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Cindy Sherman - Untitled #368, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #368

Tom Otterness - Dodo, 1989-90, bronze
Tom Otterness, 1989-90

Dodo

Joel Shapiro - Untitled, 1974, cast iron
Joel Shapiro, 1974

Untitled

Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints
Joseph Beuys - DM 90,000, 1982, facsimile prints in iron frame with glass
Joseph Beuys, 1982

DM 90,000

Joseph Beuys - Frauentorso aus der Suite Tränen (Female Torso from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Jasper Johns - The Dutch Wives, 1977, silkscreen, 29 screens
Jasper Johns, 1977

The Dutch Wives

Robbie Conal - Holy Homophobia, 1990, offset lithographic poster
Robbie Conal, 1990

Holy Homophobia

Alex Israel - Lens (Orange), 2015, UV protective plastic lens
Alex Israel, 2015

Lens (Orange)

Jeff Koons - Balloon Venus (Magenta), 2008-2012, mirror-polished stainless steel with transparent color coating
Jeff Koons, 2008-2012

Balloon Venus (Magenta)

Joseph Beuys - Filzwinkel (Felt Angle), 1985, felt object
Joseph Beuys, 1985

Filzwinkel (Felt Angle)

Richard Artschwager - Tank, 1991, Formica and acrylic on fiber panel and wood with painted wood and formica artist's frame
Richard Artschwager, 1991

Tank

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Joseph Beuys - Paß für Eintritt in die Zukunft (Passport for Entry into the Future), 1974, pencil on writing paper
Hank Willis Thomas - We shall not be moved, 2022, screenprint on retroreflective vinyl, mounted on
Hank Willis Thomas, 2022

We shall not be moved

On View
Jeff Koons - Louis XIV, 1986, stainless steel
Jeff Koons, 1986

Louis XIV

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 1 (Suite Circulation Time: Primeval Sleds 1), 1982, etching and drypoint on white wove
Joseph Beuys - Apri bene la bocca! (Open Your Mouth Wide), 1978, Flyer by Jörg Frank; printed in red on paper
Anselm Kiefer - Entrance to Paradise, 2010, oil, emulsion, acrylic, shellac, thorn bushes, photographs, and lead on canvas in glass and steel frames
Anselm Kiefer, 2010

Entrance to Paradise

Imi Knoebel - Figur 31, 1986, acrylic on wood
Imi Knoebel, 1986

Figur 31

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Blumenzucker (Flower Sugar), 1974, postcard mounted on gray cardboard with attached sugar envelope
Joseph Beuys, 1974

Blumenzucker (Flower Sugar)

Joseph Beuys - im Kopf und im Topf, 1978, silkscreen on cardstock with pencil
Joseph Beuys, 1978

im Kopf und im Topf

Cindy Sherman - Untitled #410, 2003, chromogenic color print
Cindy Sherman, 2003

Untitled #410

Christopher Wool - Untitled, 1987, enamel and flashe on aluminum and steel
Christopher Wool, 1987

Untitled

Cindy Sherman - Untitled #363, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #363

Joseph Beuys - Schafskelett aus der Suite Tränen (Sheep's Skeleton from Suite Tears), 1985, etching on thin paper laid down on gray wove
Cindy Sherman - Untitled #409, 2002, chromogenic silver print
Cindy Sherman, 2002

Untitled #409

Mark Tansey - Wake, 2003, oil on canvas
Mark Tansey, 2003

Wake