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Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
On View
Joseph Beuys - Suite Schwurhand: Vogel (Suite Oath Hand: Bird), 1980, aquatint and lithograph on paper laid down on white Arches wove
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987
vivit
Jeff Koons - Couple, 2001, oil on canvas
Jeff Koons, 2001
Couple
On View
Cindy Sherman - Untitled #420, 2004, chromogenic color prints
Cindy Sherman, 2004
Untitled #420
Andreas Gursky - EM, Arena, Amsterdam II, 2000, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2000
EM, Arena, Amsterdam II
Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Paul Pfeiffer - Four Horsemen of the Apocalypse #10, 2004, Fuji Digital chromogenic print
David Salle - Lemons and Stars, 1997, acrylic, oil and photo-sensitized linen on two canvas panels
David Salle, 1997
Lemons and Stars
Sharon Lockhart - Pine Flat Portrait Studio, Mikey, Sierra, 2005, two framed chromogenic prints
Anselm Kiefer - Alarichs Grab [translation: Alaric's Grave], 1969-89, mixed media on treated lead mounted on original photograph in glazed steel frame
Robert Therrien - Under the Table, 1994, wood, metal and enamel
Robert Therrien, 1994
Under the Table
On View
Roy Lichtenstein - I...I'm Sorry!, 1965-66, oil and Magna on canvas
Roy Lichtenstein, 1965-66
I...I'm Sorry!
On View
Takashi Murakami - Flower Matango (b), 2001-2006, fiberglass, resin, oil paint, lacquer, acrylic plates, and iron
Takashi Murakami, 2001-2006
Flower Matango (b)
Andy Warhol - Self Portrait, 1966, acrylic, silkscreen ink, pencil and ballpoint pen on linen
Andy Warhol, 1966
Self Portrait
Richard Artschwager - Instrument, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990
Instrument
Joseph Beuys - Herman Hendrik ter Balkt: Joseph Beuys, 1978, book with poems by H.H. ter Balkt and 14 color silkscreens after works by Beuys
Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017
Pathos, Ethos, Logos, Kairos #4
On View
Joseph Beuys - Russische Bilder (Russian Pictures), 1984, packing paper with handwritten addition
Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
Hank Willis Thomas - We shall not be moved, 2022, screenprint on retroreflective vinyl, mounted on
Hank Willis Thomas, 2022
We shall not be moved
On View
Ed Ruscha - Turn Around, 1979, gunpowder on paper
Ed Ruscha, 1979
Turn Around
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83
Photo-Editionen (Photo Editions)
Joseph Beuys - New Beginnings Are in the Offing, 1981, offset on cardstock
Sam Francis - White #4, 1950-51, oil on canvas
Sam Francis, 1950-51
White #4
Gregory Crewdson - Untitled, Winter 2006, digital pigment print
Gregory Crewdson, Winter 2006
Untitled
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Joseph Beuys - Geruchsplastik (Smell Sculpture), 1978, glass jar, paper, volatile oils and chlorophyll
Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995
Kink Instability
Richard Prince - Untitled (Cowboy), 2012, inkjet and acrylic on canvas
Richard Prince, 2012
Untitled (Cowboy)