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David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986

Late Afternoon in the Forest

Jean‐Michel Basquiat - With Strings Two, 1983, acrylic, and oilstick on canvas
Jean‐Michel Basquiat, 1983

With Strings Two

Joseph Beuys - Steinhase (Stone Hare), 1982, color photograph
Joseph Beuys, 1982

Steinhase (Stone Hare)

Joseph Beuys - Seiltänzerin aus der Suite Tränen (Tightrope Dancer from Suite Tears), 1985, color etching on thin paper laid down on gray wove
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986

Conversation

David Salle - Symphony Concertante I, 1987, oil and acrylic on canvas
David Salle, 1987

Symphony Concertante I

Ed Ruscha - THE GIRL ALWAYS DID HAVE GOOD TASTE, 1976, pastel on paper
John Baldessari - Car Flanked by Doubleman (Splashed Blue), 1990, three color photographs with vinyl paint and acrylic paint
Cindy Sherman - Untitled #199, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #199

Patrick Martinez - Psychic Friends (Malcolm X), 2022, neon
Patrick Martinez, 2022

Psychic Friends (Malcolm X)

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Bruce Nauman - Ten Heads Circle/Up and Down, 1990, wax, wire
Bruce Nauman, 1990

Ten Heads Circle/Up and Down

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Robert Mapplethorpe - Tulips, 1988/printed in 1990, gelatin silver print
Robert Mapplethorpe, 1988/printed in 1990

Tulips

Cy Twombly - Untitled [Bolsena], 1969, oil based house paint, wax crayon, lead pencil and colored pencil on canvas
Cy Twombly, 1969

Untitled [Bolsena]

John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988

Green Kiss/Red Embrace (Disjunctive)

On View
Lari Pittman - Like You, 1995, oil and enamel on five mahogany panels
Lari Pittman, 1995

Like You

Mark Grotjahn - Untitled (Butterfly with Eyes CB and SL 768), 2008, colored pencil and oil on paper
Imi Knoebel - Figur 49, 1987, acrylic on wood
Imi Knoebel, 1987

Figur 49

Joseph Beuys - Evervess II 1, 1968, two soda-water bottles, one with felt; in wooden box with text printed on lid
Joseph Beuys, 1968

Evervess II 1

Joseph Beuys - Eine Straßenaktion (A Street Action), 1972, documentation and tape cassette in ring binder
Joseph Beuys - Denkend sehen (APOLLO) (To See Thinking (APOLLO)), 1977, photocopy
Joseph Beuys - aus from source to use, 1985, silkscreen on felt; silkscreen on plywood
Joseph Beuys, 1985

aus from source to use

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967

Femme assise et enfant

Robert Mapplethorpe - Orchid, 1988/printed in 1990, gelatin silver print
Robert Mapplethorpe, 1988/printed in 1990

Orchid

Andy Warhol - Rorschach, 1984, acrylic on canvas
Andy Warhol, 1984

Rorschach

On View
John Baldessari - Junction Series: Two Landscapes, Birds (with People) and Soldiers (at Attention), 2002, digital photographic print with acrylic on Sintra board in 8 parts
Frank Stella - Shards IV (3x), 1982, mixed media on aluminum
Frank Stella, 1982

Shards IV (3x)