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Joseph Beuys - Piano Duet, 1981, fifty-two silkscreens on playing cards in cloth covered box
Joseph Beuys, 1981

Piano Duet

Timothy Greenfield‐Sanders - Portrait of Mike Kelley, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Mike Kelley

Joseph Beuys - Blumenzucker (Flower Sugar), 1974, postcard mounted on gray cardboard with attached sugar envelope
Joseph Beuys, 1974

Blumenzucker (Flower Sugar)

Joseph Beuys - Raum 3 (Room 3), 1981, invitation card with handwritten correction
Joseph Beuys, 1981

Raum 3 (Room 3)

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Meyer Vaisman - Still Life with Portraits, 1988, process inks and acrylic on canvas in two parts
Meyer Vaisman, 1988

Still Life with Portraits

Robert Rauschenberg - Flaps (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000

Flaps (Marrakitch)

Tony Oursler - Dust, 2006, fiberglass sculpture, Haron Kardon HS100 5.1 sound system, Sony XGA VPL-PX41 projector, 2 Sanyo PLC-XU48 projectors, 3 dvd players, 6 dvds, 3 master tapes
Tony Oursler, 2006

Dust

Cindy Sherman - Untitled #339, 1999, gelatin silver print
Cindy Sherman, 1999

Untitled #339

Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Jenny Saville - Strategy, 1994, oil on canvas
Jenny Saville, 1994

Strategy

Cy Twombly - Untitled (Rome), 1987, bronze
Cy Twombly, 1987

Untitled (Rome)

On View
Joseph Beuys - Dollarnoten (Dollar Bills), 1978, two banknotes, one inscribed by Beuys, the other printed with text by Klaus Staeck
Joseph Beuys, 1978

Dollarnoten (Dollar Bills)

Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982

Untitled

Joseph Beuys - Suite Zirkulationszeit: o.T. [Mädchen] (Suite Circulation Time: Untitled (Girl)), 1982, etching on white wove
Roy Lichtenstein - Woman: Sunlight, Moonlight, 1996, painted and patinated bronze
Roy Lichtenstein, 1996

Woman: Sunlight, Moonlight

John Baldessari - Green Kiss/Red Embrace (Disjunctive), 1988, four black and white photographs with oil tint
John Baldessari, 1988

Green Kiss/Red Embrace (Disjunctive)

John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Goshka Macuga - Death of Marxism, Women of All Lands Unite, 2013, wool tapestry
Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967

Femme assise et enfant

Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994

Untitled (Hate like us)

Tom Otterness - Double Foot, 1991, bronze
Tom Otterness, 1991

Double Foot

Frank Stella - First Night Watch (B-4, 2x), 1988, mixed media on aluminum
Frank Stella, 1988

First Night Watch (B-4, 2x)

Lari Pittman - The Veneer of Order, 1985, oil and acrylic on panel
Lari Pittman, 1985

The Veneer of Order

Christopher Wool - Untitled, 2008, enamel on linen
Christopher Wool, 2008

Untitled

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

John Currin - Hot Pants, 2010, oil on canvas
John Currin, 2010

Hot Pants

Cindy Sherman - Untitled Film Still #54, 1980, gelatin silver print
Cindy Sherman, 1980

Untitled Film Still #54

Joseph Beuys - Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jahrhundert p. Chr. (Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D.), 1972, iron casting