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Joseph Beuys - Beuys in Norwegen (Beuys in Norway), 1982, envelope with franking
Thomas Struth - Neutral Buoyancy Lab, JSC, Houston, 2017, chromogenic print
John Baldessari - Pea Soup, 2012, multi-color screenprint
John Baldessari, 2012

Pea Soup

Eric Fischl - The Travel of Romance: Scene I, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene I

Cindy Sherman - Untitled #120, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #120

Jasper Johns - The Seasons, 1987, four intaglio prints
Jasper Johns, 1987

The Seasons

Joseph Beuys - Suite Schwurhand: Wandernde Kiste 3, 1980, lithograph on paper laid down on gray Rives wove
Kara Walker - African't, 1996, cut paper on wall
Kara Walker, 1996

African't

Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981

Das Wirtschaftswert-PRINZIP

Sharon Lockhart - Pine Flat Portrait Studio, Ryan, 2005, framed chromogenic print
Sharon Lockhart, 2005

Pine Flat Portrait Studio, Ryan

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Terry Winters - Untitled #2, 1984, charcoal, chalk and crayon on paper
Terry Winters, 1984

Untitled #2

Richard Diebenkorn - Untitled, 1987, acrylic, crayon, graphite and pasted paper on paper
Richard Diebenkorn, 1987

Untitled

Joseph Beuys - 3-Tonnen-Edition (3 Ton Edition), 1973-85, vinyl sheets silkscreened on both sides, reworked by hand
Joseph Beuys, 1973-85

3-Tonnen-Edition (3 Ton Edition)

Joseph Beuys - Manifest (Manifesto), 1979, silkscreen on gray cardboard
Joseph Beuys, 1979

Manifest (Manifesto)

John Currin - Old Couple, 1993, oil on canvas
John Currin, 1993

Old Couple

Robert Longo - Untitled (Ferguson Police, August 13, 2014), 2014, Charcoal on mounted paper
Joseph Beuys - aus Hommage à Arthur Köpcke (from Hommage à Arthur Köpcke), 1980, color offset on art paper, stamped
Joseph Beuys - Wohlbefinden (Well-Being), 1982, customer survey card, with handwritten text
Joseph Beuys, 1982

Wohlbefinden (Well-Being)

Jeff Koons - Chainlink Fence, 2003, polychromed aluminum, galvanized steel
Jeff Koons, 2003

Chainlink Fence

Barbara Kruger - Untitled (If you're so successful, why do you feel like a fake?), 1987, photographic silkscreen on mirrored glass
Cindy Sherman - Untitled #468, 2008, chromogenic color print
Cindy Sherman, 2008

Untitled #468

Robbie Conal - False Profit, 1988, two offset lithographic posters
Robbie Conal, 1988

False Profit

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Mickalene Thomas - The Charnel House (Resist #5), 2021, Rhinestones, acrylic, and oil paint on canvas mounted on wood panel
Mickalene Thomas, 2021

The Charnel House (Resist #5)

Susan Rothenberg - Blue Body, 1980-81, acrylic and flashe on canvas
Susan Rothenberg, 1980-81

Blue Body

Roy Lichtenstein - Stretcher Frame, 1968, oil and Magna on canvas
Roy Lichtenstein, 1968

Stretcher Frame

Joseph Beuys - Testament (Will), 1974, will form with mounted postcard; envelope; both inscribed
Joseph Beuys, 1974

Testament (Will)

Cindy Sherman - Untitled #98, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #98

On View