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Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Leon Golub - Francisco Franco (1975), 1976, acrylic on linen
Leon Golub, 1976

Francisco Franco (1975)

Joseph Beuys - Schmerzraum (Chamber of Pain), 1984, silkscreen on paper
Joseph Beuys, 1984

Schmerzraum (Chamber of Pain)

David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986

Late Afternoon in the Forest

Jordan Wolfson - (Female figure), 2014, mixed media
Jordan Wolfson, 2014

(Female figure)

Jean‐Michel Basquiat - Untitled, 1981, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Andy Warhol - Dishwasher, 1960, ink on paper
Andy Warhol, 1960

Dishwasher

On View
Frank Stella - De Beers, 1982, wall relief of honeycomb aluminum
Frank Stella, 1982

De Beers

Keith Haring - Untitled, 1984, acrylic on canvas
Keith Haring, 1984

Untitled

Joseph Beuys - aus Rheinische Bienenzeitung, 1975, offset on cardstock, folded
Joseph Beuys, 1975

aus Rheinische Bienenzeitung

Cecily Brown - Black Painting I, 2002, oil on linen
Cecily Brown, 2002

Black Painting I

Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011

THEY COULDN'T DO NO BETTER

Robbie Conal - Pete Wilson, 1993, offset lithographic poster
Robbie Conal, 1993

Pete Wilson

Cecily Brown - Tender is the Night, 1999, oil on linen
Cecily Brown, 1999

Tender is the Night

Joseph Beuys - wer nicht denken will (Whoever Won't Think), 1977, yellow index card, wth handwritten text, stamped
Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967

Femme assise et enfant

Joseph Beuys - hier Ende der Implosion (Here Implosion Ends), 1974, wooden wedge with pencil drawing
Tony Oursler - Go Boom, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2003

Go Boom

Joseph Beuys - Das Orwell-Bein - Hose für das 21. Jahrhundert (The Orwell Leg - Trousers for the 21st Century), 1984, blue jeans with circular holes
Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63

Why Then Opened II

Marlene Dumas - Wall Weeping, 2009, oil on linen
Marlene Dumas, 2009

Wall Weeping

Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

Mark Bradford - Scorched Earth, 2006, mixed media on canvas
Mark Bradford, 2006

Scorched Earth

Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974

Dillinger

Ed Ruscha - Gilded, Marbled, and Foibled, 2011 - 2012, acrylic on canvas
Ed Ruscha, 2011 - 2012

Gilded, Marbled, and Foibled

On View
Glenn Ligon - Double America 2, 2014, neon and paint
Glenn Ligon, 2014

Double America 2

Joseph Beuys - von Gloeden Postkarten: Théatre grec à Taormine, 1978, offset on cardstock with pencil
David McDermott and Peter McGough - The Ghost, 1985, oil on linen
David McDermott and Peter McGough, 1985

The Ghost

Joseph Beuys - Sprachlos (Speechless), 1982, exhibition catalogue, Sprachlos cigarillo package, and matches, all with handwritten addition; in printed transparent plastic envelope
Joseph Beuys, 1982

Sprachlos (Speechless)

Mike Kelley - The Orange and Green (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk