untitled, 2008, silkscreen ink on paper
Christopher Wool, 2008
Untitled
Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
Goshka Macuga - Lenin addresses the troops outside the Bolshoi Theater in Moscow, 2013, collage on hand-printed silver gelatin print
Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971
Celtic + ~~~~
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Honigpumpe am Arbeitsplatz
Cindy Sherman - Untitled #571, 2016, dye sublimation metal print
Cindy Sherman, 2016
Untitled #571
Timothy Greenfield‐Sanders - Portrait of Eric Fischl, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986
Portrait of Eric Fischl
John Baldessari - That's Not Bad..., 2015, varnished inkjet print on canvas with acrylic paint
John Baldessari, 2015
That's Not Bad...
Robert Rauschenberg - Flaps (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000
Flaps (Marrakitch)
Robert Longo - Untitled (White Riot ), 1982, charcoal, graphite and ink on two paper panels
Robert Longo, 1982
Untitled (White Riot )
On View
Joseph Beuys - Photo Edition, 1979, galvanized metal box with eight color photographs, mounted in folded mats
Joseph Beuys, 1979
Photo Edition
Jack Goldstein - Untitled, 1988, acrylic on canvas
Jack Goldstein, 1988
Untitled
Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990
Why?
Sharon Lockhart - Pine Flat Portrait Studio, Meleah, Travis, 2005, two framed chromogenic prints
Chuck Close - Jasper Johns, 1997, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1997
Jasper Johns
Ed Ruscha - Atlas, 2002, acrylic on raw linen
Ed Ruscha, 2002
Atlas
Robert Therrien - No title (red chapel relief), 1991, enamel on paper and wood
Robert Therrien, 1991
No title (red chapel relief)
On View
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Timothy Greenfield‐Sanders - Portrait of Christopher Wool, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991
Portrait of Christopher Wool
Glenn Ligon - Warm Broad Glow II, 2011, neon, paint, and powder coated aluminum
Glenn Ligon, 2011
Warm Broad Glow II
Roy Lichtenstein - Mirror #1, 1969, oil and Magna on canvas
Roy Lichtenstein, 1969
Mirror #1
On View
Tom Otterness - Mass Workers, 1983, painted cast polyadam
Tom Otterness, 1983
Mass Workers
Joseph Beuys - 9 Postkarten: hiermit trete ich aus der Kunst aus (9 Postcards: I Hereby Resign from Art), 1985, offset on cardstock, stamps reproduced
Jasper Johns - Savarin 5 (Corpse and Mirror), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79
Savarin 5 (Corpse and Mirror)
Cindy Sherman - Untitled #264, 1992, chromogenic color print
Cindy Sherman, 1992
Untitled #264
Joseph Beuys - Hasenmenu, 1980, printed menu
Joseph Beuys, 1980
Hasenmenu
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper