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Tony Oursler - Phobic, 1993, mixed media with video
Tony Oursler, 1993

Phobic

Joseph Beuys - zeige deine Wunde (Show Your Wound), 1977, six photographic negatives, brown paint, glass, white glass and iron frame
Malcolm Morley - At a First Aid Center in Vietnam, 1971, oil on canvas
Malcolm Morley, 1971

At a First Aid Center in Vietnam

Bill Jensen - Voodoo, 1976, oil on linen
Bill Jensen, 1976

Voodoo

Imi Knoebel - vivimus, 1987, acrylic on plywood and wood stretchers
Imi Knoebel, 1987

vivimus

George Condo - Self Portraits Facing Cancer 1, 2015, acrylic, oil, and pigment stick on canvas, in two parts
George Condo, 2015

Self Portraits Facing Cancer 1

Timothy Greenfield‐Sanders - Portrait of Christopher Wool, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Christopher Wool

Sam Francis - Summer #1, 1957, oil on canvas
Sam Francis, 1957

Summer #1

Elliott Hundley - Blinded, 2009, wood, cork board, extruded polystyrene, canvas, oil paint, bamboo, willow, paper, ink, silk pins, plastic, wire, string, glass, glue
Elliott Hundley, 2009

Blinded

Jenny Saville - Stare, 2004-05, oil on canvas
Jenny Saville, 2004-05

Stare

Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Roy Lichtenstein - Imperfect Painting, 1986, oil and Magna on two canvas panels
Roy Lichtenstein, 1986

Imperfect Painting

On View
Joseph Beuys - Hirsch-Schädel aus der Suite Tränen (Stag's Skull from Suite Tears), 1985, etching on thin paper laid down on gray wove
Mike Kelley - Unlucky Clover (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Gletscher Schwamm Totenbett, 1979, photoetching on wove with pencil
Joseph Beuys, 1979

Gletscher Schwamm Totenbett

Joseph Beuys - gib mir Honig (Give Me Honey), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973

gib mir Honig (Give Me Honey)

Ed Ruscha - Angry Because It's Plaster, Not Milk, 1965, oil on canvas
On View
Doug Aitken - new skin, 2002, four-channel, four-projection video installation on an elliptical "X" screen (aluminum, PVC)
Doug Aitken, 2002

new skin

Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

David Salle - Cataluna Ground, 1987, acrylic and oil on two canvas panels
David Salle, 1987

Cataluna Ground

Joseph Beuys - Triptychon: Constellation of the Dipper, 1981, lithograph on cardstock
Leon Golub - 1985 - S. Africa, 1985, lithograph
Leon Golub, 1985

1985 - S. Africa

Ed Ruscha - BLISS BUCKET, 2010, lithograph
Ed Ruscha, 2010

BLISS BUCKET

Neo Rauch - Entfaltung, 2008, oil on canvas
Neo Rauch, 2008

Entfaltung

David Salle - Tragedy, 1995, oil and acrylic on two canvas panels
David Salle, 1995

Tragedy

Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

John Baldessari - Tomato Soup, 2012, multi-color screenprint
John Baldessari, 2012

Tomato Soup

Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Cindy Sherman - Untitled #193, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #193